Kaiser Khan

Final Destination Bloodlines (2025) Reviews: What Critics Said

Most critics saw Final Destination Bloodlines as a gleefully gory, knowingly silly revival of the death-trap series with a standout opening, though its characters and later kills drew complaints.

Most critics say yes for fans: Final Destination Bloodlines is an inventive, darkly funny franchise revival with superb set pieces, though a minority found it thin and tired. This is a roundup of published reviews; Celluloid has not rated it.

Frankenstein (2025) Reviews: What Critics Said

Critics praised Guillermo del Toro's Frankenstein for its lavish Gothic craft and Jacob Elordi's soulful Creature, while many found it overlong, solemn and heavy-handed with its emotions.

Most critics say yes, with reservations: Frankenstein is a gorgeous, heartfelt Gothic epic with a standout Creature, but many found it overstuffed and overlong. This is a roundup of published reviews; Celluloid has not rated it.

Ghostlight (2024) Review: Grief Finds Its Stage

★★★★☆ 4.2/5

Ghostlight is Kelly O'Sullivan and Alex Thompson's tender drama about a grieving construction worker who stumbles into community theatre, played by a real family with rare honesty.

Yes. It is a moving, beautifully acted indie about grief and amateur theatre, ideal for viewers who prefer quiet character drama to plot, and worth the slow start.

Hamnet (2025) Reviews: What Critics Said

Most critics found Hamnet a devastating, beautifully acted study of love and grief led by Jessie Buckley, though a vocal minority called Chloé Zhao's film manipulative and slow.

Most critics say yes: Hamnet is a wrenching, superbly acted drama with a powerful finale, though some found it emotionally heavy-handed. This is a roundup of published reviews; Celluloid has not rated it.

House of Flying Daggers (2004) Review: Wuxia in Full Bloom

★★★★½ 4.5/5

House of Flying Daggers is Zhang Yimou's lush wuxia romance, a film whose colour, choreography and sound matter more than its tangled plot of loyalties.

Yes. It is one of the most beautiful martial arts films ever made. Ideal for wuxia fans and anyone who watches films for image and movement.

How to Get to Heaven from Belfast Review: Grief Goes Noir

★★★★½ 4.5/5

How to Get to Heaven from Belfast is Lisa McGee's eight-episode Netflix comedy-thriller, in which three old friends reunite for a funeral that spirals into murder.

Yes. It is a sharp, funny and surprisingly tense binge that keeps the Derry Girls wit while raising the stakes, ideal for fans of dark comedy and cosy-chaotic mysteries.

How to Train Your Dragon (2025) Reviews: What Critics Said

Critics agreed the live-action How to Train Your Dragon is a faithful, handsome, well-cast remake of the 2010 film, but split sharply over whether such a close copy was worth making.

Critics were split: fans of the original get a faithful, often thrilling remake with a strong young cast, but sceptics saw a needless copy that adds little. This is a roundup of published reviews; Celluloid has not rated it.

Inside Out (2015) Reviews: What Critics Said

Critics hailed Pixar's Inside Out as one of the studio's boldest and most moving films, praising its inventive premise and its case for sadness, with only minor doubts about a routine middle act.

Yes, by critical consensus: reviewers called it one of Pixar's most daring and affecting films, with modest doubts about its middle stretch. This is a roundup of published reviews; Celluloid has not rated it.

Ishq Murshid (2023) Review: A Rich Man's Humble Disguise

★★★★☆ 4/5

Ishq Murshid is a breezy Pakistani romance in which a wealthy young man hides his identity to win the woman he loves, lifted by Bilal Abbas Khan's charm.

Yes. It is an easy, warm-hearted Urdu romance with genuine star chemistry, best for viewers who want comfort viewing rather than a heavy family saga.

Jurassic World Rebirth (2025) Reviews: What Critics Said

Critics broadly agreed that Jurassic World Rebirth is a well-staged dinosaur adventure from Gareth Edwards, but many found its characters thin and its story too familiar to feel like a real rebirth.

Most critics say yes for a well-made summer creature feature, though few found anything new in it and Screen Daily called it toothless. This is a roundup of published reviews; Celluloid has not rated it.

Kampung People (2019) Review: A City Family in Hiding

★★★½☆ 3.5/5

Kampung People is a warm Malaysian comedy about a city family hidden in a village under witness protection, gentle and specific even when the jokes run thin.

Mostly yes. It is easy, affectionate comfort viewing rooted in Malaysian village life, best for viewers who value warmth and local texture over sharp punchlines.

KPop Demon Hunters (2025) Reviews: What Critics Said

Critics found KPop Demon Hunters a funny, energetic and gorgeously animated musical with irresistible songs, though several called the plot thin or predictable and one questioned how it treats fame.

Most critics say yes: KPop Demon Hunters is a joyful, very funny animated musical with standout songs, even if the story is slight. This is a roundup of published reviews; Celluloid has not rated it.

Laal Kabootar (2019) Review: Neon Noir on Karachi Streets

★★★★☆ 4/5

Laal Kabootar is Kamal Khan's stylish Karachi crime thriller, in which a taxi driver and a grieving widow collide in the city's underworld. Confident, gritty noir.

Yes. It is one of the sharpest Pakistani genre films of recent years, ideal for crime-thriller fans, even if its plotting leans on familiar noir turns.

Left-Handed Girl (2025) Review: A Family Frays Under Neon

★★★★☆ 4/5

Left-Handed Girl is Shih-Ching Tsou's intimate Taipei drama about a single mother and her daughters running a night-market stall, observed with warmth and bite.

Yes. It is a lively, perceptive family drama for viewers who enjoy observational, street-level filmmaking, though its later melodrama is less assured.

Light the Night (2021) Review: Neon, Secrets and Sisterhood

★★★½☆ 3.5/5

Light the Night is Netflix's glossy Taiwanese period mystery about women running a hostess bar in 1980s Taipei, rich in atmosphere but heavier on melodrama as it goes.

Mostly yes. It is a stylish, well-acted period mystery worth it for its first season and its setting, best for viewers who enjoy melodrama as much as whodunits.

Lilo & Stitch (2025) Reviews: What Critics Said

Critics were divided on Disney's live-action Lilo & Stitch: several found it warm, charming and well cast, while others saw a longer, tamer copy of the 2002 animated original.

Critics are split, leaning slightly towards yes: Lilo & Stitch is a warm, well-cast remake to some, and a tamer, longer echo of the 2002 film to others. This is a roundup of published reviews; Celluloid has not rated it.

Marry My Dead Body (2023) Review: Wed to a Ghost

★★★★☆ 4/5

Marry My Dead Body is Cheng Wei-hao's Taiwanese ghost comedy in which a homophobic cop is forced to marry a gay man's spirit, a messy, big-hearted genre mash-up.

Yes. It is a warm, very funny crowd-pleaser that mixes buddy-cop action, ghost comedy and queer romance, best for viewers who forgive a sprawling plot.

Marty Supreme (2025) Reviews: What Critics Said

Critics largely hailed Marty Supreme as a breathless, abrasive character study powered by Timothée Chalamet, though some found its supporting roles thin and its moral outlook shallow.

Most critics say yes: Marty Supreme is an exhilarating, stressful ride with a commanding Chalamet, though one critic found it hollow and others wanted more depth. This is a roundup of published reviews; Celluloid has not rated it.

Meri Zindagi Hai Tu (2025) Review: A Stormy Star Pairing

★★★★☆ 4/5

Meri Zindagi Hai Tu is a 34-episode Pakistani romance pairing Bilal Abbas Khan and Hania Aamir as lovers tested by deception. Big on chemistry, heavy on melodrama.

Yes, with reservations. The lead pairing makes it a rewarding watch for Pakistani drama fans, though its twists and long run will test viewers who prefer restraint.

Minning Town (2021) Review: Poverty Relief as Human Drama

★★★★☆ 4/5

Minning Town is a 2021 Chinese drama about Ningxia villagers resettled in the desert with help from Fujian. A state-backed story told with real human warmth.

Yes, with reservations. It is a moving, well-acted drama about rural hardship and change, though viewers should expect an official, optimistic view of government policy.

Miracle (2015) Review: A Village Schoolroom Fable

★★★★☆ 4/5

Miracle (Mucize) is Mahsun Kırmızıgül's sentimental Turkish drama about a teacher posted to a remote eastern village. Heartfelt and handsome, if heavy-handed.

Yes, with reservations. It is a warm, moving village drama for viewers who enjoy big-hearted melodrama, though its sentiment and length will test sceptics.

My Father's Shadow (2025) Review: One Day in Lagos, 1993

★★★★½ 4.5/5

My Father's Shadow is Akinola Davies Jr.'s tender debut about two boys spending a day in Lagos with their elusive father as Nigeria's 1993 election crisis unfolds.

Yes. It is a quietly overwhelming father-and-son drama and a remarkable debut, ideal for viewers who value intimate, patient filmmaking over plot-driven storytelling.

Nur (2018) Review: Faith, Love and Public Judgement

★★★½☆ 3.5/5

Nur is a two-season Malaysian romance about faith, redemption and community judgement, a compulsive and controversial melodrama that made its leads household names.

Mostly yes. It suits viewers who enjoy big, emotional Malay-language melodrama with religious themes, though its heavy-handed plotting will not win over sceptics.

Omo Ghetto: The Saga (2020) Review: Lagos Street Comedy

★★★★☆ 4/5

Omo Ghetto: The Saga is Funke Akindele's rowdy Lagos crime comedy about twin sisters from very different worlds, a loud, crowd-pleasing Nollywood blockbuster.

Yes, with reservations. It is a boisterous, very funny Nollywood crowd-pleaser for fans of Funke Akindele, though its length and broad plotting will test some viewers.