Founder & Editor · Film & Culture
Kaiser Khan is the founder of Celluloid and its parent company, Elite Digital. An entrepreneur and cultural producer whose work spans international entertainment and live events, he leads Celluloid's editorial direction and oversees the transparent, five-source Celluloid Score.
Founder, Celluloid & Elite Digital · Entrepreneur & cultural producer
Verified profile: mrkaiserkhan.com
244 reviews published on Celluloid
Editorial standards: Editorial Policy · Scoring Policy
★★★★½
Michael Haneke's The White Ribbon (2009) endures as a defining drama landmark from Germany, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★½
James Cameron's Titanic (1997) endures as a defining romance landmark from United States, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★½
Yasujirô Ozu's Tokyo Story (1953) endures as a defining drama landmark from Japan, with scores that still shape how audiences discover cinema from the region.
Essential viewing — a certified classic.
★★★★☆
Maren Ade's Toni Erdmann (2016) endures as a defining comedy landmark from Germany, with scores that still shape how audiences discover cinema from the region.
Essential viewing — a certified classic.
★★★★½
Andrew Stanton sends Woody and Buzz up against a screen-obsessed kid and a frog-shaped tablet, and Pixar finds fresh heart in the oldest fear in the franchise.
Celluloid Pick family viewing — the year's biggest animated event.
★★★★½
Yeon Sang-ho's Train to Busan (2016) endures as a defining horror landmark from South Korea, with scores that still shape how audiences discover cinema from the region.
Essential viewing — a certified classic.
★★★★½
Danny Boyle's Trainspotting (1996) endures as a defining drama landmark from United Kingdom, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★½
Sebastian Schipper's Victoria (2015) endures as a defining crime landmark from Germany, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★★½
Pedro Almodóvar's Volver (2006) endures as a defining comedy landmark from Spain, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
★★★☆☆
The third Welcome film leans hard on its ensemble's comic chemistry, and critics say that's about the only thing keeping this overstuffed action-comedy afloat, with most reviews citing a bloated runtime and a plot that never settles on what movie it wants to be.
Skip unless you are a franchise fan — reception was mixed.