Founder & Editor · Film & Culture
Kaiser Khan is the founder of Celluloid and its parent company, Elite Digital. An entrepreneur and cultural producer whose work spans international entertainment and live events, he leads Celluloid's editorial direction and oversees the transparent, five-source Celluloid Score.
Founder, Celluloid & Elite Digital · Entrepreneur & cultural producer
Verified profile: mrkaiserkhan.com
244 reviews published on Celluloid
Editorial standards: Editorial Policy · Scoring Policy
★★★★½
Joel Potrykus turns a Michigan-woods suicide pact into deadpan comedy that collapses into genuine grief — shoestring craft, full-strength devastation.
Bleak, funny, and finally heartbreaking.
★★★★★
Park and Crossingham needle smart-home gadgetry and AI anxieties without losing stop-motion's cozy handmade charm—Wallace and Gromit still deliver.
The year's best family film is also its smartest tech satire.
★★★½☆
The franchise's billed farewell trades a bit of shock value for genuine affection between its aging daredevils.
A scrappy, sentimental victory lap.
★★★½☆
Nirina Zubir anchors a family drama about elderly abandonment that trades melodrama for something quieter and, mostly, more devastating.
Moving, if occasionally overstuffed.
★★½☆☆
Scott Eastwood carries a WWII survival story that's well-made but rarely surprising.
Solid craft, generic story.
★★★★☆
A tender queer romance and a genuinely inventive horror hook make this Sundance breakout one of the year's sharpest debuts.
A striking, angry, tender debut.
★★★☆☆
Diego Luna is magnetic as the fixer who talked Mexico into hosting the 1986 World Cup, but the satire pulls its punches right when it should dig in.
Fun, fast, and a little too polite.
★★★☆☆
The gang from Mount Madyopuro returns for a sequel that's warmer and more polished than the original, even if it rarely surprises.
Familiar, but reliably fun.
★★★★½
Markus Schleinzer's black-and-white Thirty Years' War drama is a masterclass in control, led by a career-best performance from Sandra Hüller.
Austere, immaculate, quietly devastating.
★★★½☆
A notorious prison becomes a pressure cooker of gore, gallows humor, and institutional rot in Joko Anwar's most purely entertaining film in years.
Splattery, savage, and a lot of fun.