Bylined reviews with verdicts and scores — newest first. Showing 193–216 of 590 movie reviews.
★★★★☆
Tim Mielants's Small Things Like These (2024) remains a defining Drama landmark from Belgium, with scores that still shape how audiences discover the title.
★★★½☆
Yuen Woo-ping's Snake in the Eagle's Shadow (1978) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★½☆
Yosep Anggi Noen's Solo, Solitude (2017) remains a defining Drama landmark from Indonesia, with scores that still shape how audiences discover the title.
★★★★½
Kemp Powers & Justin K. Thompson & Joaquim Dos Santos's Spider-Man: Across the Spider-Verse (2023) remains a defining Animation landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Wilson Yip's SPL: Kill Zone (2005) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★½☆
Upi Avianto's Sri Asih (2022) remains a defining Action landmark from Indonesia, with scores that still shape how audiences discover the title.
★★★½☆
Tim Mielants's Steve (2025) remains a defining Drama landmark from Ireland, with scores that still shape how audiences discover the title.
★★★½☆
Amar Kaushik's Stree 2 (2024) remains a defining Horror landmark from India, with scores that still shape how audiences discover the title.
★★★½☆
Danny Boyle's Sunshine (2007) remains a defining Science Fiction landmark from United Kingdom, with scores that still shape how audiences discover the title.
★★★★☆
Makoto Shinkai's Suzume (2022) remains a defining Animation landmark from Japan, with scores that still shape how audiences discover the title.
★★★½☆
François Ozon's Swimming Pool (2003) remains a defining Crime landmark from France, with scores that still shape how audiences discover the title.
★★★½☆
Apichatpong Weerasethakul's Syndromes and a Century (2006) remains a defining Drama landmark from Austria, with scores that still shape how audiences discover the title.
★★★☆☆
Lê Bảo's Taste (2021) remains a defining Drama landmark from France, with scores that still shape how audiences discover the title.
★★★★½
James Cameron's Terminator 2: Judgment Day (1991) remains a defining Action landmark from France, with scores that still shape how audiences discover the title.
★★★★☆
Lau Kar-leung's The 36th Chamber of Shaolin (1978) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★½☆
Lo Wei's The Big Boss (1971) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★½☆
Hayao Miyazaki's The Boy and the Heron (2023) remains a defining Animation landmark from Japan, with scores that still shape how audiences discover the title.
★★★★☆
John Hughes's The Breakfast Club (1985) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.
★★★★½
Martin Scorsese's The Departed (2006) remains a defining Drama landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★½☆
Gonzalo Hergueta's The Designer Is Dead (2026) remains a defining Documentary landmark from Spain, with scores that still shape how audiences discover the title.
★★★★½
Irvin Kershner's The Empire Strikes Back (1980) remains a defining Adventure landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
David Leitch's The Fall Guy (2024) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Vimukthi Jayasundara's The Forsaken Land (2005) remains a defining Drama landmark from Sri Lanka, with scores that still shape how audiences discover the title.
★★★☆☆
Mark Dindal's The Garfield Movie (2024) remains a defining Adventure landmark from United States, with scores that still shape how audiences discover the title.
