Bylined reviews with verdicts and scores — most recently published or updated first. Showing 193–216 of 283 TV reviews.
★★★★½
Sinf-e-Aahan is Umera Ahmed's Urdu drama about six young women training to become Pakistan Army officers, a rousing ensemble serial that breaks the romance mould.
★★★★☆
Skins is the Bristol teen drama that recast itself every two series. Its early generations are fearless and funny; the later run is patchier and louder.
★★★★½
Slow Horses turns Mick Herron's Slough House novels into the sharpest spy series on TV, with Gary Oldman's squalid, brilliant Jackson Lamb at its centre.
★★★★★
Someday or One Day is a 13-episode Taiwanese time-travel romance that doubles as a puzzle-box mystery, anchored by Alice Ko and Greg Hsu at their very best.
★★★★☆
Squid Game is Hwang Dong-hyuk's Korean survival thriller about debt and deadly children's games. Season 1 is superb; the two later seasons are grimmer and less focused.
Baca dalam Bahasa Indonesia →★★★★☆
Star City is the For All Mankind spinoff set inside the Soviet space programme after it wins the Moon race, a paranoid Cold War drama led by Rhys Ifans.
★★★★☆
Stranger Things is the Duffer Brothers' 1980s sci-fi horror saga set in small-town Indiana. Its young cast gives the homage real heart, even as the scale balloons.
★★★★☆
Strong Woman Do Bong-soon is a Korean superhero rom-com about a small woman with enormous strength, lifted by Park Bo-young and a playful Park Hyung-sik.
★★★★★
Succession is Jesse Armstrong's savage HBO satire of a media dynasty, a four-season family tragedy with the sharpest dialogue and finest ensemble of its decade.
★★★★☆
Suno Chanda is a Pakistani Ramadan rom-com about two bickering cousins pushed towards marriage, a warm family comedy powered by a lively Iqra Aziz.
★★★★☆
Suspicious Partner is a Korean legal rom-com with a serial-killer thriller hidden inside, carried by the playful chemistry of Ji Chang-wook and Nam Ji-hyun.
★★★½☆
Sweet Home is Netflix's Korean creature horror series about residents trapped in a crumbling apartment block. Its first season is superb; the later two sprawl.
★★★★☆
Sweet Tooth adapts Jeff Lemire's comic into a warm post-apocalyptic fairy tale about a half-deer boy and his gruff protector, lovely if sometimes too soft.
★★★★☆
Tale of the Nine-Tailed turns Korean gumiho folklore into a stylish urban fantasy romance, powered by Lee Dong-wook's charisma and Kim Bum's wounded brother.
★★★★½
Teach You a Lesson is Netflix's Korean webtoon adaptation about a covert bureau that sends an ex-soldier into lawless schools, a pulpy thriller with real anger.
★★★★☆
Ted Lasso drops a folksy American coach into English football and turns the culture clash into a warm comedy about kindness and grief, best in its first two seasons.
★★★★☆
Tere Bin is the Pakistani blockbuster romance of the 2020s, a 58-episode Geo drama whose enemies-to-lovers pairing of Yumna Zaidi and Wahaj Ali won a global audience.
★★★½☆
The Audacity is Jonathan Glatzer's dark AMC satire about a Palo Alto therapist blackmailed by a tech CEO, sharply acted and bitingly funny, if relentlessly sour.
★★★★½
The Bear turns a failing Chicago sandwich shop into a study of grief under pressure, a formally daring FX drama with superb acting and some self-indulgent stretches.
★★★½☆
The Beauty is Ryan Murphy's lurid body-horror satire about a sexually transmitted drug that makes people flawless, stylish and gory but short on a clear point.
★★★★☆
The Boys imagines superheroes as brand-managed celebrities and dangerous tyrants, a savage Prime Video satire led by Antony Starr's unforgettable Homelander.
★★★☆☆
The 'Burbs reimagines the 1989 cult comedy as a Peacock mystery series about a new mother on a creepy cul-de-sac, breezy and charming thanks to Keke Palmer.
★★★★☆
The Club is a lavish Turkish period drama set in a 1950s Istanbul nightclub, a moving mother-daughter story that shines a rare light on the city's Jewish community.
★★★★☆
The Comeback follows Lisa Kudrow's fading sitcom star Valerie Cherish across three decades, an excruciatingly funny HBO mockumentary about how Hollywood uses women.
