Bylined reviews with verdicts and scores — newest first. Showing 313–336 of 370 TV reviews.
★★★★½
When Life Gives You Tangerines follows one couple across the decades on Jeju Island and earns every tear it draws — a generational epic in which IU and Park Bo-gum give two of the finest K-drama performances in recent memory.
★★★★½
Class-conscious romance done right — Sanam Saeed's Kashaf and Fawad Khan's Zaroon remain the template for Pakistani dram…
★★★★★
The first Indian series to win the International Emmy for Best Drama — a harrowing procedural elevated by Shefali Shah’s towering lead.
★★★★★
TVF’s gentle Uttar Pradesh comedy remains one of Indian streaming’s most beloved shows — deadpan, warm, and surgically observed.
★★★★½
Raj & DK’s spy thriller makes geopolitics feel like a day job — taut, funny, and anchored by Manoj Bajpayee’s great everyman performance.
★★★★☆
Apple TV's Lucky turns a heist gone wrong into seven episodes of nonstop set pieces — Taylor-Joy, Olyphant, and Bening make the familiar feel newly electric.
★★★★½
A romance scam, a murder mystery, and youth soccer collide in Apple TV's sharpest comedy-thriller of the summer — Maslany makes every twist feel human.
★★★★★
Adolescence stages each of its four episodes as a single unbroken take, and the choice is no stunt — it is the argument, trapping the viewer inside a family's catastrophe with the exits welded shut.
★★★★☆
HBO's Game of Thrones dragged fantasy into the realm of prestige drama with brutal political intrigue and unprecedented scale — a landmark whose early seasons are peerless even as its hurried ending squandered a decade of goodwill.
★★★★★
My Mister trades K-drama spectacle for something rarer — a slow, hushed study of two broken people offering each other kindness without expectation. Anchored by a luminous IU, it is among the greatest Korean dramas ever made.
★★★★★
China's Nirvana in Fire follows a disgraced army's sole survivor who returns as a frail master strategist to engineer justice from the shadows — an intricately plotted, morally serious historical drama widely regarded as one of the finest ever made.
★★★★★
The Pitt strips the medical drama of its romance and its time-skips, staging each season as a single punishing shift told hour by hour — a formal constraint that turns triage into tragedy and Noah Wyle's weathered attending into the genre's new benchmark.
★★★★½
Mike White's resort anthology opens each season with a body and spends the rest of its runtime performing the autopsy — not of a victim, but of a class, using the luxury vacation as the perfect laboratory for observing wealth with no witnesses.
★★★★★
Netflix's Arcane shatters the curse of the video-game adaptation with hand-crafted, painterly animation and a genuinely tragic story of two sisters divided by a city's class fault line.
★★★★☆
Fallout cracks the video-game adaptation not by transcending its source but by trusting it — retro-futurist satire, splattery slapstick and Cold War dread held in a tonal balance television rarely attempts, with Walton Goggins's ghoul as its leathery masterstroke.
★★★★☆
Silo turns its mile-deep bunker into a totalitarian state in miniature and its mystery into a study of engineered ignorance — slow by design, sealed by conviction, and carried on Rebecca Ferguson's grimly capable shoulders.
★★★★½
The Bear turns a failing Chicago sandwich shop into a study of grief conducted at the speed of a dinner rush, its clattering montage and locked-off close-ups making anxiety itself the show's true subject.
★★★★½
The Glory turns a survivor of horrific school bullying into a patient architect of vengeance, unfolding her decades-long scheme with chilly, meticulous control. Song Hye-kyo has never been better.
★★★★★
HBO's The Sopranos turned the American gangster myth inside out, filtering it through panic attacks and a psychiatrist's couch — the novelistic drama that made television an artform and gave James Gandolfini the role of a century.
★★★★½
China's The Untamed spins a lavish tale of two cultivators entangled in rebellion, betrayal and a mystery reaching across the grave — a sumptuous xianwu fantasy whose central bond ignited one of the largest international fandoms Chinese TV has produced.
★★★★★
Andor strips Star Wars of mysticism and merchandise and rebuilds it as a procedural of insurgency — surveillance, prison labour and the grubby arithmetic of revolt filmed with the gravity of adult political drama.
★★★★★
Craig Mazin's five-hour miniseries stages the 1986 reactor disaster as a horror film about epistemology — a state allergic to truth colliding with physics, which does not negotiate — and produces one of the greatest achievements in television history.
★★★★½
Hyun Bin and Son Ye-jin crossed the DMZ in the most beloved K-drama of its era — 95% critics, 96% audiences, and a fairy tale that commits fully enough to earn its tears.
★★★★½
China's Empresses in the Palace charts a naive noblewoman's transformation into the Qing court's most formidable operator across years of betrayal — a sweeping, richly detailed epic considered a landmark of the palace-drama genre.
