Founder & Editor · Film & Culture
Kaiser Khan is the founder of Celluloid and its parent company, Elite Digital. An entrepreneur and cultural producer whose work spans international entertainment and live events, he leads Celluloid's editorial direction and oversees the transparent, five-source Celluloid Score.
Founder, Celluloid & Elite Digital · Entrepreneur & cultural producer
Verified profile: mrkaiserkhan.com
244 reviews published on Celluloid
Editorial standards: Editorial Policy · Scoring Policy
★★★★½
Fritz Lang's Metropolis (1927) endures as a defining sci-fi landmark from Germany, with scores that still shape how audiences discover cinema from the region.
Essential viewing — a certified classic.
★★★★☆
Lee Isaac Chung's Minari (2020) endures as a defining drama landmark from South Korea, with scores that still shape how audiences discover cinema from the region.
Essential viewing — a certified classic.
★★★★½
Mehmet Ada Öztekin's Miracle in Cell No. 7 (2019) endures as a defining drama landmark from Turkey, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★☆
Mahsun Kırmızıgül's Miracle (2015) endures as a defining drama landmark from Turkey, with scores that still shape how audiences discover cinema from the region.
Worth watching for context — influential even where opinions split.
★★★★½
M.T. Fuad's Naga Bonar (1987) endures as a defining comedy landmark from Indonesia, with scores that still shape how audiences discover cinema from the region.
Essential viewing — a certified classic.
★★★★½
Levent Semerci's Nefes: Vatan Sağolsun (2009) endures as a defining war landmark from Turkey, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★☆
Kunle Afolayan's October 1 (2014) endures as a defining crime landmark from Nigeria, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★½
Park Chan-wook's Oldboy (2003) endures as a defining thriller landmark from South Korea, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★☆
JJC Skillz's Omo Ghetto: The Saga (2020) endures as a defining action landmark from Nigeria, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★½
Yılmaz Erdoğan's Organize İşler (2005) endures as a defining comedy landmark from Turkey, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.