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Kaiser Khan

Founder & Editor · Film & Culture

Kaiser Khan is Founder & Editor of Celluloid and founder of Elite Digital AI Solutions Ltd, which owns CelluloidScore.com. An entrepreneur and cultural producer, he sets the site’s answer-first editorial standard and transparent four-input Celluloid Score.

Founder & Editor, Celluloid · Elite Digital AI Solutions Ltd

Author page (E-E-A-T):

External profile: mrkaiserkhan.com

960 reviews published on Celluloid

Editorial standards: Editorial Policy · Scoring Policy · About & ownership

Reviews by Kaiser Khan · Page 2 of 40

critic Sultan

Sultan (2016) Review: Haryana Grit, Bollywood Spectacle, Salman in the Ring

Ali Abbas Zafar’s wrestling comeback drama asks Salman Khan to age, lose, and still fill the frame — Anushka Sharma supplies the film’s actual spine.

A solid Salman sports masala — watch for Anushka and the comeback, not for realism.

critic The Chaser

The Chaser (2008) Review: Na Hong-jin’s Pulverizing Clock

Kim Yun-seok’s dirty ex-cop chases Ha Jung-woo’s killer through Seoul in something close to real time — the Korean crime film that still feels like a panic attack.

Essential Korean thriller — brutal, precise, and not for the faint-hearted.

critic The Lunchbox

The Lunchbox (2013) Review: Mumbai’s Tenderest Wrong Delivery

Ritesh Batra, Irrfan Khan, and Nimrat Kaur — a mistaken dabba becomes one of Indian independent cinema’s great epistolary romances, and a Cannes Un Certain Regard breakout.

Essential — the Hindi film to show someone who thinks Bollywood is only stadiums.

critic Winter Sleep

Winter Sleep (2014) Review: Ceylan’s Palme d’Or in a Cappadocia Hotel

Haluk Bilginer as a retired actor who owns the rooms and the arguments — a 196-minute moral weather system, and still the peak of contemporary Turkish cinema on Celluloid.

Essential for anyone who wants Turkish cinema beyond the popular comedies — demanding, and worth it.

critic Zero

Zero (2018) Review: An SRK Swing That Does Not Land

Aanand L. Rai, Shah Rukh Khan, Anushka Sharma, and Katrina Kaif in a height-high-concept romance — ambitious, shapeless, and one of SRK’s rare commercial-critical misses.

Skip unless you are studying late-2010s SRK — the composite is Not Recommended.

critic Agak Laen

Review Film Agak Laen (2024): Komedi Horor yang Mengubah Peta

Agak Laen mengubah wahana rumah hantu pasar malam jadi mesin komedi paling efektif dalam satu dekade — 9,1 juta penonton, dan lawakannya tumbuh dari karakter, bukan dari gimik.

Wajib tonton — komedi Indonesia terbaik dalam beberapa tahun terakhir.

critic Agak Laen: Menyala Pantiku!

Review Film Agak Laen: Menyala Pantiku! (2025)

Sekuel Agak Laen memindahkan empat sekawan itu ke panti jompo dan jadi film Indonesia terlaris sepanjang masa dengan 11 juta penonton — rekor yang belum tersentuh.

Wajib tonton — film Indonesia terlaris sepanjang masa, dan sekuel yang tidak malas.

critic Dilan 1990

Review Film Dilan 1990 (2018): Kenapa Bandung Terasa Begitu Dekat

Dilan 1990 mengubah novel Pidi Baiq jadi fenomena budaya remaja — 6,3 juta penonton, dan gombalan yang sampai sekarang masih dikutip orang.

Layak ditonton — romansa remaja yang tahu persis apa yang sedang dikerjakannya.

critic Jumbo

Review Film Jumbo (2025): Animasi Indonesia Naik Kelas

Jumbo membuktikan animasi Indonesia bisa berdiri sejajar dengan produksi internasional — 10,2 juta penonton, capaian tertinggi yang pernah diraih film animasi lokal.

Wajib tonton — lompatan besar untuk animasi Indonesia, dan filmnya sendiri hangat.

critic Kang Mak from Pee Mak

Review Film Kang Mak from Pee Mak (2024)

Adaptasi Indonesia atas Pee Mak asal Thailand yang tidak sekadar menyalin — 4,9 juta penonton, dan lawakannya menemukan nada lokal sendiri.

Layak ditonton — remake yang berani menjadi film Indonesia, bukan tiruan.

critic Pabrik Gula

Review Film Pabrik Gula (2025): Versi Uncut Sepadan?

Awi Suryadi kembali mengangkat utas viral Simpleman ke layar, kali ini di pabrik gula tua Jawa — 4,7 juta penonton, dan versi uncut-nya jadi perbincangan tersendiri.

Layak ditonton — horor pabrik yang mengandalkan tempat, bukan kejutan suara.

critic Pengabdi Setan 2: Communion

Review Film Pengabdi Setan 2: Communion (2022)

Joko Anwar memindahkan teror keluarga Rini ke rumah susun yang terkunci saat badai — skalanya lebih besar dari film pertama, dan rasa terjebaknya jauh lebih terasa.

Wajib tonton bagi penggemar horor — sekuel yang memperbesar taruhan tanpa kehilangan ketegangan.

critic Sewu Dino

Review Film Sewu Dino (2023): Seribu Hari yang Panjang

Kimo Stamboel mengangkat utas viral Simpleman jadi horor santet bertempo lambat — 4,9 juta penonton, dan atmosfernya bertahan jauh setelah filmnya selesai.

Layak ditonton — horor santet Jawa yang membangun teror lewat kesabaran.

critic The Shadow Strays

Review Film The Shadow Strays (2024): Timo Tjahjanto Tanpa Rem

Film laga Timo Tjahjanto untuk Netflix ini membawa koreografi kekerasan Indonesia ke penonton global — dan jadi film Indonesia dengan jejak internasional terbesar dalam beberapa tahun terakhir.

Wajib tonton bagi penggemar laga — brutal, panjang, dan dikerjakan dengan sangat serius.

critic Vina: Sebelum 7 Hari

Review Film Vina: Sebelum 7 Hari (2024)

Diangkat dari kasus nyata di Cirebon, Vina: Sebelum 7 Hari menarik 5,8 juta penonton dan memicu perdebatan nasional yang jauh melampaui filmnya sendiri.

Layak ditonton dengan catatan — kuat sebagai tontonan, berat sebagai persoalan.

critic

3 Body Problem Review (2024–present): Is It Worth Watching?

David Benioff & D. B. Weiss & Alexander Woo's 3 Body Problem (2024–present) runs 1 season, 8 episodes on Netflix — a sci-fi & fantasy series from United States carrying a 75% Celluloid Score.

Strongly recommended — worth the time commitment.

critic

A Knight of the Seven Kingdoms Review (2026–present): Is It Worth Watching?

George R.R. Martin & Ira Parker's A Knight of the Seven Kingdoms (2026–present) runs 1 season, 6 episodes on HBO Max — a fantasy series from United States carrying a 85% Celluloid Score.

Essential television — one of the best in its genre.

critic

A League of Nobleman Review (2023): Is It Worth Watching?

Da Feng Gua Guo's A League of Nobleman (2023) runs 1 season, 29 episodes on Tencent Video — a drama series from China carrying a 77% Celluloid Score.

Strongly recommended — worth the time commitment.

critic

A Love So Beautiful Review (2017): Is It Worth Watching?

Zhao Qian Qian's A Love So Beautiful (2017) runs 1 season, 24 episodes on Tencent Video — a comedy series from China carrying a 80% Celluloid Score.

Strongly recommended — worth the time commitment.

critic

After Life Review (2019–2022): Is It Worth Watching?

Ricky Gervais's After Life (2019–2022) runs 3 seasons, 18 episodes on Netflix — a comedy series from United Kingdom carrying a 74% Celluloid Score.

Worth watching if the premise appeals.

critic

Alchemy of Souls Review (2022–2023): Is It Worth Watching?

Hong Jung-eun, Hong Mi-ran's Alchemy of Souls (2022–2023) runs 2 seasons, 30 episodes on Netflix — a fantasy series from South Korea carrying a 85% Celluloid Score.

Strongly recommended — worth the time commitment.

critic

All of Us Are Dead Review (2022–present): Is It Worth Watching?

Chun Sung-il & JQ Lee & Kim Nam-su's All of Us Are Dead (2022–present) runs 2 seasons, 12 episodes on Netflix — a action & adventure series from South Korea carrying a 83% Celluloid Score.

Strongly recommended — worth the time commitment.

critic

Always Home Review (2025): Is It Worth Watching?

Unknown's Always Home (2025) runs 1 season, 30 episodes on iQIYI — a drama series from China carrying a 87% Celluloid Score.

Strongly recommended — worth the time commitment.

critic

Amazing Night Review (2024–present): Is It Worth Watching?

Ma Dong's Amazing Night (2024–present) runs 2 seasons, 46 episodes on iQIYI — a reality series from China carrying a 58% Celluloid Score.

Mixed — approach only if the cast or subject specifically draws you.