What is the highest-rated United States movie on Celluloid?

The Godfather (1972) leads our United States catalogue with a 95% Celluloid Score — Celluloid Pick. Directed by Francis Ford Coppola, it is ranked above 370 other United States titles in our database.

Best Movies from United States — Ranked by Celluloid…

Quick Answer

The highest-rated United States film on Celluloid is The Godfather (1972) with a 95% Celluloid Score — Celluloid Pick.

371: Films indexed

51%: Avg. Celluloid Score

5: Languages

144: Critic reviews

Guide to United States Movies on Celluloid

Each film from United States in our catalogue includes a Celluloid Score from up to four verified inputs, original verdict text, and linked editorial reviews where available. Audience sentiment is separate.

Titles are indexed by original language and country of production for easier discovery.

Essential United States Picks

Top 5 by Celluloid Score

The Godfather 1972 · Francis Ford Coppola · English

An offer you cannot refuse — Francis Ford Coppola's saga remains the definitive American crime epic.

95%

Celluloid Score Celluloid Pick

The Odyssey 2026 · Christopher Nolan · English

Yes. It is one of the most extraordinary-looking blockbusters in years and worth seeing on the largest screen possible, even if it is easier to admire than to love.

94%

Celluloid Score Celluloid Pick

Pulp Fiction 1994 · Quentin Tarantino · English

Tarantino's mosaic of pop-culture dialogue and narrative daring rewired independent cinema forever.

90%

Celluloid Score Celluloid Pick

The Dark Knight 2008 · Christopher Nolan · English

Heath Ledger's Joker and Nolan's moral gravity make this the benchmark modern superhero film.

90%

Celluloid Score Celluloid Pick

The Shawshank Redemption 1994 · Frank Darabont · English

The ultimate crowd-pleaser — a prison drama about hope that IMDb voters elevated to all-time number one.

90%

Celluloid Score Celluloid Pick

United States Movie Reviews

All reviews →

Full critic reviews with answer-engine summaries — each review answers whether the film is worth watching, what it is about, and where to stream it.

The Godfather (1972) ★★★★★

The Godfather (1972) Review: Power Handed Down in the Dark

The Godfather is Francis Ford Coppola's mafia epic about a family business and a son's slow corruption, and more than five decades on it remains the crime film to beat.

Yes, without qualification. It is the defining American crime film and rewards first-timers and rewatchers alike; set aside three hours and give it your full attention.

The Odyssey (2026) ★★★★★

The Odyssey (2026) Review: Homer, Writ Large in IMAX

The Odyssey is Christopher Nolan's IMAX-shot adaptation of Homer, with Matt Damon as Odysseus, a staggering visual epic whose heart sometimes lags behind its scale.

Yes. It is one of the most extraordinary-looking blockbusters in years and worth seeing on the largest screen possible, even if it is easier to admire than to love.

Pulp Fiction (1994) ★★★★★

Pulp Fiction (1994) Review: Talk, Time and Sudden Violence

Pulp Fiction is Quentin Tarantino's Palme d'Or-winning Los Angeles crime film, a shuffled deck of hitmen, boxers and robbers that changed American cinema in the 1990s.

Yes. It is one of the defining films of the 1990s, essential for anyone who loves crime cinema, great dialogue and bold storytelling, provided graphic violence is no obstacle.

The Dark Knight (2008) ★★★★★

The Dark Knight (2008) Review: A Crime Epic in a Cape

The Dark Knight is Christopher Nolan's Batman sequel, a sprawling crime epic in which Heath Ledger's Joker tests Gotham's moral limits. It still sets the bar.

Yes. It remains the benchmark superhero film, a gripping crime epic driven by Heath Ledger's Joker, and essential viewing for adults and older teenagers.

The Shawshank Redemption (1994) ★★★★★

The Shawshank Redemption (1994) Review: Hope Built Patiently

The Shawshank Redemption is Frank Darabont's prison drama about a friendship that outlasts decades behind bars, and it still earns every ounce of its reputation.

Yes. It is a generous, beautifully told drama about friendship and endurance that works for almost any adult audience, first time or fifth.

12 Angry Men (1957) ★★★★½

12 Angry Men (1957) Review: Doubt in a Locked Room

12 Angry Men is Sidney Lumet's 1957 jury-room drama, a lean study of prejudice and reasonable doubt that still grips like a thriller.

Yes. It is one of the great American dramas, tense from the first vote onward, and ideal for anyone who doubts a film set in one room can thrill.

Schindler's List (1993) ★★★★½

Schindler's List (1993) Review: Rescue in Black and White

Schindler's List is Steven Spielberg's black-and-white Holocaust drama about a German industrialist who saved his Jewish workers, still his most searing film.

Yes. It is one of the essential films about the Holocaust, for adult viewers ready for three hours of harrowing, unflinching history and a complex central figure.

The General (1926) ★★★★☆

The General (1926) Review: Keaton's Runaway Masterwork

The General is Buster Keaton's silent Civil War train-chase comedy, a feat of stunt engineering and deadpan timing that still outpaces most modern action films.

Yes. It is one of the great silent comedies and an ideal first Keaton film, provided you can accept a hero who is fighting for the Confederacy.

The Godfather Part II (1974) ★★★★½

The Godfather Part II (1974) Review: The Rise and the Rot

The Godfather Part II sets young Vito Corleone's rise against Michael's cold grip on power, a colder, more ambitious sequel that rivals and deepens the 1972 original.

Yes. It is essential for anyone who loved The Godfather, though its length and chilly second half make it a film to plan for rather than start on a whim.

Whiplash (2014) ★★★★½

Whiplash (2014) Review: A Jazz Drama Played Like a Thriller

Whiplash is Damien Chazelle's ferocious jazz drama about a young drummer and a tyrannical teacher, cut with the tension of a thriller and powered by J.K. Simmons.

Yes. It is one of the most gripping films of its decade, and at 107 minutes it never wastes a beat. Ideal for anyone drawn to stories of ambition, music or obsession.

Star Wars (1977) ★★★★★

Star Wars (1977) Review: The Myth That Remade Hollywood

Star Wars (1977) is George Lucas's space-opera fairy tale, a film that reshaped Hollywood and still works as a brisk, joyful adventure nearly fifty years on.

Yes, absolutely. It is essential viewing for anyone who loves adventure films, and it plays just as well for first-time viewers and families as it does for returning fans.

The Truman Show (1998) ★★★★☆

The Truman Show (1998) Review: A Prison Made of Sunshine

The Truman Show is Peter Weir's sunny, unsettling satire about a man whose whole life is a TV show, and Jim Carrey's best dramatic turn is at its heart.

Yes. It is a smart, moving and still-relevant satire of media and surveillance that works for teenagers and adults alike, though its satire is gentle.

Coco (2017) ★★★★½

Coco (2017) Review: Pixar's Ode to Remembering

Coco is Pixar's dazzling Day of the Dead adventure about a Mexican boy who dreams of music and crosses into the Land of the Dead, and it is gloriously moving.

Yes. It is one of Pixar's finest films, a vibrant, funny and deeply emotional family adventure that works just as well for adults as for children.

Deaf President Now! (2025) ★★★★★

Deaf President Now! (2025) Review: Eight Days at Gallaudet

Deaf President Now! revisits the 1988 Gallaudet University protests through the people who led them, and tells deaf history in a deaf filmmaking language.

Yes. It is a thrilling, essential piece of civil rights history, and it suits anyone who likes documentaries with the momentum of a political thriller.

E.T. the Extra-Terrestrial (1982) ★★★★½

E.T. the Extra-Terrestrial (1982) Review: Suburban Wonder

E.T. the Extra-Terrestrial is Steven Spielberg's story of a lonely boy and a stranded alien, a family film whose wonder and heartache have barely aged in over 40 years.

Yes. It remains the gold standard for family science fiction, ideal for children and adults together, as long as you are ready for a good cry.

The Incredibles (2004) ★★★★☆

The Incredibles (2004) Review: Midlife Crisis in Spandex

The Incredibles is Brad Bird's Pixar superhero comedy about a family of retired heroes stuck in suburbia, a sharp, stylish action film that works for all ages.

Yes. It is one of Pixar's best, a family film with real action chops and adult wit; only its slightly conventional final act keeps it from the very top tier.

The Wild Robot (2024) ★★★★½

The Wild Robot (2024) Review: A Machine Learns to Mother

The Wild Robot is Chris Sanders's gorgeous DreamWorks adaptation about a stranded robot raising an orphaned gosling, a funny and moving family film for all ages.

Yes. It is a beautifully animated, deeply felt family adventure that works for children and adults alike; bring tissues for the grown-ups.

Come See Me in the Good Light (2025) ★★★★★

Come See Me in the Good Light Review: Love Under a Diagnosis

Come See Me in the Good Light follows poets Andrea Gibson and Megan Falley through a terminal diagnosis and finds a love story as funny as it is brave.

Yes. It is a documentary about dying that plays as a love story and a comedy, and it suits anyone ready for tears that come with a lot of laughter.

Jaws (1975) ★★★★½

Jaws (1975) Review: The Terror of What You Can't See

Jaws is Steven Spielberg's 1975 shark thriller, the film that created the summer blockbuster and still grips because it understands suspense better than spectacle.

Yes. It is essential viewing, as gripping now as it was in 1975, and a near-perfect choice for anyone who enjoys thrillers, adventure or great ensemble acting.

Minari (2020) ★★★★☆

Minari (2020) Review: Planting Roots in Arkansas

Minari is Lee Isaac Chung's tender, semi-autobiographical drama about a Korean American family farming in rural Arkansas, lifted by a scene-stealing grandmother.

Yes. It is a gentle, beautifully acted family drama that rewards patience; viewers who need plot momentum may find its quiet rhythm too low-key.

Anora (2024) ★★★★★

Anora (2024) Review: Cinderella Meets the Henchmen

Sean Baker's Anora follows a Brooklyn stripper who impulsively marries an oligarch's son: a Palme d'Or-winning screwball comedy with a bruised, beating heart.

Yes. It is Sean Baker's best film and one of the essential American movies of the decade: a riotous farce with real tenderness and a star-making Mikey Madison.

Cover-Up (2025) ★★★★½

Cover-Up (2025) Review: Seymour Hersh Shows His Work

Cover-Up profiles investigative reporter Seymour Hersh across decades of unwelcome scoops, and plays as a gripping case study in how buried stories get out.

Yes. It is a sharp, absorbing portrait of a great and difficult reporter, essential for anyone interested in journalism, secrecy and how power avoids scrutiny.

Dune: Part Two (2024) ★★★★½

Dune: Part Two (2024) Review: Spectacle With a Warning

Dune: Part Two is Denis Villeneuve's towering desert war epic, and a sharper film than Part One because it treats its chosen-one hero as a warning.

Yes. It is blockbuster science fiction at its most confident. Watch Dune (2021) first, then see this on the biggest screen you can find.

GoodFellas (1990) ★★★★½

GoodFellas (1990) Review: The Seduction of the Life

GoodFellas is Martin Scorsese's electric true-crime saga of Henry Hill's life in the mob, a film that sells the gangster's thrill and then sends you the bill.

Yes. It is one of the defining crime films of the American cinema, essential for adult viewers who can handle sudden, brutal violence and strong language.

It's a Wonderful Life (1946) ★★★★½

It's a Wonderful Life (1946) Review: Darker Than Its Legend

It's a Wonderful Life is Frank Capra's 1946 Christmas classic, and beneath the holiday glow it is a surprisingly raw drama about disappointment, duty and despair.

Yes. It remains one of the great American films, rewarding for first-timers and holiday rewatchers alike, provided you can accept open-hearted sentiment.

One Flew Over the Cuckoo's Nest (1975) ★★★★½

One Flew Over the Cuckoo's Nest (1975) Review: Rebel Ward

One Flew Over the Cuckoo's Nest is Miloš Forman's funny, furious drama about a rebel in a psychiatric ward, with Jack Nicholson and Louise Fletcher at their peak.

Yes. It is a towering American drama that is funny and devastating in equal measure, essential for anyone who loves great acting, though some attitudes have dated.

Saving Private Ryan (1998) ★★★★½

Saving Private Ryan (1998) Review: The Cost of One Life

Saving Private Ryan is Steven Spielberg's Second World War epic, a harrowing rescue-mission drama whose Omaha Beach landing changed how cinema shows combat.

Yes. It remains one of the essential war films, for adults who can handle intense, graphic battle scenes and want a drama about duty that still hits hard.

Sing Sing (2023) ★★★★☆

Sing Sing (2023) Review: Freedom Found in Rehearsal

Sing Sing is Greg Kwedar's moving prison drama about an inmate theatre troupe, led by Colman Domingo and formerly incarcerated men playing versions of themselves.

Yes. It is a deeply humane, beautifully acted drama for anyone moved by stories of friendship and art, and its hope feels earned rather than manufactured.

Terminator 2: Judgment Day (1991) ★★★★½

Terminator 2: Judgment Day (1991) Review: Action Perfected

Terminator 2: Judgment Day is James Cameron's landmark sci-fi action sequel, a relentless chase with groundbreaking effects and a surprising emotional core.

Yes. It remains one of the greatest action films ever made, essential for genre fans and first-timers alike, even if a few sentimental beats and one-liners have dated.

The Empire Strikes Back (1980) ★★★★½

The Empire Strikes Back (1980) Review: The Saga Grows Up

The Empire Strikes Back is the darker, richer second Star Wars film, a space adventure that splits its heroes apart and gives the saga its emotional depth.

Yes. It is the high point of the original Star Wars trilogy, thrilling and surprisingly melancholy; watch the 1977 film first, as this is a middle chapter.

The Green Mile (1999) ★★★★½

The Green Mile (1999) Review: Mercy on Death Row

The Green Mile is Frank Darabont's Stephen King prison drama about death-row guards and a gentle giant with a gift, a long, sentimental film that earns its tears.

Yes. It is a deeply moving, superbly acted prison fable for viewers ready for a three-hour commitment and a good cry; cynics may find it heavy-handed.

The Silence of the Lambs (1991) ★★★★½

The Silence of the Lambs (1991) Review: Horror in Close-Up

The Silence of the Lambs is Jonathan Demme's landmark FBI thriller, with Jodie Foster's trainee and Anthony Hopkins's Lecter locked in a duel that still unnerves.

Yes. It is one of the great psychological thrillers, tense, intelligent and superbly acted; essential for adults who can handle dark, disturbing material.

Ghostlight (2024) ★★★★☆

Ghostlight (2024) Review: Grief Finds Its Stage

Ghostlight is Kelly O'Sullivan and Alex Thompson's tender drama about a grieving construction worker who stumbles into community theatre, played by a real family with rare honesty.

Yes. It is a moving, beautifully acted indie about grief and amateur theatre, ideal for viewers who prefer quiet character drama to plot, and worth the slow start.

Birdman (2014) ★★★★☆

Birdman (2014) Review: Ego, Filmed in One Breath

Birdman is Alejandro G. Iñárritu's Best Picture-winning backstage comedy, with Michael Keaton as a faded superhero star staking everything on a Broadway play.

Yes, with reservations. It is a dazzling, darkly funny showbiz satire with a career-best Michael Keaton, though its restless technique and self-regard can be exhausting.

Familiar Touch (2024) ★★★★½

Familiar Touch (2024) Review: Dignity in Memory Care

Familiar Touch is Sarah Friedland's gentle drama about a retired cook moving into memory care, anchored by a superb Kathleen Chalfant. Humane, precise and moving.

Yes. It is a quiet, deeply humane drama about ageing and memory loss, ideal for patient viewers who want honesty rather than melodrama from a film about dementia.

The Brutalist (2024) ★★★★★

The Brutalist (2024) Review: Concrete, Capital and Exile

The Brutalist is Brady Corbet's 215-minute epic of a Holocaust survivor and architect in postwar America, a monumental film anchored by a towering Adrien Brody.

Yes. It is a rare modern epic with the scale and nerve of the classics, essential for patient viewers ready to give it three and a half hours.

Uncut Gems (2019) ★★★½☆

Uncut Gems (2019) Review: Sandler's Relentless Gamble

Uncut Gems stars Adam Sandler as a New York jeweller who cannot stop betting, and the Safdie brothers make his chaos thrilling, funny and completely exhausting.

Yes, if you can handle the stress. Sandler is extraordinary and the pace is electric, but the film's sheer noise and abrasiveness will wear some viewers out.

Alien (1979) ★★★★½

Alien (1979) Review: Blue-Collar Terror in Deep Space

Ridley Scott's Alien (1979) is a slow-burn haunted-house film set aboard a grimy space freighter, and it is still the benchmark for science fiction horror.

Yes. It remains the model for science fiction horror: patient, tactile and genuinely frightening. Essential for genre fans and for anyone who only knows the sequels.

American History X (1998) ★★★★½

American History X (1998) Review: Hate, Handed Down

American History X is Tony Kaye's searing drama about a former neo-Nazi trying to save his younger brother, driven by Edward Norton's ferocious performance.

Yes. It is a harrowing American drama built around one of the great screen performances of the 1990s, though its violence is extreme and strictly for adults.

Back to the Future (1985) ★★★★½

Back to the Future (1985) Review: Clockwork Comedy

Back to the Future is Robert Zemeckis's 1985 time-travel comedy, a near-flawless feat of storytelling engineering powered by Michael J. Fox and Christopher Lloyd.

Yes. It is one of the best-built crowd-pleasers Hollywood has made, ideal for families and first-timers alike, with only a few dated jokes to forgive.

Casablanca (1943) ★★★★½

Casablanca (1943) Review: Wartime Romance, Still Unbeaten

Casablanca is Michael Curtiz's Second World War romance about a cynical club owner and the lover who walks back into his life, and it still plays beautifully.

Yes. It remains one of the most entertaining and quotable Hollywood films ever made, ideal for first-timers to classic cinema as well as anyone overdue a rewatch.

City Lights (1931) ★★★★½

City Lights (1931) Review: Chaplin's Tenderest Comedy

City Lights is Charlie Chaplin's silent romantic comedy about the Tramp's devotion to a blind flower seller, and it is still as funny as it is heartbreaking.

Yes. It is Chaplin at his peak and one of the best entry points to silent film, ideal for newcomers to classic cinema and anyone who loves romantic comedy.

Django Unchained (2012) ★★★★½

Django Unchained (2012) Review: Tarantino's Furious Western

Django Unchained is Quentin Tarantino's blood-soaked revenge western about a freed slave and a bounty hunter: provocative, wildly entertaining and superbly acted.

Yes. It is a thrilling, funny and genuinely angry western for adult viewers who can handle extreme violence and deliberately provocative treatment of slavery.

His Three Daughters (2023) ★★★★☆

His Three Daughters (2023) Review: Grief in One Apartment

His Three Daughters is Azazel Jacobs's intimate chamber drama in which Carrie Coon, Elizabeth Olsen and Natasha Lyonne play sisters keeping vigil for their father.

Yes. It is a finely acted, bittersweet chamber piece for viewers who love dialogue and performance, less so for anyone who needs plot or a change of scenery.

Modern Times (1936) ★★★★½

Modern Times (1936) Review: Chaplin Versus the Machine

Modern Times is Charlie Chaplin's Depression-era comedy in which the Tramp battles factory machines, hunger and the law, and 90 years on it is still hilarious.

Yes. It is one of the great screen comedies, short, inventive and warm-hearted, and an ideal first silent-style film for newcomers and families alike.

Psycho (1960) ★★★★½

Psycho (1960) Review: Hitchcock Pulls the Rug Out

Psycho is Alfred Hitchcock's 1960 thriller about a fleeing office worker and a lonely motel keeper, a film that rewired horror and still plays with its audience's nerves.

Yes. It remains one of the most influential and gripping thrillers ever made, essential for horror fans and film lovers, even if a few elements have dated.

Se7en (1995) ★★★★½

Se7en (1995) Review: Seven Sins, Endless Rain

Se7en is David Fincher's rain-soaked serial-killer thriller, a bleak, meticulous procedural in which Morgan Freeman and Brad Pitt hunt a murderer obsessed with sin.

Yes. It is one of the great crime thrillers of the 1990s, for adults who can take a genuinely dark, disturbing film and want atmosphere as much as mystery.

Spider-Man: Across the Spider-Verse (2023) ★★★★½

Spider-Man: Across the Spider-Verse Review: Art in Overdrive

Spider-Man: Across the Spider-Verse sends Miles Morales through a multiverse of clashing art styles, a dazzling animated sequel that is also half of a bigger story.

Yes. It is one of the most inventive animated films of the decade, a must for anyone who loved Into the Spider-Verse, as long as you accept it ends mid-story.

The Departed (2006) ★★★★½

The Departed (2006) Review: Two Moles, One Boston

The Departed is Martin Scorsese's Boston remake of Infernal Affairs, a profane, propulsive crime thriller about two moles on opposite sides of the law.

Yes. It is one of Scorsese's most purely entertaining crime films, tense, funny and brutal, and a strong pick for adults who enjoy sprawling gangster thrillers.

The Lion King (1994) ★★★★½

The Lion King (1994) Review: Shakespeare on the Savanna

The Lion King is Disney's hand-drawn coming-of-age epic about a lion cub and a scheming uncle, a family film with real grief, great songs and a superb villain.

Yes. It remains one of the finest animated films Disney has made, ideal for families with children around six and up and for adults revisiting it.

The Matrix (1999) ★★★★★

The Matrix (1999) Review: The Red Pill Still Works

The Matrix is the Wachowskis' landmark sci-fi action film about a hacker who learns his world is a simulation, still thrilling, witty and startlingly influential.

Yes, absolutely. It is one of the essential science fiction films, a perfect fusion of ideas and action for anyone who has not seen it or has not revisited it lately.

The Perfect Neighbor (2025) ★★★★½

The Perfect Neighbor (2025) Review: Bodycam as Indictment

The Perfect Neighbor is Geeta Gandbhir's documentary about a Florida feud that turned fatal, built from police bodycam footage into a quietly devastating indictment.

Yes. It is one of the most gripping and important true-crime documentaries in years, though its real footage of escalating conflict and its aftermath is hard to watch.

The Usual Suspects (1995) ★★★★½

The Usual Suspects (1995) Review: A Heist Told in Whispers

The Usual Suspects is Bryan Singer's twisty 1990s crime thriller about five crooks, one interrogation and a legendary villain, still a model of tricky storytelling.

Yes. It is a slick, clever and endlessly rewatchable crime puzzle; ideal for anyone who loves sharp dialogue and stories that reward close attention.

A Real Pain (2024) ★★★★½

A Real Pain (2024) Review: Two Cousins, Two Kinds of Grief

A Real Pain is Jesse Eisenberg's funny, aching road movie about two cousins on a Holocaust heritage tour of Poland, lit up by Kieran Culkin's Oscar-winning turn.

Yes. It is a small, wise and very funny film about family and grief, ideal for anyone who likes character-driven comedy-drama with real emotional depth.

Kill Bill: Vol. 2 (2004) ★★★★☆

Kill Bill: Vol. 2 (2004) Review: Swords Give Way to Words

Kill Bill: Vol. 2 finishes Quentin Tarantino's revenge saga as a slower, talkier and sadder film than Vol. 1, trading swordplay spectacle for character.

Yes. It is the richer half of the Kill Bill story and essential after Vol. 1, though viewers who came for nonstop action may find its long conversations a test.

Marlee Matlin: Not Alone Anymore (2025) ★★★★☆

Marlee Matlin: Not Alone Anymore Review: Her Story, Signed

Marlee Matlin: Not Alone Anymore is Shoshannah Stern's documentary portrait of the Deaf actor, told largely in her own signed words and frank about the hard parts.

Yes. It is a candid, well-made portrait of a groundbreaking actor, essential for anyone interested in Deaf culture and representation, if conventional in shape.

Nightcrawler (2014) ★★★★☆

Nightcrawler (2014) Review: If It Bleeds, It Leads

Nightcrawler is Dan Gilroy's queasy Los Angeles thriller about a ruthless freelance crime cameraman, driven by one of Jake Gyllenhaal's most unsettling performances.

Yes. It is a gripping, darkly funny media satire with a mesmerising lead, though its message about TV news is delivered with more force than subtlety.

Eephus (2024) ★★★★★

Eephus (2024) Review: Baseball's Last Long Afternoon

Eephus is Carson Lund's gentle, funny film about the last amateur baseball game on a doomed New England field, and a quietly profound elegy for small rituals.

Yes. It is a patient, funny and unexpectedly moving film for viewers who enjoy slow cinema, hangout comedies or baseball's long pauses. Meet it on its own clock.

Face/Off (1997) ★★★½☆

Face/Off (1997) Review: Two Stars, Swapped and Unleashed

Face/Off is John Woo's gloriously absurd 1997 action thriller in which John Travolta and Nicolas Cage swap faces. Operatic, overlong and hugely entertaining.

Yes, with reservations. It is a blast for fans of big 1990s action and gonzo star turns, as long as you can accept preposterous science and a bloated running time.

Forrest Gump (1994) ★★★★★

Forrest Gump (1994) Review: History Through Innocent Eyes

Forrest Gump is Robert Zemeckis's sweeping tragicomic odyssey through postwar America, anchored by Tom Hanks as a gentle Alabama man who never stops loving Jenny.

Yes. It is a landmark of American popular cinema, funny, heartbreaking and endlessly rewatchable, perfect for anyone who can embrace unapologetic sentiment.

Gone Girl (2014) ★★★★☆

Gone Girl (2014) Review: A Marriage on Trial

Gone Girl is David Fincher's icy, darkly funny thriller about a missing wife and a husband under suspicion, a sharp satire of marriage and media starring Rosamund Pike.

Yes. It is a gripping, wickedly clever adult thriller with Rosamund Pike at her best, as long as you can accept a later stretch that pushes plausibility hard.

Good One (2024) ★★★½☆

Good One (2024) Review: A Daughter Sees Clearly

Good One is India Donaldson's quietly piercing debut, in which a Catskills hiking trip shows a 17-year-old how easily the men around her let her down.

Yes, with patience. It is a precise, understated drama that rewards viewers who like small gestures and silence, less so anyone wanting a big confrontation.

It's Never Over, Jeff Buckley (2025) ★★★½☆

It's Never Over, Jeff Buckley Review: Tender, Not Worshipful

It's Never Over, Jeff Buckley is Amy Berg's intimate documentary about the singer of Grace, built on private recordings and mourning without turning him into a saint.

Yes, with reservations. Fans of Buckley will treasure its intimacy, and newcomers get a moving introduction, though its structure is more conventional than its subject.

Titanic (1997) ★★★★½

Titanic (1997) Review: The Epic That Earns Its Tears

Titanic is James Cameron's colossal romantic disaster epic, pairing Leonardo DiCaprio and Kate Winslet with a staggering recreation of the doomed ocean liner.

Yes. It is old-fashioned Hollywood spectacle at its most sweeping and emotional; ideal for anyone ready for a three-hour romance with a devastating second half.

Crows Are White (2022) ★★★★☆

Crows Are White (2022) Review: Enlightenment With Ice Cream

Crows Are White follows a filmmaker shut out of a Japanese Buddhist monastery who befriends a metal-loving monk, and turns into a wry, candid study of faith.

Yes, with small reservations. It is a funny, disarming documentary about faith and honesty that suits viewers who enjoy personal, first-person films more than straight reportage.

Hit Man (2024) ★★★½☆

Hit Man (2024) Review: Glen Powell Plays Pretend

Hit Man is Richard Linklater's sly screwball comedy about a professor posing as a contract killer, a star vehicle for Glen Powell with a wobbly final act.

Mostly yes. It is a sexy, clever crime comedy with a star-making lead, ideal for a fun night in, though its moral wobble in the final stretch will not sit well with everyone.

Secret Mall Apartment (2024) ★★★★☆

Secret Mall Apartment (2024) Review: Squatting as Art

Secret Mall Apartment is Jeremy Workman's funny, affectionate documentary about Rhode Island artists who hid a home inside a shopping mall for four years.

Yes. It is a warm, funny true story with a sly point about who public space is for, ideal for documentary fans and anyone who loves an audacious prank.

Thelma (2024) ★★★★☆

Thelma (2024) Review: An Action Hero on a Scooter

Thelma is Josh Margolin's warm, funny comedy in which June Squibb plays a grandmother who sets out across Los Angeles to recover money stolen by phone scammers.

Yes. It is a charming, gently subversive comedy with a terrific June Squibb lead; ideal for multigenerational viewing and anyone who enjoys underdog stories.

The Plague (2025) ★★★★★

The Plague (2025) Review: Cruelty in the Deep End

The Plague is Charlie Polinger's startling debut about boys at a 2003 water polo camp, a coming-of-age drama that turns preteen social panic into near-horror.

Yes. It is one of the most precise and unsettling debuts in years, essential for viewers who value bold coming-of-age cinema and can tolerate real discomfort.

The Breakfast Club (1985) ★★★★☆

The Breakfast Club (1985) Review: Detention as Confession

The Breakfast Club is John Hughes's Saturday-detention comedy about five teenagers and their labels, still sharp and funny even where its attitudes have dated.

Yes. It remains the defining teen ensemble film, funny and surprisingly raw, though some of its 1980s attitudes and tidy resolutions have aged poorly.

Women Talking (2022) ★★★½☆

Women Talking (2022) Review: A Vote on Faith and Freedom

Women Talking is Sarah Polley's Oscar-winning drama about women in a remote religious colony deciding their future after years of abuse. Powerful, if stagey.

Yes, with reservations. The ensemble and the moral argument are powerful, though the talky, theatrical form will not suit everyone. Best for viewers who like drama built on ideas.

A Different Man (2024) ★★★★☆

A Different Man (2024) Review: Envy Wears a New Face

A Different Man is Aaron Schimberg's darkly funny New York fable about a man who changes his face and not himself, led by Sebastian Stan and Adam Pearson.

Yes. It is a sharp, squirm-inducing and original dark comedy with two terrific performances, best for viewers who enjoy discomfort and don't need tidy catharsis.

A Quiet Place Part II (2021) ★★★½☆

A Quiet Place Part II (2021) Review: Stepping Into the Open

A Quiet Place Part II is John Krasinski's tense, efficient horror sequel, taking the Abbotts beyond their farm; it is well crafted but less surprising than the original.

Mostly yes. It is a lean, well-made creature thriller with superb set pieces, best for fans of the first film who can accept a sequel that repeats more than it reinvents.

Dungeons & Dragons: Honor Among Thieves (2023) ★★★½☆

Dungeons & Dragons: Honor Among Thieves Review: A Good Roll

Dungeons & Dragons: Honor Among Thieves is a fantasy heist comedy that wins by refusing to take itself seriously. It is light, funny and a touch too long.

Yes, with reservations. It is a warm, funny fantasy adventure for a group movie night, even if its stakes stay light and it runs longer than it needs to.

Megadoc (2025) ★★★½☆

Megadoc (2025) Review: Coppola Bets Everything Again

Megadoc is Mike Figgis's fly-on-the-wall documentary about Francis Ford Coppola making Megalopolis, a candid look at obsession, money and creative risk.

Yes, with reservations. It is fascinating viewing for anyone curious about how films get made or about Coppola himself, though casual viewers may find it too inside.

Vulcanizadora (2024) ★★★★½

Vulcanizadora (2024) Review: Deadpan Comedy, Real Grief

Vulcanizadora follows two Michigan friends into the woods to carry out a suicide pact; Joel Potrykus's deadpan comedy turns into something genuinely devastating.

Yes. It is a bleak, funny and finally heartbreaking indie for viewers who can handle dark subject matter; anyone sensitive to themes of suicide should take care.

Deadpool (2016) ★★★★☆

Deadpool (2016) Review: The Superhero Film That Talks Back

Deadpool stars Ryan Reynolds as a scarred, wisecracking mercenary in an R-rated superhero comedy that mocks the genre while delivering a fast, violent origin story.

Yes, with reservations. It is a gleefully crude, genuinely funny antidote to solemn superhero films for adults, even if the story underneath is a standard revenge plot.

Molli and Max in the Future (2023) ★★★½☆

Molli and Max in the Future Review: Lo-Fi Love in Orbit

Molli and Max in the Future is a homemade sci-fi rom-com following two friends across years and galaxies, its charm outrunning a small budget and patchy jokes.

Yes, with reservations. It is a sweet, inventive indie romance for viewers who enjoy DIY sci-fi, though its jokes and episodes land unevenly.

A Beautiful Mind (2001) ★★★★☆

A Beautiful Mind (2001) Review: Genius Given the Gloss

A Beautiful Mind is Ron Howard's Oscar-winning drama about mathematician John Nash, a moving, polished biopic lifted by Russell Crowe and Jennifer Connelly.

Yes. It is an absorbing, well-acted awards drama that moves more than it probes, best for viewers who enjoy classic Hollywood biopics and don't mind softened history.

Everything Everywhere All at Once (2022) ★★★★☆

Everything Everywhere All at Once Review: Family, Multiplied

Everything Everywhere All at Once is the Daniels' multiverse action comedy about a laundromat owner and her family. Exhausting at times, but inventive and moving.

Yes, with reservations. It is a wildly inventive, heartfelt ride for viewers who enjoy maximalist comedy, though its relentless pace and length will wear some out.

LaRoy, Texas (2023) ★★★½☆

LaRoy, Texas (2023) Review: Small-Town Noir With a Wry Grin

LaRoy, Texas is Shane Atkinson's darkly comic crime thriller about a hapless man mistaken for a hitman, lifted by John Magaro and Steve Zahn's sharp performances.

Yes, with modest expectations. It is an entertaining, well-acted indie noir for fans of dark crime comedy, even if its Coen-style template is very familiar.

Deadpool 2 (2018) ★★★★☆

Deadpool 2 (2018) Review: Bigger, Bloodier, Still Funny

Deadpool 2 pits Ryan Reynolds's foul-mouthed mercenary against Josh Brolin's Cable in a sequel with bigger action, sharper stunts and an even louder mouth.

Yes, with reservations. It is a very funny, well-staged superhero comedy for adults who liked the first film, though its sincere moments sit awkwardly among the gags.

Superman (2025) ★★★★☆

Superman (2025) Review: Kindness as a Superpower

Superman is James Gunn's bright, big-hearted reboot of the Man of Steel, with David Corenswet as a sincere Clark Kent in a crowded but joyful new DC universe.

Yes. It is the most purely likeable DC film in years, ideal for families and superhero fans, though its packed story and busy climax take some shine off.

Problemista (2023) ★★★★☆

Problemista (2023) Review: Kafka With a Toy Designer's Eye

Problemista is Julio Torres's surreal New York comedy about a Salvadoran toy designer racing to save his US visa, with Tilda Swinton as his impossible new employer.

Yes. It is an original, funny and quietly angry comedy, ideal for viewers who like deadpan surrealism, though its whimsy will frustrate anyone wanting a sturdier story.

The Fall Guy (2024) ★★★½☆

The Fall Guy (2024) Review: A Valentine to Stunt Crews

The Fall Guy stars Ryan Gosling as a stuntman caught up in a missing-star mystery, a charming action romcom and a warm tribute to stunt work, if a baggy one.

Yes, with reservations. Gosling and Blunt are delightful and the stunts are superb, but the plot is flimsy and runs long; ideal for a light, crowd-pleasing night in.

Moonlight (2016) ★★★½☆

Moonlight (2016) Review: Three Ages of Tenderness

Moonlight is Barry Jenkins's Best Picture-winning drama about a young Black man in Miami, told in three chapters: beautifully made, if at times too withholding.

Yes, with reservations. Its performances and images are exceptional, but its quiet, elliptical style asks viewers to fill in more than some will want to.

Red Eye (2005) ★★★☆☆

Red Eye (2005) Review: A Thriller in Economy Class

Red Eye traps Rachel McAdams beside a menacing Cillian Murphy on an overnight flight, and Wes Craven's 85-minute thriller is tense until it touches down.

It depends. Thriller fans wanting a lean, well-acted night in will enjoy it, but anyone hoping for more than a tidy genre exercise may find it slight.

Mulan (2020) ★★★☆☆

Mulan (2020) Review: A Grand Remake Without Warmth

Mulan is Niki Caro's live-action remake of Disney's animated classic, reworked as a songless martial-arts epic. It looks spectacular but feels oddly remote.

It depends. Viewers after sweeping visuals and wuxia-flavoured action will enjoy it; fans of the 1998 film's humour, songs and heart may feel shortchanged.

Blade II (2002) ★★★½☆

Blade II (2002) Review: Del Toro Sharpens the Fangs

Blade II hands Wesley Snipes's vampire hunter to Guillermo del Toro, whose grotesque creature design turns a comic-book sequel into a gory, stylish monster movie.

Mostly yes. It is a stylish, gory creature feature and a high point for the Blade films, for horror-action fans who can live with thin characters and dated digital effects.

TRON: Legacy (2010) ★★★½☆

TRON: Legacy (2010) Review: A Neon Dream, Thinly Plotted

TRON: Legacy sends Sam Flynn into the digital Grid to find his father; Joseph Kosinski's sequel is a dazzling sound-and-light show with a thin story underneath.

Mostly yes. The design and Daft Punk's score make it a treat on a big screen, though the plot and characters are too thin to carry its 126 minutes.

In Time (2011) ★★★½☆

In Time (2011) Review: Brilliant Idea, Blunt Chase

In Time is Andrew Niccol's sci-fi thriller about a future where time is money, a terrific premise that settles for a slick, fairly ordinary chase movie.

Mostly yes. The premise is clever and the film looks sleek, but the script never fully explores its ideas. A fun pick for fans of high-concept sci-fi.

The Garfield Movie (2024) ★★★☆☆

The Garfield Movie (2024) Review: Busy Heist, Lazy Cat

The Garfield Movie sends the comic strip's laziest cat on a frantic heist caper: a bright, good-natured family cartoon that children will enjoy far more than adults.

It depends. Young children will have a good time with the slapstick and the father-son story; adults and longtime Garfield fans will find little to hold on to.

Transcendence (2014) ★★★☆☆

Transcendence (2014) Review: Big Ideas, Cold Circuits

Transcendence uploads Johnny Depp's dying scientist into a computer; Wally Pfister's debut looks superb and raises big questions, but it rarely comes alive.

It depends. Fans of idea-driven science fiction may enjoy its questions and handsome visuals, but most viewers will find it slow and emotionally flat.

The Backrooms (2026)

The Backrooms (2026) Review: Liminal Dread, Real Grief

The Backrooms is Kane Parsons's feature debut, a liminal-space horror film that turns an internet legend into slow-burning dread rooted in grief and neglect.

Yes, with reservations. It is a patient, unsettling horror film for viewers who prefer atmosphere to jump scares, even if its mythology thins at feature length.

Crime 101 (2026)

Crime 101 (2026) Review: A Slow-Burn Freeway Heist

Crime 101 is Bart Layton's Los Angeles heist thriller from a Don Winslow story, a patient cat-and-mouse film with Chris Hemsworth, Mark Ruffalo and Halle Berry.

Yes, with reservations. It is a smart, grown-up crime thriller that suits fans of patient Los Angeles heist films, if they can live with a long runtime and a familiar shape.

Disclosure Day (2026)

Disclosure Day (2026) Review: Spielberg Looks Up, Uneasily

Disclosure Day is Steven Spielberg's slow-burn first-contact thriller, less about spectacle than about who controls a truth too big to keep, led by Emily Blunt.

Yes, with reservations. It is a gripping, grown-up Spielberg conspiracy thriller for patient viewers, though anyone expecting alien-invasion spectacle may find it too restrained.

Epic: Elvis Presley in Concert (2026)

Epic: Elvis Presley in Concert Review: The King, Restored

Epic: Elvis Presley in Concert is Baz Luhrmann's documentary built from restored 1970s Las Vegas footage. It makes Elvis the performer thrillingly present again.

Yes. It is a joyous, loud and beautifully restored concert film for Elvis fans and music lovers alike, best seen on the biggest screen with the best sound you can find.

Evil Dead Burn (2026)

Evil Dead Burn (2026) Review: All Gore, Little Glee

Evil Dead Burn is Sébastien Vaniček's grief-soaked family siege and the franchise's meanest chapter. The practical gore is ferocious; the characters and wit are thin.

It depends. Gore fans will get exactly what they came for, but viewers who love the series for its mischief and personality may find this entry grim and hollow.

Gail Daughtry and the Celebrity Sex Pass (2026)

Gail Daughtry and the Celebrity Sex Pass Review: Gags Galore

Gail Daughtry and the Celebrity Sex Pass is David Wain's loose, joke-packed Hollywood farce, lifted by Zoey Deutch's plucky lead and a bench of comic cameos.

Yes, with reservations. Comedy fans will laugh often at this silly, cameo-stuffed romp led by Zoey Deutch, as long as they can shrug off the gags that fall flat.

Hoppers (2026)

Hoppers (2026) Review: Pixar Goes Undercover as a Beaver

Hoppers is Daniel Chong's Pixar comedy about a teenager who moves her mind into a robot beaver: a funny, heartfelt eco-adventure and a studio high point.

Yes. It is a sharp, warm and very funny family film that works for children and adults alike, and a welcome return to form for Pixar's original storytelling.

I Love Boosters (2026)

I Love Boosters (2026) Review: A Surreal Shoplifting Satire

I Love Boosters is Boots Riley's absurdist comedy about a crew of professional shoplifters, a wild, funny satire of fashion, shopping and wanting more.

Yes, for viewers who like their comedy strange and political. It is funny, inventive and angry, though its ideas sometimes crowd out the story.

Is God Is (2026)

Is God Is (2026) Review: Twin Sisters on a Holy Errand

Is God Is is Aleshea Harris's screen version of her own play: a Southern Gothic revenge road trip that is ferocious, mythic and startlingly funny.

Yes. It is one of 2026's boldest American films, best for viewers who like stylised, theatrical storytelling and can take dark comedy about real cruelty.

Jackass: Best and Last (2026)

Jackass: Best and Last (2026) Review: A Bruised Victory Lap

Jackass: Best and Last is the crew's billed farewell, a stunt-and-prank comedy that still makes you wince but lands on a surprisingly affectionate note.

Mostly yes for fans: it is a scrappy, sentimental send-off with big laughs. Newcomers and the squeamish can skip it, and some bits feel over-familiar.

Lucky Strike (2026)

Lucky Strike (2026) Review: One Radio, Too Few Sparks

Lucky Strike is Rod Lurie's Battle of the Bulge survival thriller, with Scott Eastwood as an officer trapped behind German lines. It is capable but predictable.

Mostly no. Scott Eastwood gives it his all, but this WWII thriller is too familiar to stand out; only dedicated war-film fans will find enough here.

Michael (2026)

Michael (2026) Review: A Tribute That Stops Short

Michael is Antoine Fuqua's authorized Michael Jackson biopic, electric whenever Jaafar Jackson performs and cautious to the point of timidity everywhere else.

It depends. Fans who want the music and the moves will get a lavish tribute; viewers hoping for a searching portrait of a contested life should expect less.

Minions & Monsters (2026)

Minions & Monsters (2026) Review: Gags on the Back Lot

Minions & Monsters sends Gru's henchmen into a failing monster-movie studio, and its love of old Hollywood horror makes it the liveliest Minions film in years.

Yes. It is a fast, genuinely funny family comedy with treats for film buffs, as long as you accept that the plot exists mainly to set up the gags.

Moana (2026)

Moana (2026) Review: A Faithful Copy Adrift

Disney's live-action Moana is a handsome, near scene-for-scene remake of the 2016 musical. Catherine Lagaʻaia shines, but the film never finds a reason to exist.

Mostly no. Families who love the songs will have a pleasant time, but the 2016 animated original does everything this remake does, and with more life.

Motor City (2026)

Motor City (2026) Review: Revenge Without Words

Motor City is a near-wordless 1970s Detroit revenge thriller built on Alan Ritchson's physicality and a rock-and-disco soundtrack. Stylish, lean, and thin on story.

Yes, with reservations. It is a bold, kinetic genre exercise for action fans who enjoy style over talk, though the revenge plot itself holds few surprises.

Obsession (2026)

Obsession (2026) Review: Careful What You Wish For

Obsession is Curry Barker's darkly funny horror romance about a lovesick clerk whose wish for a co-worker's devotion comes true, then curdles into something monstrous.

Yes. It is a nasty, clever and very funny horror film about wanting to be loved too much, ideal for horror fans who can take its uncomfortable, violent turns.

Our Hero, Balthazar (2026)

Our Hero, Balthazar (2026) Review: Heroism as a Pose

Our Hero, Balthazar is Oscar Boyson's prickly dark comedy about a privileged New York teen chasing a heroic role, with Jaeden Martell and Asa Butterfield.

Yes, with reservations. It is a bold, uncomfortable satire of performative virtue for viewers who like their comedy thorny, though its tone does not always hold.

People We Meet on Vacation (2026)

People We Meet on Vacation (2026) Review: Charming but Safe

People We Meet on Vacation is Brett Haley's friends-to-lovers romcom from Emily Henry's novel, lifted by Emily Bader and Tom Blyth but cautious in its storytelling.

It depends. Emily Henry readers and romcom fans will enjoy the leads' easy chemistry, but viewers wanting wit or surprise will find it pleasant and forgettable.

Project Hail Mary (2026)

Project Hail Mary (2026) Review: A Deep-Space Buddy Movie

Project Hail Mary is Phil Lord and Christopher Miller's adaptation of Andy Weir's novel, with Ryan Gosling as a teacher sent to save the Sun and a friendship at its core.

Yes. It is accessible, big-hearted science fiction at its best, ideal for families, sci-fi fans and anyone who loves a story where problem-solving becomes friendship.

Send Help (2026)

Send Help (2026) Review: Office Politics Washed Ashore

Send Help is Sam Raimi's nasty, funny survival horror-comedy in which Rachel McAdams and Dylan O'Brien play an employee and her boss stranded on an island.

Yes. It is a gleefully mean genre ride for fans of horror-comedy and Raimi's style, though it runs a little long and its final stretch grows more outlandish.

Supergirl (2026)

Supergirl (2026) Review: A Star Waiting for Her Story

Supergirl sends Milly Alcock's Kara Zor-El across the galaxy on a revenge quest, a DC superhero film with a magnetic lead and a script that plays it too safe.

It depends. DC fans and anyone curious about Milly Alcock's Kara will enjoy the ride, but viewers wanting a fresh superhero story will find the plot familiar.

The Christophers (2026)

The Christophers (2026) Review: Two Artists, One Legacy

The Christophers is Steven Soderbergh's dry chamber comedy-drama, pairing Ian McKellen's ageing painter with Michaela Coel's struggling artist to sharp effect.

Yes, with reservations. Coel and McKellen are superb together and Soderbergh keeps it brisk, but its cool, unsentimental tone will leave some viewers wanting warmth.

The Devil Wears Prada 2 (2026)

The Devil Wears Prada 2 (2026) Review: Miranda Holds Court

The Devil Wears Prada 2 reunites Meryl Streep, Anne Hathaway and Emily Blunt nearly two decades on, a polished, enjoyable sequel that trades bite for warmth.

Yes, with reservations. Fans of the original will enjoy the reunion and Streep's commanding return, but the satire is softer and the plot more routine than before.

The Drama (2026)

The Drama (2026) Review: Love After the Confession

The Drama is Kristoffer Borgli's romantic black comedy starring Zendaya and Robert Pattinson as a couple whose wedding week is upended by one confession.

Yes, with reservations. It is a daring, very funny and often excruciating romantic black comedy, best for viewers who enjoy discomfort more than neat resolutions.

The Invite (2026)

The Invite (2026) Review: Thin Walls, Raw Marriages

The Invite is Olivia Wilde's sharp dinner-party comedy in which two couples, one noisy ceiling and a bottle of wine expose a marriage, led by four superb performances.

Yes. It is a funny, bruising and brilliantly acted chamber comedy for adult viewers who enjoy talky films about relationships; skip it if frank sexual talk puts you off.

The Rip (2026)

The Rip (2026) Review: Paranoia Beats the Plot

The Rip is Joe Carnahan's Miami cop thriller about a narcotics team stuck with a record cash haul overnight, strongest on suspicion and weaker on its payoffs.

It depends. Viewers who enjoy tense, talky crime dramas about loyalty will get a solid night in; anyone expecting a precision heist puzzle may feel shortchanged.

Toy Story 5 (2026)

Toy Story 5 (2026) Review: Woody Versus the Tablet

Toy Story 5 pits Woody, Buzz and Bonnie's toys against a tablet called Lilypad, and Andrew Stanton finds real heart in the franchise's oldest fear: being replaced.

Yes. It is a funny, heartfelt Pixar sequel that earns its place in the series, ideal for families and for adults who grew up with Woody and Buzz.

Young Washington (2026)

Young Washington (2026) Review: Heroics Before History

Young Washington is Jon Erwin's French and Indian War origin story for George Washington, anchored by a confident William Franklyn-Miller but short on nuance.

It depends. Viewers who want a sincere, patriotic historical adventure will enjoy it; anyone hoping for a nuanced portrait of Washington or his war will find it thin.

Your Mother Your Mother Your Mother (2026)

Ulasan Your Mother Your Mother Your Mother: Iman, keluarga, dan aksi

Rangkuman ulasan TIFF yang positif: Mahershala Ali memimpin perpaduan thriller aksi, duka keluarga, dan pergulatan iman yang berani, meski respons terhadap temanya beragam.

Layak masuk daftar tontonan bagi pencinta thriller dan drama keluarga yang berani. Ini rangkuman ulasan TIFF. Rating pribadi Kaiser Khan sebesar 5/5 dicatat terpisah pada halaman film.

Avatar: Fire and Ash (2025)

Avatar: Fire and Ash (2025) Reviews: What Critics Said

Critics were divided on Avatar: Fire and Ash: nearly all admired James Cameron's spectacle and Oona Chaplin's villain, but many found its story an overlong retread of The Way of Water.

Critics were split: go for the spectacle, which almost everyone admired, but expect a long, familiar story that several reviewers found repetitive. This is a roundup of published reviews; Celluloid has not rated it.

Companion (2025)

Companion (2025) Reviews: What Critics Said

Critics broadly enjoyed Companion as a nimble, darkly funny sci-fi thriller carried by Sophie Thatcher, though several found its satire of relationships and technology fairly shallow.

Most critics say yes: Companion is a sharp, funny genre thriller with a standout Sophie Thatcher, though few thought it had much new to say. This is a roundup of published reviews; Celluloid has not rated it.

Dead Poets Society (1989)

Dead Poets Society (1989) Reviews: What Critics Said

Critics admired Dead Poets Society for Robin Williams's restrained performance, its young cast and Peter Weir's atmospheric direction, while noting predictable conflicts; a later critique questions its idea of teaching.

Most critics here say yes: Dead Poets Society is a handsome, well-acted drama, though even admirers found its conflicts predictable and one later critic calls its message shallow. This is a roundup of published reviews; Celluloid has not rated it.

Deadpool & Wolverine (2024)

Deadpool & Wolverine (2024) Reviews: What Critics Said

Critics split on Deadpool & Wolverine: some hailed a brisk, very funny team-up that revives Marvel, while others found it an overstuffed, self-satisfied parade of in-jokes and multiverse lore.

Critics were divided. Fans of the first two films and of Hugh Jackman's Logan will likely enjoy it; viewers tired of cameos and multiverse lore may not. This is a roundup of published reviews; Celluloid has not rated it.

Despicable Me (2010)

Despicable Me (2010) Reviews: What Critics Said

Critics largely warmed to Despicable Me as a funny, good-natured family cartoon with an appealing villain and scene-stealing minions, though several found its redemption story familiar and its final stretch formulaic.

Most critics say yes: Despicable Me is a likeable, inventive family comedy lifted by Steve Carell's Gru and the three orphans, though its plot follows a well-worn path. This is a roundup of published reviews; Celluloid has not rated it.

Final Destination Bloodlines (2025)

Final Destination Bloodlines (2025) Reviews: What Critics Said

Most critics saw Final Destination Bloodlines as a gleefully gory, knowingly silly revival of the death-trap series with a standout opening, though its characters and later kills drew complaints.

Most critics say yes for fans: Final Destination Bloodlines is an inventive, darkly funny franchise revival with superb set pieces, though a minority found it thin and tired. This is a roundup of published reviews; Celluloid has not rated it.

Frankenstein (2025)

Frankenstein (2025) Reviews: What Critics Said

Critics praised Guillermo del Toro's Frankenstein for its lavish Gothic craft and Jacob Elordi's soulful Creature, while many found it overlong, solemn and heavy-handed with its emotions.

Most critics say yes, with reservations: Frankenstein is a gorgeous, heartfelt Gothic epic with a standout Creature, but many found it overstuffed and overlong. This is a roundup of published reviews; Celluloid has not rated it.

How to Train Your Dragon (2025)

How to Train Your Dragon (2025) Reviews: What Critics Said

Critics agreed the live-action How to Train Your Dragon is a faithful, handsome, well-cast remake of the 2010 film, but split sharply over whether such a close copy was worth making.

Critics were split: fans of the original get a faithful, often thrilling remake with a strong young cast, but sceptics saw a needless copy that adds little. This is a roundup of published reviews; Celluloid has not rated it.

Inside Out (2015)

Inside Out (2015) Reviews: What Critics Said

Critics hailed Pixar's Inside Out as one of the studio's boldest and most moving films, praising its inventive premise and its case for sadness, with only minor doubts about a routine middle act.

Yes, by critical consensus: reviewers called it one of Pixar's most daring and affecting films, with modest doubts about its middle stretch. This is a roundup of published reviews; Celluloid has not rated it.

Jurassic World Rebirth (2025)

Jurassic World Rebirth (2025) Reviews: What Critics Said

Critics broadly agreed that Jurassic World Rebirth is a well-staged dinosaur adventure from Gareth Edwards, but many found its characters thin and its story too familiar to feel like a real rebirth.

Most critics say yes for a well-made summer creature feature, though few found anything new in it and Screen Daily called it toothless. This is a roundup of published reviews; Celluloid has not rated it.

KPop Demon Hunters (2025)

KPop Demon Hunters (2025) Reviews: What Critics Said

Critics found KPop Demon Hunters a funny, energetic and gorgeously animated musical with irresistible songs, though several called the plot thin or predictable and one questioned how it treats fame.

Most critics say yes: KPop Demon Hunters is a joyful, very funny animated musical with standout songs, even if the story is slight. This is a roundup of published reviews; Celluloid has not rated it.

Lilo & Stitch (2025)

Lilo & Stitch (2025) Reviews: What Critics Said

Critics were divided on Disney's live-action Lilo & Stitch: several found it warm, charming and well cast, while others saw a longer, tamer copy of the 2002 animated original.

Critics are split, leaning slightly towards yes: Lilo & Stitch is a warm, well-cast remake to some, and a tamer, longer echo of the 2002 film to others. This is a roundup of published reviews; Celluloid has not rated it.

Marty Supreme (2025)

Marty Supreme (2025) Reviews: What Critics Said

Critics largely hailed Marty Supreme as a breathless, abrasive character study powered by Timothée Chalamet, though some found its supporting roles thin and its moral outlook shallow.

Most critics say yes: Marty Supreme is an exhilarating, stressful ride with a commanding Chalamet, though one critic found it hollow and others wanted more depth. This is a roundup of published reviews; Celluloid has not rated it.

Predator: Badlands (2025)

Predator: Badlands (2025) Reviews: What Critics Said

Most critics found Predator: Badlands a lively, surprisingly warm reinvention that makes a young Predator the hero, though a vocal minority felt the softer approach drains the series of its menace.

Most critics say yes: Dan Trachtenberg's buddy-movie twist is inventive, funny and well acted, though some missed the franchise's terror. This is a roundup of published reviews; Celluloid has not rated it.

Sinners (2025)

Sinners (2025) Reviews: What Critics Said

Most critics hailed Sinners as an original, ambitious and beautifully made blend of vampire horror and blues history, with reservations about its slow first hour and sprawling length.

Most critics say yes: Sinners is an ambitious, original genre film, though several found it slow to start and one called its finale sloppy. This is a roundup of published reviews; Celluloid has not rated it.

The Avengers (2012)

The Avengers (2012) Reviews: What Critics Said

Critics in 2012 largely hailed The Avengers as a witty, well-balanced ensemble blockbuster, crediting Joss Whedon's writing, Mark Ruffalo's Hulk and Tom Hiddleston's Loki, while noting a thin plot and faceless villains.

Yes, according to most critics: Joss Whedon's team-up is funny, fast and generous to its large cast, though some found the plot thin and the stakes low. This is a roundup of published reviews; Celluloid has not rated it.

The Conjuring: Last Rites (2025)

The Conjuring: Last Rites (2025) Reviews: What Critics Said

Critics were split on The Conjuring: Last Rites: several welcomed a heartfelt farewell for Patrick Wilson and Vera Farmiga's Warrens, but many found it overlong, overstuffed and short on fresh scares.

Critics were split: fans of the Warrens get a warm send-off with some effective scares, but many reviewers found it bloated and routine as horror. This is a roundup of published reviews; Celluloid has not rated it.

The Long Walk (2025)

The Long Walk (2025) Reviews: What Critics Said

Critics largely admired The Long Walk as a bleak, gripping Stephen King adaptation powered by Cooper Hoffman and David Jonsson, though several wanted more depth beneath the brutality.

Most critics say yes: The Long Walk is a gruelling, well-acted dystopian thriller with a moving central friendship, though some found it repetitive or thin beneath the brutality. This is a roundup of published reviews; Celluloid has not rated it.

The Running Man (2025)

The Running Man (2025) Reviews: What Critics Said

Critics were split on The Running Man: many enjoyed Glen Powell and the kinetic action in Edgar Wright's Stephen King adaptation, while others found it overlong, blunt in its satire and short on Wright's usual wit.

Critics were divided: The Running Man offers a committed Glen Powell and lively action, but several found it overlong and less distinctive than Edgar Wright's best work. This is a roundup of published reviews; Celluloid has not rated it.

Wake Up Dead Man: A Knives Out Mystery (2025)

Wake Up Dead Man: A Knives Out Mystery (2025) Reviews: What Critics Said

Most critics hailed Wake Up Dead Man: A Knives Out Mystery as a darker, funny and soulful Benoit Blanc case led by a standout Josh O'Connor, though some found it long and light on detection.

Most critics say yes: a gothic, funny and thoughtful third Blanc mystery with a standout Josh O'Connor, if long and less focused on detection. This is a roundup of published reviews; Celluloid has not rated it.

Weapons (2025)

Weapons (2025) Reviews: What Critics Said

Critics largely praised Weapons as a clever, darkly funny and superbly structured horror mystery from Zach Cregger, though some felt its answers were less frightening than its questions.

Most critics say yes: Weapons is an inventive, funny and frightening horror puzzle with a crowd-pleasing finale, though a minority found the solution a letdown. This is a roundup of published reviews; Celluloid has not rated it.

Zootopia 2 (2025)

Zootopia 2 (2025) Reviews: What Critics Said

Critics largely welcomed Zootopia 2 as a warm, funny and handsome sequel carried by the Judy and Nick partnership, while noting a weaker mystery than the original and a crowded story.

Most critics say yes: a warm, funny sequel carried by Judy and Nick, though its mystery is weaker than the first film's. This is a roundup of published reviews; Celluloid has not rated it.