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Celluloid

Films from United States

Best Movies from United States

United States's catalogue on Celluloid runs to 315 films spanning 1926–2028 across 4 languages — chiefly English and American Sign Language —, led by The Godfather (95%) and Pulp Fiction (90%). Every title is ranked by our four-input Celluloid Score with critic consensus and expert reviews on each film page.

Quick Answer

The highest-rated United States film on Celluloid is The Godfather (1972) with a 95% Celluloid Score — Celluloid Pick.

315
Films indexed
68%
Avg. Celluloid Score
4
Languages
118
Critic reviews

Guide to United States Movies on Celluloid

Each film from United States in our catalogue includes a Celluloid Score from up to four verified inputs, original verdict text, and linked editorial reviews where available. Audience sentiment is separate.

Titles are indexed by original language and country of production for easier discovery.

Essential United States Picks

Top 5 by Celluloid Score
The Godfather 1972 · Francis Ford Coppola · English

An offer you cannot refuse — Francis Ford Coppola's saga remains the definitive American crime epic.

95%
Celluloid Score Celluloid Pick
Pulp Fiction 1994 · Quentin Tarantino · English

Tarantino's mosaic of pop-culture dialogue and narrative daring rewired independent cinema forever.

90%
Celluloid Score Celluloid Pick
The Dark Knight 2008 · Christopher Nolan · English

Heath Ledger's Joker and Nolan's moral gravity make this the benchmark modern superhero film.

90%
Celluloid Score Celluloid Pick
The Shawshank Redemption 1994 · Frank Darabont · English

The ultimate crowd-pleaser — a prison drama about hope that IMDb voters elevated to all-time number one.

90%
Celluloid Score Celluloid Pick
12 Angry Men 1957 · Sidney Lumet · English

IMDb Top 250 #5 (9/10) — 12 Angry Men remains one of the most highly rated films of all time.

89%
Celluloid Score Recommended

United States Movie Reviews

All reviews →

Full critic reviews with answer-engine summaries — each review answers whether the film is worth watching, what it is about, and where to stream it.

The Godfather (1972) ★★★★★

The Godfather (1972) Review: Why Coppola's Crime Epic Still Reigns Supreme

Francis Ford Coppola's 1972 masterpiece turns a mafia saga into the definitive story of American power, family, and corruption — and more than 50 years on, it has never been surpassed.

An essential, five-star cornerstone of cinema — the American crime epic every other has been measured against since.
Pulp Fiction (1994) ★★★★★

Pulp Fiction (1994) Review: An American Classic

Quentin Tarantino's Pulp Fiction (1994) endures as a defining crime landmark from United States, with scores that still shape how audiences discover cinema from the region.

Essential viewing — a certified classic.
The Dark Knight (2008) ★★★★★

The Dark Knight (2008) Review: An American Classic

Christopher Nolan's The Dark Knight (2008) endures as a defining action landmark from United States, with scores that still shape how audiences discover cinema from the region.

Essential viewing — a certified classic.
The Shawshank Redemption (1994) ★★★★★

The Shawshank Redemption (1994) Review: An American Classic

Frank Darabont's The Shawshank Redemption (1994) endures as a defining drama landmark from United States, with scores that still shape how audiences discover cinema from the region.

Essential viewing — a certified classic.
12 Angry Men (1957) ★★★★½

12 Angry Men (1957) Review

Sidney Lumet's 12 Angry Men (1957) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
Schindler's List (1993) ★★★★½

Schindler's List (1993) Review

Steven Spielberg's Schindler's List (1993) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
The General (1926) ★★★★☆

The General (1926) Review

Clyde Bruckman & Buster Keaton's The General (1926) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
The Godfather Part II (1974) ★★★★½

The Godfather Part II (1974) Review

Francis Ford Coppola's The Godfather Part II (1974) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
Whiplash (2014) ★★★★½

Whiplash (2014) Review

Damien Chazelle's Whiplash (2014) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
The Odyssey (2026) ★★★★½

The Odyssey Review: Christopher Nolan's Homer Is a Technical Marvel — and a Box-Office Event

Shot entirely on IMAX 70mm film, Christopher Nolan's Homer adaptation is a genuine formal event — now confirmed as a record opening and audience favorite — even if the epic's scale occasionally outpaces its heart.

A staggering technical achievement, Nolan's highest-rated film with critics, and a rare A-CinemaScore blockbuster audiences are actively recommending. See it on the biggest screen you can find.
The Truman Show (1998) ★★★★☆

The Truman Show (1998) Review

Peter Weir's The Truman Show (1998) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
Star Wars (1977) ★★★★★

Star Wars (1977) Review: An American Classic

George Lucas's Star Wars (1977) endures as a defining sci-fi landmark from United States, with scores that still shape how audiences discover cinema from the region.

Essential viewing — a certified classic.
The Good, the Bad and the Ugly (1966) ★★★★½

The Good, the Bad and the Ugly (1966) Review

Sergio Leone's The Good, the Bad and the Ugly (1966) remains a defining Western landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
The Incredibles (2004) ★★★★☆

The Incredibles (2004) Review

Brad Bird's The Incredibles (2004) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
E.T. the Extra-Terrestrial (1982) ★★★★½

E.T. the Extra-Terrestrial (1982) Review: An American Classic

Steven Spielberg's E.T. the Extra-Terrestrial (1982) endures as a defining family landmark from United States, with scores that still shape how audiences discover cinema from the region.

Essential viewing — a certified classic.
Deaf President Now! (2025) ★★★★★

Deaf President Now! Review: A Landmark Documentary of Deaf Resistance

DiMarco reconstructs the 1988 Gallaudet protests with formal inventiveness that puts deaf perspective at the center of its own historic telling.

Essential history, told with the urgency it deserves.
The Wild Robot (2024) ★★★★½

The Wild Robot Review: DreamWorks Delivers Pixar-Level Heart

Christopher Sanders' adaptation of Peter Brown's novel pairs lush animation with Lupita Nyong'o's voice work in a survival story that earns every tear.

Essential family viewing — a modern animated masterpiece.
Jaws (1975) ★★★★½

Jaws (1975) Review: An American Classic

Steven Spielberg's Jaws (1975) endures as a defining thriller landmark from United States, with scores that still shape how audiences discover cinema from the region.

Essential viewing — a certified classic.
Come See Me in the Good Light (2025) ★★★★★

Come See Me in the Good Light Review: Love Facing Mortality With Grace

Ryan White documents poets Andrea Gibson and Megan Falley facing terminal illness with humor and unguarded affection—earned tears, not sentiment.

The year's most honest love story is a documentary.
Dune: Part Two (2024) ★★★★½

Dune: Part Two (2024) Review

Denis Villeneuve's Dune: Part Two (2024) remains a defining Science Fiction landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
GoodFellas (1990) ★★★★½

GoodFellas (1990) Review

Martin Scorsese's GoodFellas (1990) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
It's a Wonderful Life (1946) ★★★★½

It's a Wonderful Life (1946) Review

Frank Capra's It's a Wonderful Life (1946) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
One Flew Over the Cuckoo's Nest (1975) ★★★★½

One Flew Over the Cuckoo's Nest (1975) Review

Miloš Forman's One Flew Over the Cuckoo's Nest (1975) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Saving Private Ryan (1998) ★★★★½

Saving Private Ryan (1998) Review

Steven Spielberg's Saving Private Ryan (1998) remains a defining War landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
The Empire Strikes Back (1980) ★★★★½

The Empire Strikes Back (1980) Review

Irvin Kershner's The Empire Strikes Back (1980) remains a defining Adventure landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
The Green Mile (1999) ★★★★½

The Green Mile (1999) Review

Frank Darabont's The Green Mile (1999) remains a defining Fantasy landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
The Silence of the Lambs (1991) ★★★★½

The Silence of the Lambs (1991) Review

Jonathan Demme's The Silence of the Lambs (1991) remains a defining Crime landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Anora (2024) ★★★★★

Anora Review: A Screwball Fairy Tale That Curdles Into Heartbreak

Sean Baker's Anora begins as a Cinderella lark and detonates into something far sadder — a whirlwind of comedy, class fury and tenderness carried by a fearless, star-making Mikey Madison. The Palme d'Or and Best Picture were no accident.

Baker's finest film — a rowdy, big-hearted, formally exhilarating study of who gets to dream in America. An instant classic.
Cover-Up (2025) ★★★★½

Cover-Up Review: Seymour Hersh and the Moral Architecture of Investigative Journalism

Mark Obenhaus traces Seymour Hersh's decades of unwelcome scoops in a documentary that doubles as a masterclass in why dogged reporting still matters.

Essential for anyone who cares about truth in an age of noise.
Sing Sing (2023) ★★★★☆

Sing Sing Review: Colman Domingo Finds Grace Inside the Walls

Greg Kwedar's prison theater drama pairs Colman Domingo's career-defining turn with formerly incarcerated actors playing versions of themselves.

A rare film where authenticity earns every tear.
Project Hail Mary (2026) ★★★★★

Project Hail Mary Review: Ryan Gosling and an Alien Save the Sun — and Maybe Cinema

Phil Lord and Christopher Miller turn Andy Weir's space-survival novel into 2026's most unanimously loved blockbuster — Gosling's teacher-turned-astronaut and Rocky the alien are the year's defining unlikely friendship.

A masterpiece of accessible sci-fi — the year's highest Celluloid Score among English-language tentpoles, now streaming on Prime Video with every ounce of its theatrical wonder intact.
Birdman (2014) ★★★★☆

Birdman (2014) Review

Alejandro G. Iñárritu's Birdman (2014) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
Uncut Gems (2019) ★★★½☆

Uncut Gems (2019) Review

Benny Safdie & Josh Safdie & Martin Scorsese's Uncut Gems (2019) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
The Brutalist (2024) ★★★★★

The Brutalist Review: An Immigrant Epic Built to the Scale of Its Ambition

Brady Corbet's The Brutalist is a 215-minute, VistaVision-shot epic of immigration, art and the cruelty buried in American patronage — a monumental swing of a film anchored by a towering Adrien Brody.

A staggeringly ambitious old-Hollywood epic with a modern conscience — occasionally overreaching, but unforgettable. Major, muscular filmmaking.
Familiar Touch (2024) ★★★★½

Familiar Touch Review: A Compassionate Portrait of Memory's Slow Unraveling

Kathleen Chalfant brings devastating specificity to Sarah Friedland's unhurried drama about a retired cook adjusting to life in memory care.

Quiet, humane, and deeply affecting.
Ghostlight (2024) ★★★★☆

Ghostlight Review: Community Theater Becomes a Lifeline for Grief

Kelly O'Sullivan's Chicago drama turns a real family cast into something rare — a grief story that earns its Shakespeare without a single false note.

Celluloid Pick and deeply human.
Epic: Elvis Presley in Concert (2026) ★★★★½

Epic: Elvis Presley in Concert Review: Baz Luhrmann Restores the King at 95%

Luhrmann's restored Vegas concert documentary hits 95% critics and 90% audiences — Elvis live, louder and clearer than the 2022 biopic myth allows.

Documentary essential on Best of 2026 — United States music cinema that Empire's midyear list couldn't ignore.
Alien (1979) ★★★★½

Alien (1979) Review

Ridley Scott's Alien (1979) remains a defining Horror landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
American History X (1998) ★★★★½

American History X (1998) Review

Tony Kaye's American History X (1998) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Back to the Future (1985) ★★★★½

Back to the Future (1985) Review

Robert Zemeckis's Back to the Future (1985) remains a defining Adventure landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Casablanca (1943) ★★★★½

Casablanca (1943) Review

Michael Curtiz's Casablanca (1943) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
City Lights (1931) ★★★★½

City Lights (1931) Review

Charlie Chaplin's City Lights (1931) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Django Unchained (2012) ★★★★½

Django Unchained (2012) Review

Quentin Tarantino's Django Unchained (2012) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Modern Times (1936) ★★★★½

Modern Times (1936) Review

Charlie Chaplin's Modern Times (1936) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Psycho (1960) ★★★★½

Psycho (1960) Review

Alfred Hitchcock's Psycho (1960) remains a defining Horror landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Se7en (1995) ★★★★½

Se7en (1995) Review

David Fincher's Se7en (1995) remains a defining Crime landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
Spider-Man: Across the Spider-Verse (2023) ★★★★½

Spider-Man: Across the Spider-Verse (2023) Review

Kemp Powers & Justin K. Thompson & Joaquim Dos Santos's Spider-Man: Across the Spider-Verse (2023) remains a defining Animation landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
The Lion King (1994) ★★★★½

The Lion King (1994) Review

Roger Allers & Rob Minkoff's The Lion King (1994) remains a defining Animation landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
The Usual Suspects (1995) ★★★★½

The Usual Suspects (1995) Review

Bryan Singer's The Usual Suspects (1995) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
The Invite (2026) ★★★★½

The Invite Review: Olivia Wilde Turns a Dinner Party Into a Chamber of Mirrors

Olivia Wilde's chamber piece confines four extraordinary actors to a single apartment and lets the camera do the accusing — a comedy of manners that curdles, with real formal daring, into something closer to horror.

Wilde's best work by a distance — a razor-sharp, superbly acted single-location chamber piece. Don't miss it.
The Matrix (1999) ★★★★★

The Matrix (1999) Review: An American Classic

Lana Wachowski's The Matrix (1999) endures as a defining sci-fi landmark from United States, with scores that still shape how audiences discover cinema from the region.

Strongly recommended — a staple of its national cinema.
His Three Daughters (2023) ★★★★☆

His Three Daughters Review: Three Sisters, One Apartment, No Escape

Azazel Jacobs traps Natasha Lyonne, Elizabeth Olsen, and Carrie Coon in a dying father's apartment — and the claustrophobia is the whole point.

Ensemble drama at its most precise.
The Perfect Neighbor (2025) ★★★★½

The Perfect Neighbor Review: Bodycam Footage Becomes a Stand Your Ground Horror Story

Geeta Gandbhir assembles bodycam and interrogation footage into a slow-burning indictment of Florida's stand your ground culture without ever raising its voice.

Devastating true-crime cinema with civic urgency.
Kill Bill: Vol. 2 (2004) ★★★★☆

Kill Bill: Vol. 2 (2004) Review

Quentin Tarantino's Kill Bill: Vol. 2 (2004) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Nightcrawler (2014) ★★★★☆

Nightcrawler (2014) Review

Dan Gilroy's Nightcrawler (2014) remains a defining Crime landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
A Real Pain (2024) ★★★★½

A Real Pain Review: Grief, Heritage and the Cousin You Can't Fix

Jesse Eisenberg's A Real Pain sends two mismatched cousins on a Holocaust heritage tour of Poland, measuring inherited trauma against the smallness of everyday hurt — a slim, aching comedy-drama that hands Kieran Culkin the role of a lifetime.

A precise, deeply humane miniature about grief and the people we can't save — quietly one of the finest films of its year. Kieran Culkin is extraordinary.
Marlee Matlin: Not Alone Anymore (2025) ★★★★☆

Marlee Matlin: Not Alone Anymore Review: A Deaf Icon on Her Own Terms

Shoshannah Stern's insider portrait lets Marlee Matlin speak for herself, avoiding hagiography while honoring a groundbreaking career.

Essential viewing on Deaf representation and resilience.
Obsession (2026) ★★★★½

Obsession Review: A $750K Wish That Became a $400M Nightmare

Curry Barker's monkey's-paw horror romance turns a novelty charm into Gen Z's favorite date-night argument — grotesque, funny, and commercially unstoppable on a shoestring.

A crowd-pleasing Faustian bargain that earns its Certified Fresh status and its box-office legend — essential summer counterprogramming that outlasted the tentpoles.
Face/Off (1997) ★★★½☆

Face/Off (1997) Review

John Woo's Face/Off (1997) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
Gone Girl (2014) ★★★★☆

Gone Girl (2014) Review

David Fincher's Gone Girl (2014) remains a defining Mystery landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Forrest Gump (1994) ★★★★★

Forrest Gump (1994) Review: An American Classic

Robert Zemeckis's Forrest Gump (1994) endures as a defining drama landmark from United States, with scores that still shape how audiences discover cinema from the region.

Strongly recommended — a staple of its national cinema.
Titanic (1997) ★★★★½

Titanic (1997) Review: An American Classic

James Cameron's Titanic (1997) endures as a defining romance landmark from United States, with scores that still shape how audiences discover cinema from the region.

Strongly recommended — a staple of its national cinema.
Eephus (2024) ★★★★★

Eephus Review: A Shaggy Elegy for Small-Town Baseball

Lund stretches one last amateur ballgame into a shaggy elegy for small-town ritual, finding poignancy in the sport's dead time and enduring friendships.

Patient, shaggy, and unexpectedly moving — if you meet it on its own clock.
Good One (2024) ★★★½☆

Good One Review: A Camping Trip Where Every Silence Cuts

India Donaldson's piercing debut turns a Catskills backpacking trip into a quiet study of how fathers fail their daughters.

A sharp debut that splits audiences and rewards patience.
It's Never Over, Jeff Buckley (2025) ★★★½☆

It's Never Over, Jeff Buckley Review: A Restless Spirit, Fully Rendered

Amy Berg's intimate portrait of Jeff Buckley's brief, restless career mourns without wallowing, anchored by home recordings and unguarded interviews.

The definitive Buckley documentary — finally.
Is God Is (2026) ★★★★½

Is God Is Review: Twin Sisters Turn Southern Gothic Revenge Into Certified Fresh Theater

Aleshea Harris's play-to-screen debut is a 97% Tomatometer knockout — Kara Young and Mallori Johnson make twin-sister rage feel biblical and brutally funny.

One of 2026's essential theatricals — a revenge fable anchoring the United States section on Best of 2026 with scripture quoted like threats.
Hoppers (2026) ★★★★½

Hoppers Review: Pixar's Beaver-Consciousness Comedy Unifies Critics and Families at 94%

Daniel Chong hops human minds into robot beavers — 94% critics, 92% audiences, Metascore 80, and the year's smartest family event.

Editor's pick — the animation anchor on Best of 2026 that Empire and Variety both flagged as essential March counterprogramming.
Crows Are White (2022) ★★★★☆

Crows Are White (2022) Review

Ahsen Nadeem's Crows Are White (2022) remains a defining Documentary landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Hit Man (2024) ★★★½☆

Hit Man (2024) Review

Richard Linklater's Hit Man (2024) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
Toy Story 5 (2026) ★★★★½

Toy Story 5 Review: Pixar's Toys vs. the Tablet Era

Andrew Stanton sends Woody and Buzz up against a screen-obsessed kid and a frog-shaped tablet, and Pixar finds fresh heart in the oldest fear in the franchise.

Celluloid Pick family viewing — the year's biggest animated event.
Secret Mall Apartment (2024) ★★★★☆

Secret Mall Apartment Review: The Ultimate Mall Rat Documentary

Jeremy Workman turns an absurd Rhode Island squat into a sharp, affectionate critique of consumerist sprawl and DIY ingenuity.

Funny, smart, and sneakily subversive.
Thelma (2024) ★★★★☆

Thelma Review: June Squibb Turns Aging Into an Action Hero Origin Story

Josh Margolin's scam-fueled action-comedy gives June Squibb a rare starring turn — and she plays every stunt for real emotional stakes.

A crowd-pleaser with genuine heart.
The Plague (2025) ★★★★★

The Plague Review: A Boys' Camp Becomes a Pressure Cooker

Charlie Polinger transforms a 2003 swim camp into a nightmare of cruelty and shame — Joel Edgerton anchors a debut that critics call near-perfect.

Queasy, precise, and unforgettable.
The Breakfast Club (1985) ★★★★☆

The Breakfast Club (1985) Review

John Hughes's The Breakfast Club (1985) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Women Talking (2022) ★★★½☆

Women Talking (2022) Review

Sarah Polley's Women Talking (2022) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
The Backrooms (2026) ★★★★☆

The Backrooms Review: Kane Parsons Turns a Meme Into Certified Fresh Horror

Chiwetel Ejiofor and Renate Reinsve lend prestige to liminal terror in A24's 87%/90% horror breakout — the IMDb midyear chart's most surprising studio scare.

The year's smartest wide-release horror — now on Prime Video and Apple TV+ after a PVOD run that proved the Backrooms myth has theatrical legs.
I Love Boosters (2026) ★★★★☆

I Love Boosters Review: Boots Riley Turns Sponsored Skin Into Body Horror

Keke Palmer and LaKeith Stanfield wear corporate content on their bodies in Boots Riley's 91% Oakland satire — Sorry to Bother You's angrier, sharper cousin.

Certified Fresh genre satire on Best of 2026 — United States sci-fi with teeth, not toys.
The Christophers (2026) ★★★★☆

The Christophers Review: Soderbergh, Coel, and McKellen in a Dry Family Siege

Steven Soderbergh's 88% Tomatometer two-hander pairs Michaela Coel and Ian McKellen in a London family reckoning that critics love more than crowds do.

Awards-season craft with Soderbergh speed — essential for Coel and McKellen fans, though its emotional reserve will leave some viewers cold.
A Quiet Place Part II (2021) ★★★½☆

A Quiet Place Part II (2021) Review

John Krasinski's A Quiet Place Part II (2021) remains a defining Science Fiction landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.
A Different Man (2024) ★★★★☆

A Different Man Review: A Face Is Not a Self

Aaron Schimberg's A Different Man gives Sebastian Stan a cure for his facial difference and then hands the life he wanted to another man who never sought it — a slippery, wickedly ironic fable about identity, envy and the lie of transformation.

A squirmy, funny and unexpectedly profound identity puzzle, elevated by a superb double act. One of the year's most original films.
Dungeons & Dragons: Honor Among Thieves (2023) ★★★½☆

Dungeons & Dragons: Honor Among Thieves Review: The Fantasy Romp That Rolled Well

Dungeons & Dragons: Honor Among Thieves succeeds where blockbuster fantasy usually fails — by being light on its feet, genuinely funny and unashamedly fun, a heist-comedy adventure that captures the freewheeling spirit of a good tabletop campaign.

A charming, briskly funny fantasy adventure that knows exactly what it is. Not deep, but a rare four-quadrant crowd-pleaser done with real skill.
Megadoc (2025) ★★★½☆

Megadoc Review: Coppola's Obsession, Unfiltered

Mike Figgis turns Francis Ford Coppola's Megalopolis gamble into a riveting study of creative hubris and self-financed ambition.

Essential for anyone who cares how movies get made.
Vulcanizadora (2024) ★★★★½

Vulcanizadora Review: Deadpan Horror That Earns Its Sorrow

Joel Potrykus turns a Michigan-woods suicide pact into deadpan comedy that collapses into genuine grief — shoestring craft, full-strength devastation.

Bleak, funny, and finally heartbreaking.
The Drama (2026) ★★★★☆

The Drama Review: Zendaya and Pattinson Survive a Wedding-Week Confession Bomb

Kristoffer Borgli's A24 romantic black comedy turns a worst-confessions game into relationship free-fall — 89% critics, $132M worldwide, and Zendaya and Robert Pattinson at career-risk honesty.

Essential A24 conversation piece on Best of 2026 — a United States wedding-week spiral that rewards debate more than comfort.
Deadpool (2016) ★★★★☆

Deadpool (2016) Review

Tim Miller's Deadpool (2016) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Molli and Max in the Future (2023) ★★★½☆

Molli and Max in the Future Review: DIY Sci-Fi Romance With Real Gravity

Michael Lukk Litwak's lo-fi cosmic rom-com proves charm beats budget, though its 175-minute sprawl tests even patient viewers.

Inventive, uneven, and genuinely romantic.
Our Hero, Balthazar (2026) ★★★½☆

Our Hero, Balthazar Review: Viral Grief Becomes Father-Son Theft at 88%/65%

Jaeden Martell and Asa Butterfield confront cry-video fame in Oscar Boyson's 88% critic / 65% audience debut — Empire's essential uncomfortable watch.

Fresh for the brave — a United States indie on Best of 2026 about who owns pain when it goes viral.
A Beautiful Mind (2001) ★★★★☆

A Beautiful Mind (2001) Review

Ron Howard's A Beautiful Mind (2001) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Worth watching — solid entertainment with lasting cultural visibility.
Everything Everywhere All at Once (2022) ★★★★☆

Everything Everywhere All at Once (2022) Review

Daniel Scheinert & Daniel Kwan's Everything Everywhere All at Once (2022) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
LaRoy, Texas (2023) ★★★½☆

LaRoy, Texas Review: John Magaro in a Small-Town Noir of Mistaken Identity

Shane Atkinson wrings dark comedy from mistaken identity, with John Magaro's hapless lead giving LaRoy, Texas the jittery energy of small-town noir.

Modest but sharply entertaining indie noir.
Minions & Monsters (2026) ★★★★☆

Minions & Monsters Review: Illumination's Love Letter to Hollywood Horror

The Minions crash a monster-movie lot in the year's most affectionate animated comedy — funny, fast, and surprisingly sincere about classic Hollywood craft.

The best Minions movie since the original — ideal family viewing with genuine cinephile Easter eggs.
Crime 101 (2026) ★★★½☆

Crime 101 Review: Bart Layton's Don Winslow Heist Splits Truth Along the Freeway

Chris Hemsworth, Mark Ruffalo, and Halle Berry collide in Layton's 85% LA jewel-heist — 140 minutes of freeway crime where nobody's story stays straight.

Prestige crime on Best of 2026 — United States thriller for viewers who liked American Animals and want Don Winslow with documentary nerve.
Send Help (2026) ★★★★☆

Send Help Review: Sam Raimi Strands Rachel McAdams and Dylan O'Brien on a Desert Island

Raimi's boss-versus-employee survival horror clears 90% critics — Rachel McAdams and Dylan O'Brien turn a plane crash into a battle of wills with Valentine's dread intact.

Certified Fresh genre craft on Best of 2026 — United States horror-comedy that sends the right signals for couples who want dread, not roses.
Deadpool 2 (2018) ★★★★☆

Deadpool 2 (2018) Review

David Leitch's Deadpool 2 (2018) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Superman (2025) ★★★★☆

Superman Review: James Gunn Reboots Hope for the DCU

David Corenswet's earnest Clark Kent and Rachel Brosnahan's Lois Lane anchor a DC Universe launch that trades grimdark for sincerity — plus a scene-stealing Krypto.

Fresh and essential DCU viewing before Supergirl.
The Fall Guy (2024) ★★★½☆

The Fall Guy (2024) Review

David Leitch's The Fall Guy (2024) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Problemista (2023) ★★★★☆

Problemista Review: The American Dream as a Surreal Bureaucratic Nightmare

Julio Torres's Problemista renders the immigrant's fight for a US visa as a whimsical, anxiety-drenched fairy tale — a singular comic vision with Tilda Swinton as a monstrous art-world gorgon, equal parts absurd and quietly furious.

A wholly original comic voice arriving fully formed — inventive, melancholy and very funny. Julio Torres is a genuine talent.
Disclosure Day (2026) ★★★★☆

Disclosure Day Review: Spielberg Returns to the Sky With Awe and Unease

Steven Spielberg trades spectacle for institutional dread in a first-contact thriller that watches humanity's certainties dissolve — the master of upward-gazing wonder now more interested in the faces looking back down.

Late-period Spielberg in restrained, paranoid mode — less awe than unease, and all the more haunting for it. Highly recommended.
The Devil Wears Prada 2 (2026) ★★★½☆

The Devil Wears Prada 2 Review: Miranda Returns — and the Box Office Applauds

David Frankel reunites Streep, Hathaway, Blunt, and Tucci for a $690M global sequel — 78% critics, 85% audiences, and runway glamour that outpaces the script.

Fan-service done professionally — the year's biggest fashion-event grosser on Best of 2026 for Prada faithful, optional for satire purists.
Moonlight (2016) ★★★½☆

Moonlight (2016) Review

Barry Jenkins's Moonlight (2016) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Worth watching — solid entertainment with lasting cultural visibility.
Red Eye (2005) ★★★☆☆

Red Eye (2005) Review

Wes Craven's Red Eye (2005) remains a defining Thriller landmark from United States, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.
Jackass: Best and Last (2026) ★★★½☆

Jackass: Best and Last Sends Off the Crew With More Heart Than You'd Expect

The franchise's billed farewell trades a bit of shock value for genuine affection between its aging daredevils.

A scrappy, sentimental victory lap.
Motor City (2026) ★★★½☆

Motor City Review: Alan Ritchson's Near-Silent Revenge Trip Runs on Muscle and Groove

Potsy Ponciroli's Motor City strips a 1970s Detroit revenge plot down to bodies, cars, and a disco-rock pulse — roughly five lines of dialogue, and Alan Ritchson carrying the rest like a wrecking ball with a broken heart.

A stylish, nearly wordless grindhouse throwback that works as pure kinetic cinema even when the story is pure archetype. Worth a ticket if you want summer counterprogramming to Nolan and Spider-Man.
Gail Daughtry and the Celebrity Sex Pass (2026) ★★★½☆

Gail Daughtry and the Celebrity Sex Pass Review: David Wain's Joke Machine Lands More Than It Misses

David Wain's Sundance-premiered comedy is a Certified Fresh gag parade — 77% on Rotten Tomatoes, 66 on Metacritic — powered by Zoey Deutch and a deep bench of comic ringers, even if the hit-to-miss ratio trails his best work.

A loose, laugh-dense summer comedy carried by Zoey Deutch's charm and David Wain's troupe of ringers. See it for the gags that land and forgive the ones that don't — recommended for comedy fans.
People We Meet on Vacation (2026) ★★★☆☆

People We Meet on Vacation Review: Emily Bader and Tom Blyth Carry Henry's Romcom at 75%/82%

Brett Haley adapts Emily Henry with Emily Bader and Tom Blyth — 75% critics, 82% audiences, and chemistry that almost saves a safe script from itself.

Date-night competent on Best of 2026 — United States romcom comfort before Netflix owns it.
Evil Dead Burn (2026) ★★★☆☆

Evil Dead Burn Review: Ferocious Gore Craft, Missing Mischief — the Franchise's Meanest Chapter

Sébastien Vaniček's Evil Dead Burn is the franchise's most savage gore machine, and critics are split — a Certified Fresh 72% on Rotten Tomatoes against a 55 Metascore — between its ferocious practical craft and its thin, humorless siege narrative.

Gorehounds get exactly what they came for in the franchise's meanest entry, but thin characters and the missing Raimi-era mischief keep it a notch below Evil Dead Rise. Fans should go; the curious can wait for streaming.
The Rip (2026) ★★★☆☆

The Rip Review: Joe Carnahan Turns a Stash House Into a Trust Experiment

Matt Damon and Ben Affleck hold $24 million overnight in Joe Carnahan's Miami narcotics thriller — 70% critics, 75% audiences, and paranoia that outlasts the plot.

Mixed but gripping — a United States crime entry on Best of 2026 for viewers who want character friction over clean exits, now streaming on Netflix.
Mulan (2020) ★★★☆☆

Mulan (2020) Review

Niki Caro's Mulan (2020) remains a defining Adventure landmark from United States, with scores that still shape how audiences discover the title.

Worth watching — solid entertainment with lasting cultural visibility.
Blade II (2002) ★★★½☆

Blade II (2002) Review

Guillermo del Toro's Blade II (2002) remains a defining Fantasy landmark from United States, with scores that still shape how audiences discover the title.

Mixed — approach if the premise or cast specifically appeals.
Young Washington (2026) ★★★☆☆

Young Washington Review: Revolution on the Fourth of July

Jon Erwin's French and Indian War origin story finds a charismatic George Washington in William Franklyn-Miller, even when the history turns into musket-firing spectacle.

A patriotic crowd-pleaser that critics find uneven — audiences disagree.
Michael (2026) ★★★☆☆

Michael Review: Jaafar Jackson in a Biopic That Splits Critics and Fans

Antoine Fuqua's authorized Michael Jackson biopic rides 88% audience heat and IMDb midyear trending while critics stall at 55% — gloss, length, and legacy questions left open.

Mixed — a fan event more than a definitive portrait, useful for context on 2026's critic–audience divides.
TRON: Legacy (2010) ★★★½☆

TRON: Legacy (2010) Review

Joseph Kosinski's TRON: Legacy (2010) remains a defining Adventure landmark from United States, with scores that still shape how audiences discover the title.

Mixed — approach if the premise or cast specifically appeals.
Supergirl (2026) ★★★☆☆

Supergirl Review: Milly Alcock Soars While the Script Stalls

Milly Alcock's fierce Kara Zor-El and Jason Momoa's scene-stealing Lobo lift a DCU entry that critics find uneven but audiences largely embrace.

Worth seeing for Alcock and Momoa — just manage blockbuster expectations.
In Time (2011) ★★★½☆

In Time (2011) Review

Andrew Niccol's In Time (2011) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.

Mixed — approach if the premise or cast specifically appeals.
Lucky Strike (2026) ★★½☆☆

Lucky Strike Is a Competent War Thriller That Never Finds Its Spark

Scott Eastwood carries a WWII survival story that's well-made but rarely surprising.

Solid craft, generic story.
Moana (2026) ★★½☆☆

Moana Review: Disney's Live-Action Remake Sails in Circles

Disney's live-action Moana is a lavish act of transcription: Catherine Lagaʻaia shines and Oscar Faura's camera gives the ocean real weight, but Thomas Kail's shot-for-shot fidelity to a ten-year-old classic leaves the remake with nowhere of its own to sail.

Handsomely mounted and warmly acted, but creatively becalmed — a faithful copy that never argues for its own existence. Revisit the 2016 original instead.
The Garfield Movie (2024) ★★★☆☆

The Garfield Movie (2024) Review

Mark Dindal's The Garfield Movie (2024) remains a defining Adventure landmark from United States, with scores that still shape how audiences discover the title.

Mixed — approach if the premise or cast specifically appeals.
Transcendence (2014) ★★★☆☆

Transcendence (2014) Review

Wally Pfister's Transcendence (2014) remains a defining Thriller landmark from United States, with scores that still shape how audiences discover the title.

Mixed — approach if the premise or cast specifically appeals.

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