Founder & Editor · Film & Culture
Kaiser Khan is the founder of Celluloid and its parent company, Elite Digital. An entrepreneur and cultural producer whose work spans international entertainment and live events, he leads Celluloid's editorial direction and oversees the transparent, five-source Celluloid Score.
Founder, Celluloid & Elite Digital · Entrepreneur & cultural producer
Verified profile: mrkaiserkhan.com
244 reviews published on Celluloid
Editorial standards: Editorial Policy · Scoring Policy
★★★★½
Walter Salles's The Motorcycle Diaries (2004) endures as a defining biography landmark from Mexico, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★☆
Juan Antonio Bayona's The Orphanage (2007) endures as a defining horror landmark from Spain, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★½
Alejandro Amenábar's The Others (2001) endures as a defining horror landmark from Spain, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★½
Gareth Evans's The Raid (2011) endures as a defining action landmark from Indonesia, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★½
Alejandro Amenábar's The Sea Inside (2004) endures as a defining drama landmark from Spain, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★½
Anna Muylaert's The Second Mother (2015) endures as a defining drama landmark from Brazil, with scores that still shape how audiences discover cinema from the region.
Essential viewing — a certified classic.
★★★★★
Frank Darabont's The Shawshank Redemption (1994) endures as a defining drama landmark from United States, with scores that still shape how audiences discover cinema from the region.
Essential viewing — a certified classic.
★★★★½
Pedro Almodóvar's The Skin I Live In (2011) endures as a defining thriller landmark from Spain, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★½☆
Frant Gwo's The Wandering Earth (2019) endures as a defining sci-fi landmark from China, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★☆
Kemi Adetiba's The Wedding Party (2016) endures as a defining comedy landmark from Nigeria, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.