Founder & Editor · Film & Culture
Kaiser Khan is the founder of Celluloid and its parent company, Elite Digital. An entrepreneur and cultural producer whose work spans international entertainment and live events, he leads Celluloid's editorial direction and oversees the transparent, five-source Celluloid Score.
Founder, Celluloid & Elite Digital · Entrepreneur & cultural producer
Verified profile: mrkaiserkhan.com
244 reviews published on Celluloid
Editorial standards: Editorial Policy · Scoring Policy
★★★½☆
Mike Figgis turns Francis Ford Coppola's Megalopolis gamble into a riveting study of creative hubris and self-financed ambition.
Essential for anyone who cares how movies get made.
★★★★☆
The Minions crash a monster-movie lot in the year's most affectionate animated comedy — funny, fast, and surprisingly sincere about classic Hollywood craft.
The best Minions movie since the original — ideal family viewing with genuine cinephile Easter eggs.
★★★½☆
Michael Lukk Litwak's lo-fi cosmic rom-com proves charm beats budget, though its 175-minute sprawl tests even patient viewers.
Inventive, uneven, and genuinely romantic.
★★★★½
Lee Byung-hun gleefully unravels as a laid-off company man in Park Chan-wook's pitch-black comedy — unemployment anxiety turned into a musical nightmare.
Dark, daring, and darkly funny.
★★★★★
Pasolini resists melodrama, trusting Norton's tender performance to carry a dying father's impossible search for his son's future family.
A weepie that earns every tear through restraint.
★★★★★
Nyoni folds dark family secrets into wry, surreal Zambian funeral satire—confirming her gift for finding pointed comedy inside grief.
A bold, uncomfortable, and brilliantly controlled second feature.
★★★★☆
Pablo Berger's silent animated gem about a dog and his robot companion says more about friendship and loss than most films manage with dialogue.
A modern animated classic — bring tissues.
★★★★☆
Jeremy Workman turns an absurd Rhode Island squat into a sharp, affectionate critique of consumerist sprawl and DIY ingenuity.
Funny, smart, and sneakily subversive.
★★★★☆
Greg Kwedar's prison theater drama pairs Colman Domingo's career-defining turn with formerly incarcerated actors playing versions of themselves.
A rare film where authenticity earns every tear.
★★★★★
Lojkine follows a delivery cyclist's frantic asylum deadline with urgent handheld immediacy, turning bureaucratic dread into pure cinematic tension.
A thriller where the clock is immigration policy — and it never stops ticking.