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Kaiser Khan

Founder & Editor · Film & Culture

Kaiser Khan is Founder & Editor of Celluloid and founder of Elite Digital AI Solutions Ltd, which owns CelluloidScore.com. An entrepreneur and cultural producer, he sets the site’s answer-first editorial standard and transparent four-input Celluloid Score.

Founder & Editor, Celluloid · Elite Digital AI Solutions Ltd

Author page (E-E-A-T):

External profile: mrkaiserkhan.com

960 reviews published on Celluloid

Editorial standards: Editorial Policy · Scoring Policy · About & ownership

Reviews by Kaiser Khan · Page 23 of 40

critic Tumbbad

Tumbbad (2018) Review

Rahi Anil Barve's Tumbbad (2018) remains a defining Fantasy landmark from India, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.

critic Uncut Gems

Uncut Gems (2019) Review

Benny Safdie & Josh Safdie & Martin Scorsese's Uncut Gems (2019) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.

critic Distant

Distant (2002) Review

Nuri Bilge Ceylan's Distant (2002) remains a defining Drama landmark from Turkey, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.

critic Vikram

Vikram (2022) Review

Lokesh Kanagaraj's Vikram (2022) remains a defining Action landmark from India, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.

critic The Way of the Dragon

The Way of the Dragon (1972) Review

Bruce Lee's The Way of the Dragon (1972) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.

critic Wheels on Meals

Wheels on Meals (1984) Review

Sammo Hung Kam-Bo's Wheels on Meals (1984) remains a defining Romance landmark from Hong Kong, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.

critic Whiplash

Whiplash (2014) Review

Damien Chazelle's Whiplash (2014) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.

critic Women Talking

Women Talking (2022) Review

Sarah Polley's Women Talking (2022) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.

Essential viewing — a certified classic.

critic Zinda Bhaag

Zinda Bhaag (2013) Review

Meenu Gaur & Farjad Nabi's Zinda Bhaag (2013) remains a defining Drama landmark from Pakistan, with scores that still shape how audiences discover the title.

Strongly recommended — holds up for new and returning viewers.

critic

Alif (2019) Review: Hum TV's Sufi Romance with Sajal Aly

Ambitious Hum TV spiritual romance — polarising in pace, memorable in mood, and decorated at the Hum Awards for a cast willing to play devotion as drama rather than sermon.

Worth watching for Pakistan drama fans — Farooq Rind's Alif treats faith and desire as shared tension, with Sajal Aly carrying the series' emotional centre.

critic

Can This Love Be Translated? Review: The Hong Sisters Find Romance Between the Lines

Can This Love Be Translated? pairs Kim Seon-ho's steady warmth with Go Youn-jung's live-wire star turn in a globetrotting rom-com that glows when its leads share the frame and sags whenever the plot tries to do more than let them.

A soothing, gorgeously shot comfort watch for rom-com devotees and fans of either lead. Forgive the saggy middle and the overstuffed subplots, and it rewards you.

critic Detective Chinatown 1900

Detective Chinatown 1900 Review: A Lavish Prequel That Loses Its Own Case

Detective Chinatown 1900 rewinds Chen Sicheng's blockbuster franchise to Exclusion-era San Francisco with staggering production values and serious historical ambitions — then buries both under tonal whiplash, bloat, and jokes that curdle.

For franchise completists and admirers of Chow Yun-fat, who is worth the ticket alone. Everyone else can skip: the spectacle is real, but the film underneath it is a muddle.

critic Detective Conan: Fallen Angel of the Highway

Detective Conan: Fallen Angel of the Highway Review: The Franchise Machine Purrs at Full Throttle

The 29th Detective Conan film swaps bombast for an honest-to-goodness mystery, wraps it in superbly animated motorcycle mayhem, and rode both to a record-breaking tenth-billion-yen run in Japan — proof this 29-film engine still has gears left.

One of the stronger modern Conan films — a treat for franchise faithful and a surprisingly workable entry point for the mystery-inclined. Casual viewers should expect formula, executed well.