Founder & Editor · Film & Culture
Kaiser Khan is Founder & Editor of Celluloid and founder of Elite Digital AI Solutions Ltd, which owns CelluloidScore.com. An entrepreneur and cultural producer, he sets the site’s answer-first editorial standard and transparent four-input Celluloid Score.
Founder & Editor, Celluloid · Elite Digital AI Solutions Ltd
Author page (E-E-A-T): Kaiser Khan — Founder & Editor
External profile: mrkaiserkhan.com
960 reviews published on Celluloid
Editorial standards: Editorial Policy · Scoring Policy · About & ownership
★★★½☆
Michael Fetter Nathansky's Every You Every Me (2024) remains a defining Drama landmark from Germany, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★★☆
Daniel Scheinert & Daniel Kwan's Everything Everywhere All at Once (2022) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★½☆
Jang Jae-hyun's Exhuma (2024) remains a defining Mystery landmark from South Korea, with scores that still shape how audiences discover the title.
Worth watching — solid entertainment with lasting cultural visibility.
★★★½☆
John Woo's Face/Off (1997) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.
Essential viewing — a certified classic.
★★★★☆
Ronny Yu's Fearless (2006) remains a defining Drama landmark from China, with scores that still shape how audiences discover the title.
Worth watching — solid entertainment with lasting cultural visibility.
★★★★½
David Fincher's Fight Club (1999) remains a defining Drama landmark from Germany, with scores that still shape how audiences discover the title.
Essential viewing — a certified classic.
★★★½☆
Nandita Das's Firaaq (2009) remains a defining Drama landmark from India, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★½☆
Lo Wei's Fist of Fury (1972) remains a defining Drama landmark from Hong Kong, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★½☆
Chang Cheh's The Five Venoms (1978) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★½☆
Wilson Yip's Flash Point (2007) remains a defining Action landmark from China, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★☆☆
Ben Wheatley's Free Fire (2017) remains a defining Action landmark from United Kingdom, with scores that still shape how audiences discover the title.
Worth watching — solid entertainment with lasting cultural visibility.
★★★½☆
Peter Webber's Girl with a Pearl Earring (2003) remains a defining Drama landmark from France, with scores that still shape how audiences discover the title.
Worth watching — solid entertainment with lasting cultural visibility.
★★★★½
Ridley Scott's Gladiator (2000) remains a defining Action landmark from United Kingdom, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★★☆
David Fincher's Gone Girl (2014) remains a defining Mystery landmark from United States, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★★½
Martin Scorsese's GoodFellas (1990) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★★½
Isao Takahata's Grave of the Fireflies (1988) remains a defining Animation landmark from Japan, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★★☆
Zoya Akhtar's Gully Boy (2019) remains a defining Drama landmark from India, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★★½
Masaki Kobayashi's Harakiri (1962) remains a defining Action landmark from Japan, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★½☆
Richard Linklater's Hit Man (2024) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.
Essential viewing — a certified classic.
★★★★☆
Kim Bora's House of Hummingbird (2019) remains a defining Drama landmark from South Korea, with scores that still shape how audiences discover the title.
Essential viewing — a certified classic.
★★★★☆
Hayao Miyazaki's Howl's Moving Castle (2004) remains a defining Fantasy landmark from Japan, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★½☆
Ulrich Seidl's Import/Export (2007) remains a defining Drama landmark from Austria, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★½☆
Ron Howard's In the Heart of the Sea (2015) remains a defining Thriller landmark from Spain, with scores that still shape how audiences discover the title.
Mixed — approach if the premise or cast specifically appeals.
★★★½☆
Raha Amirfazli & Alireza Ghasemi's In the Land of Brothers (2024) remains a defining Drama landmark from France, with scores that still shape how audiences discover the title.
Essential viewing — a certified classic.