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Celluloid

Blade II

Directed by Guillermo del Toro · 2002 ·

Answer Summary: Is Blade II worth watching?

Blade II (2002) earns a 61% Celluloid Score — Recommended. Recommended — recommended by most critics and audiences.Audiences (68%) responded more warmly than critics (57%).

Quick Verdict: What is the Celluloid Score for Blade II?

Averaged from five public sources (critic, audience, Metascore, Letterboxd, IMDb). See how we calculate scores.

61%
Celluloid Score Recommended

Five-source breakdown

57% Critic Score
68% Audience
52 Metascore
★★★☆☆ Letterboxd 3.1
6.7 IMDb /10
Runtime
1h 57m
Cast
Donnie Yen , Wesley Snipes , Kris Kristofferson , Ron Perlman , Leonor Varela , Norman Reedus , Thomas Kretschmann , Luke Goss , Matt Schulze , Danny John-Jules
Language
English

Where to watch

Not confirmed on any major streaming platform yet — check local listings.

Why this score?

  • Critics were divided or negative (57%).
  • General viewers mostly liked it (68%).
  • Celluloid Score 61% averages all five public rating sources — our own composite, not a third-party trademark score.

Best for

  • Crowd-pleaser seekers — audiences liked it more than critics

Not ideal for

  • Viewers who only watch top-tier, 90%+ rated films

Scores reflect data indexed at build time. Component sources are shown on this page; Celluloid Score is our composite, not a third-party trademark. Scoring policy

Is Blade II worth watching?

Yes — Blade II earns a 61% Celluloid Score. Recommended — recommended by most critics and audiences.

Critics Consensus

Del Toro’s gore-soaked vampire sequel — Yen’s Snowman fights briefly but memorably in the Bloodpack.

Celluloid Critics Consensus

Audiences (68%) responded more warmly than critics (57%).

What is Blade II about?

Blade forms an uneasy alliance with the vampire council in order to combat the Reapers, who are feeding on vampires.

Critic Reviews

critic Blade II

Blade II (2002) Review

Guillermo del Toro's Blade II (2002) remains a defining Fantasy landmark from United States, with scores that still shape how audiences discover the title.

Mixed — approach if the premise or cast specifically appeals.

Reader takes

No reader takes published yet — be the first helpful voice.

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