Bylined reviews with verdicts and scores — newest first. Showing 457–480 of 960 reviews.
★★★★☆
Brendan Bellomo & Slava Leontyev's Porcelain War (2024) remains a defining Documentary landmark from Australia, with scores that still shape how audiences discover the title.
★★★★☆
Girish A. D.'s Premalu (2024) remains a defining Romance landmark from India, with scores that still shape how audiences discover the title.
★★★½☆
Jackie Chan's Project A (1983) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★★½
Alfred Hitchcock's Psycho (1960) remains a defining Horror landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Benny Chan's Raging Fire (2021) remains a defining Action landmark from China, with scores that still shape how audiences discover the title.
★★★☆☆
Wes Craven's Red Eye (2005) remains a defining Thriller landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Karan Johar's Rocky Aur Rani Kii Prem Kahaani (2023) remains a defining Comedy landmark from India, with scores that still shape how audiences discover the title.
★★★☆☆
Donnie Yen & Kam Ka-wai's Sakra (2023) remains a defining Action landmark from China, with scores that still shape how audiences discover the title.
★★★½☆
Prashanth Neel's Salaar: Part 1 - Ceasefire (2023) remains a defining Action landmark from India, with scores that still shape how audiences discover the title.
★★★★½
Steven Spielberg's Saving Private Ryan (1998) remains a defining War landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Ananta Thitanat's Scala (2022) remains a defining Documentary landmark from Thailand, with scores that still shape how audiences discover the title.
★★★★½
Steven Spielberg's Schindler's List (1993) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.
★★★★½
David Fincher's Se7en (1995) remains a defining Crime landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Khaled Mansour's Seeking Haven for Mr. Rambo (2025) remains a defining Thriller landmark from Egypt, with scores that still shape how audiences discover the title.
★★★½☆
Stephen Chow's Shaolin Soccer (2001) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★½☆
Tan Seng Kiat's Shuttle Life (2017) remains a defining Drama landmark from Malaysia, with scores that still shape how audiences discover the title.
★★★½☆
Bradley Liew's Singing in Graveyards (2016) remains a defining Drama landmark from Malaysia, with scores that still shape how audiences discover the title.
★★★★☆
Tim Mielants's Small Things Like These (2024) remains a defining Drama landmark from Belgium, with scores that still shape how audiences discover the title.
★★★½☆
Yuen Woo-ping's Snake in the Eagle's Shadow (1978) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★½☆
Yosep Anggi Noen's Solo, Solitude (2017) remains a defining Drama landmark from Indonesia, with scores that still shape how audiences discover the title.
★★★★½
Kemp Powers & Justin K. Thompson & Joaquim Dos Santos's Spider-Man: Across the Spider-Verse (2023) remains a defining Animation landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Wilson Yip's SPL: Kill Zone (2005) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★½☆
Upi Avianto's Sri Asih (2022) remains a defining Action landmark from Indonesia, with scores that still shape how audiences discover the title.
★★★½☆
Tim Mielants's Steve (2025) remains a defining Drama landmark from Ireland, with scores that still shape how audiences discover the title.
