Founder & Editor · Film & Culture
Kaiser Khan is the founder of Celluloid and its parent company, Elite Digital. An entrepreneur and cultural producer whose work spans international entertainment and live events, he leads Celluloid's editorial direction and oversees the transparent, five-source Celluloid Score.
Founder, Celluloid & Elite Digital · Entrepreneur & cultural producer
Verified profile: mrkaiserkhan.com
244 reviews published on Celluloid
Editorial standards: Editorial Policy · Scoring Policy
★★★☆☆
Anna Roller's adaptation of Leif Randt's beloved novel is a stylish but uneven portrait of a couple who talk more like a manifesto than two people in love.
Handsome but curiously airless.
★★☆☆☆
Iyabo Ojo's long-awaited sequel reunites a starry cast but can't decide if it's a thriller, a political drama, or a spiritual parable.
Overstuffed and unfocused
★½☆☆☆
A promising Anatolian folk-horror premise about a djinn-communing healer collapses under flat pacing and cut-rate scares.
Interesting folklore, forgettable execution.
★★½☆☆
Vedat İnceefe's committed performance can't fully rescue a period drama that flinches at the hardest questions about its notorious real-life subject.
Well-mounted, but morally evasive.
★½☆☆☆
A serial-killer thriller with real ideas about the roots of violence gets buried under a wildly inconsistent villain performance and a script that can't support its ambitions.
Interesting premise, sloppy execution.
★★★★☆
A three-years-unemployed man's race to prove himself before his family's Eid gathering turns into one of the year's most quietly honest comedies.
Funny, sincere, and uncomfortably relatable.
★★½☆☆
Prilly Latuconsina's farewell to Risa Saraswati delivers scattered scares but buckles under four films' worth of ghost lore.
Nostalgic, but narratively overstuffed.
★★½☆☆
Angelique Boyer and Bárbara de Regil turn a formulaic revenge-comedy premise into one of the year's biggest Mexican box-office draws.
Predictable, but the leads make it work.
★★★★☆
İlker Çatak follows The Teachers' Lounge with a Golden Bear-winning drama about a Turkish artist couple crushed by state retaliation.
Urgent, gripping, occasionally overextended.
★★½☆☆
Omar Chaparro trades comedy for combat in a revenge thriller with genuinely first-rate action and a script that can't keep pace with it.
Spectacular stunts, thin story.