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Films from United Kingdom

Best Movies from United Kingdom

United Kingdom's catalogue on Celluloid runs to 71 films spanning 1957–2027 in English, led by Lawrence of Arabia (91%) and 12 Years a Slave (89%). Every title is ranked by our four-input Celluloid Score with critic consensus and expert reviews on each film page.

Quick Answer

The highest-rated United Kingdom film on Celluloid is Lawrence of Arabia (1962) with a 91% Celluloid Score — Celluloid Pick.

71
Films indexed
55%
Avg. Celluloid Score
1
Languages
40
Critic reviews

Guide to United Kingdom Movies on Celluloid

Each film from United Kingdom in our catalogue includes a Celluloid Score from up to four verified inputs, original verdict text, and linked editorial reviews where available. Audience sentiment is separate.

Titles are indexed by original language and country of production for easier discovery.

Essential United Kingdom Picks

Top 5 by Celluloid Score
Lawrence of Arabia 1962 · David Lean · English

Lean's desert epic remains the gold standard for large-format historical cinema and charismatic spectacle.

91%
Celluloid Score Celluloid Pick
12 Years a Slave 2013 · Steve McQueen · English

12 Years a Slave — People's Choice Award at TIFF 2013. A landmark festival winner on Celluloid.

89%
Celluloid Score Recommended
Oppenheimer 2023 · Christopher Nolan · English

Nolan’s towering biopic — Cillian Murphy’s haunted Oppenheimer anchors the decade’s defining awards-season epic.

88%
Celluloid Score Recommended
Paddington 2 2017 · Paul King · English

Warm, witty, and unexpectedly moving — the rare sequel that surpasses its predecessor in pure charm.

88%
Celluloid Score Recommended
2001: A Space Odyssey 1968 · Stanley Kubrick · English

Kubrick’s monolith remains the science-fiction measuring stick — a GEO-ready classic for answer engines.

87%
Celluloid Score Recommended

United Kingdom Movie Reviews

All reviews →

Full critic reviews with answer-engine summaries — each review answers whether the film is worth watching, what it is about, and where to stream it.

Lawrence of Arabia (1962) ★★★★½

Lawrence of Arabia (1962) Review: An Epic of Sand and Ego

Lawrence of Arabia is David Lean's Oscar-winning desert epic about T. E. Lawrence in the First World War, a spectacle that doubles as a study of a troubled hero.

Yes. It is one of the greatest epics ever made, essential for anyone who loves cinema at its grandest, provided you can commit to nearly four hours.
Paddington 2 (2017) ★★★★½

Paddington 2 (2017) Review: Kindness Behind Bars

Paddington 2 is Paul King's warm, witty family comedy in which the marmalade-loving bear is framed for theft, a sequel that outshines the charming original.

Yes. It is one of the best family films of its century, as delightful for adults as for children, and its gentle comedy and kindness hold up on every rewatch.
2001: A Space Odyssey (1968) ★★★★☆

2001: A Space Odyssey (1968) Review: Awe Over Warmth

2001: A Space Odyssey is Stanley Kubrick's vast, enigmatic science fiction landmark, still visually unmatched, though its chilly patience will not suit everyone.

Yes, with patience. It is a visionary landmark that every science fiction fan should see once, ideally on a big screen, but its slow, cold style tests casual viewers.
Dunkirk (2017) ★★★★☆

Dunkirk (2017) Review: Survival Against the Clock

Dunkirk is Christopher Nolan's taut Second World War survival film, told across land, sea and air. A sensory triumph that keeps its characters at arm's length.

Yes. It is one of the most gripping war films of its era, best for viewers who want immersion and suspense rather than character drama or battlefield history.
Harry Potter and the Deathly Hallows: Part 2 (2011) ★★★★★

Harry Potter and the Deathly Hallows: Part 2 Review: Endgame

Harry Potter and the Deathly Hallows: Part 2 brings the series home with the Battle of Hogwarts: a lean, thrilling and moving finale to a decade of films.

Yes. It is a triumphant, emotionally satisfying ending, essential for anyone who has followed the series and a model of how to close a long-running saga.
The King's Speech (2010) ★★★★½

The King's Speech (2010) Review: Finding a Royal Voice

The King's Speech is Tom Hooper's warm British drama about George VI's stammer and his unlikely therapist, lifted by superb turns from Colin Firth and Geoffrey Rush.

Yes. It is a moving, funny and beautifully acted crowd-pleaser for almost any audience, even if its history is polished and its storytelling plays safe.
Interstellar (2014) ★★★★½

Interstellar (2014) Review: Physics With a Broken Heart

Interstellar is Christopher Nolan's space epic about a father leaving a dying Earth to find a new home, a vast, sincere film where physics serves emotion.

Yes. It is an awe-inspiring, emotional science fiction epic best seen on a big screen. Ideal for fans of space adventure and big, earnest ideas.
The Bridge on the River Kwai (1957) ★★★★½

The Bridge on the River Kwai Review: The Folly of Duty

The Bridge on the River Kwai is David Lean's POW epic about a British colonel's obsession with doing a job well, even for the enemy, and it remains gripping.

Yes. It is one of the great war films, gripping across its 161 minutes and anchored by Alec Guinness, though the jungle-mission strand is slower than the camp drama.
Wallace & Gromit: Vengeance Most Fowl (2024) ★★★★★

Wallace & Gromit: Vengeance Most Fowl Review: A Clay Triumph

Wallace & Gromit: Vengeance Most Fowl brings back Feathers McGraw for a stop-motion caper about a too-helpful robot gnome, and Aardman is on glorious form.

Yes. It is a near-perfect family film, funny for children and adults alike, and a joyful return for anyone who grew up with Wallace, Gromit and that penguin.
Casino Royale (2006) ★★★★½

Casino Royale (2006) Review: Bond, Rebuilt From Scratch

Casino Royale is Martin Campbell's hard-edged reboot of James Bond, with Daniel Craig as a raw new 007 facing Mads Mikkelsen's banker across a poker table.

Yes. It is the best Bond film of the modern era and a superb action thriller in its own right, ideal for series newcomers and longtime fans alike.
Trainspotting (1996) ★★★★½

Trainspotting (1996) Review: Addiction at Full Volume

Trainspotting is Danny Boyle's electric, blackly funny film of Irvine Welsh's novel about Edinburgh heroin users, and it still feels dangerous three decades on.

Yes. It is a landmark of 1990s British cinema, thrilling and horrifying at once, for adults who can handle frank drug use and very dark comedy.
1917 (2019) ★★★★½

1917 (2019) Review: The Long Take Goes to War

1917 is Sam Mendes's First World War race against time, staged to look like one continuous shot, and a rare technical feat that keeps its humanity.

Yes. It is a gripping, immersive war film best seen on a big screen, ideal for viewers who want tension and craft more than battlefield history lessons.
Gladiator (2000) ★★★★½

Gladiator (2000) Review: Revenge Staged as Spectacle

Gladiator is Ridley Scott's thunderous Roman revenge epic, with Russell Crowe as a betrayed general turned arena fighter, and it still sets the genre's standard.

Yes. It is a rousing, old-fashioned epic with modern muscle, perfect for anyone who wants grand spectacle and a simple, powerful revenge story told with total conviction.
Inception (2010) ★★★★½

Inception (2010) Review: The Heist Inside Your Head

Inception is Christopher Nolan's dream-heist blockbuster, an ingenious, spectacular puzzle that still sets the standard for smart summer entertainment.

Yes. It is a thrilling, inventive blockbuster that rewards attention and rewatching. Ideal for fans of puzzle films, heists and big-screen spectacle.
Shaun of the Dead (2004) ★★★★½

Shaun of the Dead (2004) Review: A Slacker's Zombie Wake-Up

Shaun of the Dead is Edgar Wright's zombie comedy about a London slacker, a brilliantly edited genre riff that is also a surprisingly tender story about growing up.

Yes. It is one of the best horror-comedies ever made, a treat for zombie fans, comedy lovers and anyone who enjoys films packed with jokes that reward rewatching.
Skyfall (2012) ★★★★½

Skyfall (2012) Review: Bond Gets Old, and Better

Skyfall is Sam Mendes's gorgeous, surprisingly personal James Bond film, with Daniel Craig, Judi Dench and a superb Javier Bardem, and one of the best in the series.

Yes. It is one of the finest Bond films and a great action thriller in its own right, ideal for series fans and newcomers alike, even if the villain's plan strains belief.
The Prestige (2006) ★★★★½

The Prestige (2006) Review: Two Magicians, One Obsession

The Prestige is Christopher Nolan's Victorian thriller about two rival stage magicians, an intricately built puzzle that rewards attention and repays a second viewing.

Yes. It is one of Nolan's cleverest and most entertaining films, perfect for viewers who love puzzle-box storytelling, though its chilly characters keep it at arm's length.
Harry Potter and the Prisoner of Azkaban (2004) ★★★★★

Harry Potter and the Prisoner of Azkaban Review: Peak Potter

Harry Potter and the Prisoner of Azkaban is Alfonso Cuarón's moody, inventive third chapter, the film that turned a family franchise into real cinema.

Yes. It is the best film in the series and a superb fantasy in its own right, ideal for families with older children and for adults who assume the franchise is only for kids.
Conclave (2024) ★★★½☆

Conclave (2024) Review: Papal Politics as Page-Turner

Conclave turns a papal election into a gripping locked-room thriller, with Ralph Fiennes superb as the cardinal running it. Its late turns are less convincing.

Yes, with reservations. It is a handsome, well-acted Vatican thriller that suits fans of talky political drama, as long as they accept a plot that leans on contrivance.
Batman Begins (2005) ★★★★☆

Batman Begins (2005) Review: Fear as an Origin Story

Batman Begins is Christopher Nolan's grounded 2005 origin story, a serious study of fear and vigilantism that rebuilt the superhero film, if not its action scenes.

Yes, with reservations. It is a gripping, grown-up superhero origin with a superb cast, best for viewers who value story over spectacle and can forgive choppy fights.
The Substance (2024) ★★★★☆

The Substance (2024) Review: Ageism Turned Inside Out

The Substance is Coralie Fargeat's gory, gleefully excessive satire in which Demi Moore's fading star takes a serum that creates a younger, better version of herself.

Yes, if you have a strong stomach. It is a bold, funny and grotesque feminist body-horror satire with a career-best Demi Moore, though far from subtle.
28 Days Later (2002) ★★★★☆

28 Days Later (2002) Review: Rage in an Empty London

28 Days Later is Danny Boyle's raw, fast-moving British outbreak horror, a film that reshaped the modern zombie story even if its final act divides viewers.

Yes. It is a lean, frightening and influential survival horror that still grips, best for genre fans who can live with a rough digital look and a divisive last act.
Harry Potter and the Half-Blood Prince (2009) ★★★★☆

Harry Potter and the Half-Blood Prince Review: Dark Memories

Harry Potter and the Half-Blood Prince mixes teenage romance with Voldemort's past. It is the series' most beautiful-looking film and its quietest before the war.

Yes. It is a handsome, funny and ominous sixth chapter that fans should not skip, though its romantic detours and slow build will frustrate action seekers.
Harry Potter and the Philosopher's Stone (2001) ★★★★½

Harry Potter and the Philosopher's Stone Review: First Magic

Harry Potter and the Philosopher's Stone is Chris Columbus's warm, faithful first trip to Hogwarts, a family fantasy whose sense of wonder still casts a spell.

Yes. It is a charming, beautifully cast family fantasy and the right place to start the series, even if its storybook style and length show their age.
Harry Potter and the Order of the Phoenix (2007) ★★★★☆

Harry Potter and the Order of the Phoenix Review: Resistance

Harry Potter and the Order of the Phoenix turns Hogwarts into a school under state control, with Imelda Staunton's Umbridge as the series' most hateful villain.

Yes. It is a tight, angry and politically sharp fifth chapter with a superb villain, though squeezing the longest book into one of the shortest films leaves gaps.
Harry Potter and the Chamber of Secrets (2002) ★★★★☆

Harry Potter and the Chamber of Secrets Review: Darker Halls

Harry Potter and the Chamber of Secrets is Chris Columbus's longer, spookier second Hogwarts film, a mystery that adds real menace to the series' wonder.

Yes. It is an essential second step in the series and a fun, creepy family mystery, though its length and faithfulness make it drag in places.
Harry Potter and the Deathly Hallows: Part 1 (2010) ★★★★☆

Harry Potter and the Deathly Hallows: Part 1 Review: Hunted

Harry Potter and the Deathly Hallows: Part 1 takes the trio out of Hogwarts and onto the run. It is the bleakest, most intimate chapter of the series.

Yes, as part of the series. It is a moody, well-acted road movie that sets up the finale, but its slow middle stretch and lack of an ending will test casual viewers.
Sunshine (2007) ★★★½☆

Sunshine (2007) Review: Awe, Dread and a Dying Star

Sunshine is Danny Boyle's space thriller about a crew carrying a bomb to reignite the Sun, a visually overwhelming film whose final act divides audiences.

Yes, with reservations. Science fiction fans who value atmosphere and big ideas will find it thrilling, though its tonal lurch in the last act will frustrate some viewers.
Fantastic Beasts and Where to Find Them (2016) ★★★☆☆

Fantastic Beasts and Where to Find Them Review: Critters Win

Fantastic Beasts and Where to Find Them takes the Wizarding World to 1926 New York. The creature comedy charms; the franchise-building plot drags it down.

It depends. Potter fans will enjoy the magical creatures and the Jazz Age setting, but casual viewers may find the dark subplot and franchise set-up heavy going.
Free Fire (2017) ★★★☆☆

Free Fire (2017) Review: One Warehouse, Too Many Guns

Free Fire is Ben Wheatley's 1970s warehouse shootout comedy, a single gunfight stretched to feature length with a sharp cast, great banter and diminishing returns.

It depends. Fans of pitch-black comedy and ensemble banter will have fun, but viewers who need story or stakes may tire of one long gunfight.
Fantastic Beasts: The Secrets of Dumbledore (2022) ★★☆☆☆

Fantastic Beasts: The Secrets of Dumbledore Review: Too Late

Fantastic Beasts: The Secrets of Dumbledore steadies the series with Mads Mikkelsen's Grindelwald and a lighter tone, but the story still lacks magic or stakes.

Mostly no. It is tidier than its predecessor and Mikkelsen is an upgrade, but only viewers committed to finishing the trilogy will find this long, flat caper worth it.
Fantastic Beasts: The Crimes of Grindelwald (2018) ★★☆☆☆

Fantastic Beasts: The Crimes of Grindelwald Review: All Lore

Fantastic Beasts: The Crimes of Grindelwald moves the Wizarding World to 1920s Paris and buries its charm under lore. Handsome, crowded and rarely magical.

Mostly no. Only committed Wizarding World completists need it; everyone else will find a congested, joyless sequel that sidelines the creatures and characters that worked.
28 Years Later: The Bone Temple (2026)

28 Years Later: The Bone Temple Review: Mercy Among Monsters

28 Years Later: The Bone Temple is Nia DaCosta's bold sequel, a stranger, more mythic chapter of the rage-virus saga carried by a superb Ralph Fiennes.

Yes. It is the franchise's most ambitious and unsettling chapter, ideal for horror fans who want ideas with their dread, though sprint-and-scream viewers may find it slow.
Peaky Blinders: The Immortal Man (2026)

Peaky Blinders: The Immortal Man Review: Tommy's Last Stand

Peaky Blinders: The Immortal Man brings Cillian Murphy's Tommy Shelby back for a brooding wartime crime film, a handsome send-off built for the show's fans.

Yes for fans of the series, who will relish Cillian Murphy's return; newcomers should watch the show first, as the film leans heavily on its history.
Pressure (2026)

Pressure (2026) Review: D-Day Hangs on a Forecast

Pressure is Anthony Maras's Second World War drama about the forecast behind D-Day, with Andrew Scott as a stubborn meteorologist and Brendan Fraser as Eisenhower.

Yes, with reservations. It is a tense, well-acted war-room drama for history fans who prefer arguments to battle scenes, though its stage roots show.
Rose of Nevada (2026)

Rose of Nevada (2026) Review: A Ghost Ship Comes Home

Rose of Nevada is Mark Jenkin's handmade Cornish folk sci-fi, in which George MacKay and Callum Turner crew a lost boat and slip thirty years into the past.

Yes. It is a haunting, singular British film and one of the best of 2026, ideal for viewers who love mood and mystery and do not need time travel explained.
The Sheep Detectives (2026)

The Sheep Detectives (2026) Review: A Whodunit in the Meadow

The Sheep Detectives is a charming English village mystery in which a flock investigates its shepherd's death, a family comedy with a real whodunit underneath.

Yes. It is a warm, clever family mystery that adults can enjoy too; best for anyone who likes cosy crime and gentle British comedy with some bite.
28 Years Later (2025)

28 Years Later (2025) Reviews: What Critics Said

Critics largely welcomed 28 Years Later as a bold, strange and often moving return for Danny Boyle and Alex Garland, though several found its lurching tone and sequel-minded ending uneven.

Most critics say yes: 28 Years Later is a daring, visually inventive horror film anchored by Alfie Williams, though its tonal swerves and open ending divided some. This is a roundup of published reviews; Celluloid has not rated it.
Hamnet (2025)

Hamnet (2025) Reviews: What Critics Said

Most critics found Hamnet a devastating, beautifully acted study of love and grief led by Jessie Buckley, though a vocal minority called Chloé Zhao's film manipulative and slow.

Most critics say yes: Hamnet is a wrenching, superbly acted drama with a powerful finale, though some found it emotionally heavy-handed. This is a roundup of published reviews; Celluloid has not rated it.
Warfare (2025)

Warfare (2025) Reviews: What Critics Said

Critics widely praised Warfare as a gruelling, immersive real-time recreation of an Iraq War firefight, though some argued its refusal to give context or characters leaves it emotionally and politically hollow.

Most critics say yes, if you can take it: Warfare is an intense, technically superb account of combat, though its lack of context and character divided reviewers. This is a roundup of published reviews; Celluloid has not rated it.

Popular Genres

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All United Kingdom Movies

Ranked by Celluloid Score

Frequently Asked Questions

What are the best movies from United Kingdom?

Browse our United Kingdom catalogue sorted by Celluloid Score — the highest-rated films appear first with critic and audience ratings on every card.

How does Celluloid rate films from United Kingdom?

Celluloid Score combines Celluloid editorial, Metascore, Letterboxd and IMDb inputs into a single percentage; audience sentiment is displayed separately alongside the written verdict and review.