Bylined reviews with verdicts and scores — newest first. Showing 913–936 of 960 reviews.
★★★★½
Markus Schleinzer's black-and-white Thirty Years' War drama is a masterclass in control, led by a career-best performance from Sandra Hüller.
★★★½☆
David Frankel reunites Streep, Hathaway, Blunt, and Tucci for a $690M global sequel — 78% critics, 85% audiences, and runway glamour that outpaces the script.
★★★★★
Katie Dippold's Apple horror-comedy gives Matthew Rhys a tourism pitch from hell — 98% critics, weekly scares, and the funniest civic denial of 2026.
★★★☆☆
Antoine Fuqua's authorized Michael Jackson biopic rides 88% audience heat and IMDb midyear trending while critics stall at 55% — gloss, length, and legacy questions left open.
★★★★★
George MacKay and Callum Turner sail Jenkin's analogue folk sci-fi — 99% Tomatometer, 88 Metascore, and Cornish time-slip cinema Empire ranked among the year's finest UK theatricals.
★★★½☆
A notorious prison becomes a pressure cooker of gore, gallows humor, and institutional rot in Joko Anwar's most purely entertaining film in years.
★★★★½
Sophy Romvari's autofictional family drama topped Metacritic's midyear limited-release chart — 96% critics, 91 Metascore, and a coastal stillness that rewards patience.
★★★★☆
John Carney pairs Paul Rudd and Nick Jonas in an 88% Dublin song-theft drama — Ireland's feel-good theatrical of the spring with a third-act chorus that earns its key change.
★★★☆☆
Anna Roller's adaptation of Leif Randt's beloved novel is a stylish but uneven portrait of a couple who talk more like a manifesto than two people in love.
★★★★½
David E. Kelley adapts Rufi Thorpe with Fanning, Pfeiffer, and Offerman — a 96% Certified Fresh story about bills, babies, and building an alien-themed OnlyFans to stay alive.
★★★★½
Richard Linklater reconstructs the making of Breathless in a 90% French-language fever dream — Guillaume Marbeck's Godard is arrogant, romantic, and essential viewing for cinephiles tracking 2026's world-cinema leaderboard.
★★★★☆
Kristoffer Borgli's A24 romantic black comedy turns a worst-confessions game into relationship free-fall — 89% critics, $132M worldwide, and Zendaya and Robert Pattinson at career-risk honesty.
★★★★½
Three Belfast friends, one funeral, murder and blackmail — McGee's 95% Netflix thriller-comedy is Empire and IMDb midyear UK's essential 2026 series.
★★☆☆☆
Iyabo Ojo's long-awaited sequel reunites a starry cast but can't decide if it's a thriller, a political drama, or a spiritual parable.
★½☆☆☆
A promising Anatolian folk-horror premise about a djinn-communing healer collapses under flat pacing and cut-rate scares.
★★★½☆
Jaeden Martell and Asa Butterfield confront cry-video fame in Oscar Boyson's 88% critic / 65% audience debut — Empire's essential uncomfortable watch.
★★★★☆
Matt Johnson and Jay McCarrol's CBC mockumentary graduates to cinemas — Empire #8, 90% critics, and the sharpest Canadian meta-humor of 2026.
★★½☆☆
Vedat İnceefe's committed performance can't fully rescue a period drama that flinches at the hardest questions about its notorious real-life subject.
★½☆☆☆
A serial-killer thriller with real ideas about the roots of violence gets buried under a wildly inconsistent villain performance and a script that can't support its ambitions.
★★★★☆
A three-years-unemployed man's race to prove himself before his family's Eid gathering turns into one of the year's most quietly honest comedies.
★★½☆☆
Prilly Latuconsina's farewell to Risa Saraswati delivers scattered scares but buckles under four films' worth of ghost lore.
★★★★★
Phil Lord and Christopher Miller turn Andy Weir's space-survival novel into 2026's most unanimously loved blockbuster — Gosling's teacher-turned-astronaut and Rocky the alien are the year's defining unlikely friendship.
★★★½☆
Ranveer Singh's 229-minute spy revenge epic became India's #1 H1 2026 grosser with 92% audience heat — even as critics stalled at 68% and Metacritic stayed silent.
★★½☆☆
Angelique Boyer and Bárbara de Regil turn a formulaic revenge-comedy premise into one of the year's biggest Mexican box-office draws.
