Bylined reviews with verdicts and scores — newest first. Showing 889–912 of 960 reviews.
★★★★★
Wim Wenders's Perfect Days follows a Tokyo toilet cleaner through the small rituals of an ordered life, and locates in them a quiet transcendence — a serene, deeply humane film crowned by Kōji Yakusho's Cannes-winning performance.
★★★★☆
Netflix's Stranger Things assembles its 1980s influences — Spielberg's wonder, King's dread, the Amblin bike ride — into a pop confection that works because its young ensemble gives the pastiche a genuine beating heart.
★★★½☆
The franchise's billed farewell trades a bit of shock value for genuine affection between its aging daredevils.
★★★½☆
Nirina Zubir anchors a family drama about elderly abandonment that trades melodrama for something quieter and, mostly, more devastating.
★★½☆☆
Scott Eastwood carries a WWII survival story that's well-made but rarely surprising.
★★★★☆
Hwang Dong-hyuk's Netflix phenomenon weaponizes playground nostalgia — 89% critics, 83% audiences, and red-light-green-light imagery that became the decade's most parodied visual.
★★★★½
Netflix's The Crown turns the modern monarchy into prestige tragedy, tracing how the woman is slowly consumed by the Queen — an opulent, ambivalent study of duty's cost, recast every two seasons as its subjects age into history.
★★★★☆
A tender queer romance and a genuinely inventive horror hook make this Sundance breakout one of the year's sharpest debuts.
★★★½☆
Cillian Murphy returns as Tommy Shelby in Tom Harper and Steven Knight's Peaky feature — 82% critics, 88% audiences, and myth made smoke-filled cinema.
★★★☆☆
Brett Haley adapts Emily Henry with Emily Bader and Tom Blyth — 75% critics, 82% audiences, and chemistry that almost saves a safe script from itself.
★★★☆☆
Diego Luna is magnetic as the fixer who talked Mexico into hosting the 1986 World Cup, but the satire pulls its punches right when it should dig in.
★★★½☆
Scorsese and Spielberg executive-produce a digital-age Cape Fear — Bardem's Max Cady is unforgettable even when the ten-episode stretch goes gonzo.
★★★★☆
Xie Miao and Joe Taslim anchor Kenji Tanigaki's one-night Tokyo actioner — 93% critics, 88% audiences, and hand-to-hand cinema that embarrasses Hollywood chase films.
★★★★☆
Chiwetel Ejiofor and Renate Reinsve lend prestige to liminal terror in A24's 87%/90% horror breakout — the IMDb midyear chart's most surprising studio scare.
★★★★½
Luhrmann's restored Vegas concert documentary hits 95% critics and 90% audiences — Elvis live, louder and clearer than the 2022 biopic myth allows.
★★★☆☆
The gang from Mount Madyopuro returns for a sequel that's warmer and more polished than the original, even if it rarely surprises.
★★★½☆
Anthony Maras's D-Day weather drama puts Andrew Scott's meteorologist against Brendan Fraser's Eisenhower — 80% critics, 85% audiences, and a forecast that feels lethal.
★★★★☆
Tony Leung, Léa Seydoux, and Luna Wedler anchor Enyedi's Berlinale drama — 92% critics, Metascore 85, and Hungary's most meditative 2026 theatrical.
★★★½☆
MBC and Disney+'s constitutional-monarchy rom-com peaked at 13.8% Nielsen and 43M+ viewing hours — a 2026 cultural hit whose audience love outran mixed critical notices.
★★★★½
Aleshea Harris's play-to-screen debut is a 97% Tomatometer knockout — Kara Young and Mallori Johnson make twin-sister rage feel biblical and brutally funny.
★★★★½
Curry Barker's monkey's-paw horror romance turns a novelty charm into Gen Z's favorite date-night argument — grotesque, funny, and commercially unstoppable on a shoestring.
★★★★☆
Keke Palmer and LaKeith Stanfield wear corporate content on their bodies in Boots Riley's 91% Oakland satire — Sorry to Bother You's angrier, sharper cousin.
★★★★☆
Kyle Balda's live-action debut — from a Craig Mazin screenplay — puts Hugh Jackman's shepherd at the center of a 93% flock-led whodunit that treats talking sheep as detectives, not gimmicks.
★★★½☆
Jack Thorne reframes Golding's classic for Netflix — visually striking, pedagogically relevant, never free of prior adaptations' shadow.
