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Celluloid

Transcendence

Directed by Wally Pfister · 2014 ·

Answer Summary: Is Transcendence worth watching?

Transcendence (2014) earns a 43% Celluloid Score — Not Recommended. Not Recommended — reception was largely negative.Audiences (40%) responded more warmly than critics (19%).

Quick Verdict: What is the Celluloid Score for Transcendence?

Averaged from five public sources (critic, audience, Metascore, Letterboxd, IMDb). See how we calculate scores.

43%
Celluloid Score Not Recommended

Five-source breakdown

19% Critic Score
40% Audience
42 Metascore
★★½☆☆ Letterboxd 2.5
6.2 IMDb /10
Runtime
1h 59m

Where to watch

Not confirmed on any major streaming platform yet — check local listings.

Why this score?

  • Critics were divided or negative (19%).
  • Audience reception was lukewarm (40%).
  • Celluloid Score 43% averages all five public rating sources — our own composite, not a third-party trademark score.

Best for

  • Crowd-pleaser seekers — audiences liked it more than critics

Not ideal for

  • Anyone needing a safe, highly rated pick

Scores reflect data indexed at build time. Component sources are shown on this page; Celluloid Score is our composite, not a third-party trademark. Scoring policy

Is Transcendence worth watching?

No — Transcendence earns a 43% Celluloid Score. Not Recommended — reception was largely negative.

Critics Consensus

A tech-thriller with Wally Pfister’s debut — Murphy’s FBI agent chases an uploaded consciousness gone godlike.

Celluloid Critics Consensus

Audiences (40%) responded more warmly than critics (19%).

What is Transcendence about?

Two leading computer scientists work toward their goal of Technological Singularity, as a radical anti-technology organization fights to prevent them from creating a world where computers can transcend the abilities of the human brain.

Critic Reviews

critic Transcendence

Transcendence (2014) Review

Wally Pfister's Transcendence (2014) remains a defining Thriller landmark from United States, with scores that still shape how audiences discover the title.

Mixed — approach if the premise or cast specifically appeals.

Reader takes

No reader takes published yet — be the first helpful voice.

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