621 film reviews from Kaiser Khan — newest first, 24 per page.
28 Years Later: The Bone Temple is Nia DaCosta's bold sequel, a stranger, more mythic chapter of the rage-virus saga carried by a superb Ralph Fiennes.
Yes. It is the franchise's most ambitious and unsettling chapter, ideal for horror fans who want ideas with their dread, though sprint-and-scream viewers may find it slow.
Alas Roban is an Indonesian folklore horror about a mother and her blind daughter stranded on a haunted Java road: strong on mood, overstuffed with ideas.
Baca dalam Bahasa Indonesia →Allegro Pastell adapts Leif Randt's cult novel about a long-distance millennial couple: stylish and faithful in tone, but so cool it keeps its heart at a distance.
The Backrooms is Kane Parsons's feature debut, a liminal-space horror film that turns an internet legend into slow-burning dread rooted in grief and neglect.
Blue Heron is Sophy Romvari's autofictional Canadian drama about a family's hidden wounds on Vancouver Island, a quiet, precise film about memory and grief.
Çatlı is Deniz Enyüksek's polished Turkish biopic of Abdullah Çatlı's years in European exile, anchored by Vedat İnceefe but too sympathetic to its subject.
Cocktail 2 is Homi Adajania's glossy Sicily-to-India romance with Shahid Kapoor, Kriti Sanon and Rashmika Mandanna, but its love triangle is thin and overlong.
Crime 101 is Bart Layton's Los Angeles heist thriller from a Don Winslow story, a patient cat-and-mouse film with Chris Hemsworth, Mark Ruffalo and Halle Berry.
Danur: The Last Chapter sends Prilly Latuconsina's Risa back to her ghosts one final time, with a few creepy scenes lost in an overstuffed franchise mythology.
Baca dalam Bahasa Indonesia →Detective Conan: Fallen Angel of the Highway, the 29th Conan film, pairs a clue-driven highway mystery with some of the series' most thrilling motorcycle action.
Dhurandhar: The Revenge is Aditya Dhar's nearly four-hour Hindi spy sequel, a maximalist revenge epic powered by Ranveer Singh and relentless, bloody set pieces.
Disclosure Day is Steven Spielberg's slow-burn first-contact thriller, less about spectacle than about who controls a truth too big to keep, led by Emily Blunt.
Efes'in Sırrı is a Turkish family fantasy in which two archaeologists are turned back into children at Ephesus. A charming hook, weakly developed.
Epic: Elvis Presley in Concert is Baz Luhrmann's documentary built from restored 1970s Las Vegas footage. It makes Elvis the performer thrillingly present again.
Evil Dead Burn is Sébastien Vaniček's grief-soaked family siege and the franchise's meanest chapter. The practical gore is ferocious; the characters and wit are thin.
Five Friends 2: Mount Klawih sends Bayu Skak's bickering gang up a new haunted mountain in a warm, well-cast horror-comedy sequel that sticks close to the original.
Baca dalam Bahasa Indonesia →Flies is Fernando Eimbcke's black-and-white Mexico City drama about a guarded woman left in charge of a stranger's young son, and it earns its tears through restraint.
Gail Daughtry and the Celebrity Sex Pass is David Wain's loose, joke-packed Hollywood farce, lifted by Zoey Deutch's plucky lead and a bench of comic cameos.
★★½☆☆
Ghost in the Cell is Joko Anwar's gory Indonesian prison horror-comedy, in which an unseen killer forces gangs and guards into an uneasy truce, with satire to spare.
Baca dalam Bahasa Indonesia →Hope is Na Hong-jin's first film since The Wailing, a creature epic set near the DMZ whose ferocious first hour outclasses its bloated, over-explained second half.
Hoppers is Daniel Chong's Pixar comedy about a teenager who moves her mind into a robot beaver: a funny, heartfelt eco-adventure and a studio high point.
I Love Boosters is Boots Riley's absurdist comedy about a crew of professional shoplifters, a wild, funny satire of fashion, shopping and wanting more.
Is God Is is Aleshea Harris's screen version of her own play: a Southern Gothic revenge road trip that is ferocious, mythic and startlingly funny.
Jackass: Best and Last is the crew's billed farewell, a stunt-and-prank comedy that still makes you wince but lands on a surprisingly affectionate note.
