Founder & Editor · Film & Culture
Kaiser Khan is the founder of Celluloid and its parent company, Elite Digital. An entrepreneur and cultural producer whose work spans international entertainment and live events, he leads Celluloid's editorial direction and oversees the transparent, five-source Celluloid Score.
Founder, Celluloid & Elite Digital · Entrepreneur & cultural producer
Verified profile: mrkaiserkhan.com
244 reviews published on Celluloid
Editorial standards: Editorial Policy · Scoring Policy
★★★★☆
Valerie Pachner delivers a devastating performance in this unflinching, autobiographical Berlinale drama about surviving unimaginable loss.
A gutting, unsentimental portrait of grief.
★★☆☆☆
Ludwika Paleta and Juanpa Zurita are game, but this age-gap romance sequel mistakes manufactured jealousy for genuine conflict.
Thin conflicts, thinner insight.
★★★★☆
Didem İnselel anchors a patient, quietly devastating drama about a disappearance that forces one family to reckon with years of unspoken resentment.
Restrained, aching, deeply humane.
★★½☆☆
A forbidden 1975 romance between an Igbo teacher and a Northern officer aims for reconciliation but settles for tidiness.
Well-acted, historically timid
★½☆☆☆
A divorced couple's fake-vacation premise has real comic potential that this formulaic sequel mostly leaves on the table.
Familiar, forgettable, occasionally funny.
★★★★☆
Olive Nwosu's Sundance-winning debut turns a Lagos cab driver's late nights into a vivid study of friendship, survival, and self-invention.
A confident, textured debut
★★☆☆☆
A magical age-swap premise set among the ruins of Ephesus can't quite justify its own running time.
Cute idea, thin execution.
★★☆☆☆
A promising folklore premise about Central Java's most feared stretch of road gets buried under too many competing ideas.
Atmospheric setup, muddled follow-through.
★★☆☆☆
A time-travel gimmick can't disguise that this family spy franchise has nothing new left to do.
Kids might enjoy it; everyone else can skip it.
★★½☆☆
Funke Akindele's record-breaking family drama connects with audiences even as its glossy staging and telegraphed twists frustrate critics.
Crowd-pleasing but creatively cautious