Bylined reviews with verdicts and scores — newest first. Showing 217–240 of 590 movie reviews.
★★★★☆
Clyde Bruckman & Buster Keaton's The General (1926) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.
★★★★½
Francis Ford Coppola's The Godfather Part II (1974) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.
★★★★½
Sergio Leone's The Good, the Bad and the Ugly (1966) remains a defining Western landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Sheron R. Dayoc's The Gospel of the Beast (2023) remains a defining Drama landmark from Philippines, with scores that still shape how audiences discover the title.
★★★☆☆
Wong Kar-Wai's The Grandmaster (2013) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★★½
Frank Darabont's The Green Mile (1999) remains a defining Fantasy landmark from United States, with scores that still shape how audiences discover the title.
★★★★☆
Brad Bird's The Incredibles (2004) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Kutluğ Ataman's The Lamb (2014) remains a defining Drama landmark from Turkey, with scores that still shape how audiences discover the title.
★★★★☆
Lau Kar-leung's The Legend of Drunken Master (1994) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★★½
Roger Allers & Rob Minkoff's The Lion King (1994) remains a defining Animation landmark from United States, with scores that still shape how audiences discover the title.
★★★★½
Peter Jackson's The Lord of the Rings: The Fellowship of the Ring (2001) remains a defining Adventure landmark from New Zealand, with scores that still shape how audiences discover the title.
★★★★½
Peter Jackson's The Lord of the Rings: The Return of the King (2003) remains a defining Adventure landmark from New Zealand, with scores that still shape how audiences discover the title.
★★★★½
Peter Jackson's The Lord of the Rings: The Two Towers (2002) remains a defining Adventure landmark from New Zealand, with scores that still shape how audiences discover the title.
★★★★☆
Lee Jeong-beom's The Man from Nowhere (2010) remains a defining Action landmark from South Korea, with scores that still shape how audiences discover the title.
★★★½☆
Timo Tjahjanto's The Night Comes For Us (2018) remains a defining Action landmark from Indonesia, with scores that still shape how audiences discover the title.
★★★½☆
Chang Cheh's The One-Armed Swordsman (1967) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★★½
Roman Polanski's The Pianist (2002) remains a defining Drama landmark from France, with scores that still shape how audiences discover the title.
★★★★½
Christopher Nolan's The Prestige (2006) remains a defining Drama landmark from United Kingdom, with scores that still shape how audiences discover the title.
★★★½☆
Donnie Yen's The Prosecutor (2024) remains a defining Action landmark from China, with scores that still shape how audiences discover the title.
★★★★☆
Gareth Evans's The Raid 2 (2014) remains a defining Action landmark from Indonesia, with scores that still shape how audiences discover the title.
★★★½☆
Kamila Andini's The Seen and Unseen (2018) remains a defining Drama landmark from Australia, with scores that still shape how audiences discover the title.
★★★★½
Jonathan Demme's The Silence of the Lambs (1991) remains a defining Crime landmark from United States, with scores that still shape how audiences discover the title.
★★★★☆
Peter Weir's The Truman Show (1998) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.
★★★★½
Bryan Singer's The Usual Suspects (1995) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.
