Founder & Editor · Film & Culture
Kaiser Khan is the founder of Celluloid and its parent company, Elite Digital. An entrepreneur and cultural producer whose work spans international entertainment and live events, he leads Celluloid's editorial direction and oversees the transparent, five-source Celluloid Score.
Founder, Celluloid & Elite Digital · Entrepreneur & cultural producer
Verified profile: mrkaiserkhan.com
244 reviews published on Celluloid
Editorial standards: Editorial Policy · Scoring Policy
★★★★★
Jafar Panahi transforms a chance encounter into a tense moral interrogation of state cruelty, channeling his imprisonment into pure narrative tension.
A masterpiece of political cinema that argues through suspense.
★★★½☆
Amy Berg's intimate portrait of Jeff Buckley's brief, restless career mourns without wallowing, anchored by home recordings and unguarded interviews.
The definitive Buckley documentary — finally.
★★★½☆
Shane Atkinson wrings dark comedy from mistaken identity, with John Magaro's hapless lead giving LaRoy, Texas the jittery energy of small-town noir.
Modest but sharply entertaining indie noir.
★★★★☆
David Dastmalchian's unhinged talk-show host and a retro broadcast frame give familiar possession scares a genuinely unsettling new angle.
Smart, stylish, and finally terrifying.
★★★★☆
Shih-Ching Tsou observes a fractured Taipei family with documentary-like patience, making small betrayals sting in the neon bustle of a night market.
A modest, piercing drama that rewards attention.
★★★½☆
Leela Varghese's gleefully lo-fi animated romp turns a breakup rescue mission into giddy sci-fi comedy that never outruns its sincerity.
Messy, horny, sincere — and proudly so.
★★★★½
Maïlys Vallade adapts Amélie Nothomb's novel into animated childhood wonder — Loïse Charpentier's Amélie carries weighty ideas about identity with open eyes.
Tender, vivid, and surprisingly deep.
★★★½☆
Urška Djukić sets a shy teenager's first stirrings of desire against a convent choir retreat — piety and longing in quiet friction.
A quietly charged Slovenian coming-of-age gem.
★★★½☆
Andrew Legge's found-footage WWII sci-fi asks what two sisters would do with a radio that hears tomorrow — and the answer turns alarming.
Inventive, chilly, and divisive in the best way.
★★★★☆
Shoshannah Stern's insider portrait lets Marlee Matlin speak for herself, avoiding hagiography while honoring a groundbreaking career.
Essential viewing on Deaf representation and resilience.