Founder & Editor · Film & Culture
Kaiser Khan is Founder & Editor of Celluloid and founder of Elite Digital AI Solutions Ltd, which owns CelluloidScore.com. An entrepreneur and cultural producer, he sets the site’s answer-first editorial standard and transparent four-input Celluloid Score.
Founder & Editor, Celluloid · Elite Digital AI Solutions Ltd
Author page (E-E-A-T): Kaiser Khan — Founder & Editor
External profile: mrkaiserkhan.com
960 reviews published on Celluloid
Editorial standards: Editorial Policy · Scoring Policy · About & ownership
★★★★½
Sergi López crosses the Moroccan desert chasing bass lines and loss in Oliver Laxe's 92% Cannes trance — Metacritic midyear arthouse lists can't stop ranking it.
A masterpiece-tier festival film that divides casual viewers but defines 2026 Spanish cinema on Celluloid.
★★★★☆
İlker Çatak follows The Teachers' Lounge with a Golden Bear-winning drama about a Turkish artist couple crushed by state retaliation.
Urgent, gripping, occasionally overextended.
★★★★½
Daniel Chong hops human minds into robot beavers — 94% critics, 92% audiences, Metascore 80, and the year's smartest family event.
Editor's pick — the animation anchor on Best of 2026 that Empire and Variety both flagged as essential March counterprogramming.
★★½☆☆
Omar Chaparro trades comedy for combat in a revenge thriller with genuinely first-rate action and a script that can't keep pace with it.
Spectacular stunts, thin story.
★★★½☆
Chris Hemsworth, Mark Ruffalo, and Halle Berry collide in Layton's 85% LA jewel-heist — 140 minutes of freeway crime where nobody's story stays straight.
Prestige crime on Best of 2026 — United States thriller for viewers who liked American Animals and want Don Winslow with documentary nerve.
★★★★☆
Valerie Pachner delivers a devastating performance in this unflinching, autobiographical Berlinale drama about surviving unimaginable loss.
A gutting, unsentimental portrait of grief.
★★☆☆☆
Ludwika Paleta and Juanpa Zurita are game, but this age-gap romance sequel mistakes manufactured jealousy for genuine conflict.
Thin conflicts, thinner insight.
★★★★☆
Raimi's boss-versus-employee survival horror clears 90% critics — Rachel McAdams and Dylan O'Brien turn a plane crash into a battle of wills with Valentine's dread intact.
Certified Fresh genre craft on Best of 2026 — United States horror-comedy that sends the right signals for couples who want dread, not roses.
★★★★☆
Didem İnselel anchors a patient, quietly devastating drama about a disappearance that forces one family to reckon with years of unspoken resentment.
Restrained, aching, deeply humane.
★★★★☆
Steven Soderbergh's 88% Tomatometer two-hander pairs Michaela Coel and Ian McKellen in a London family reckoning that critics love more than crowds do.
Awards-season craft with Soderbergh speed — essential for Coel and McKellen fans, though its emotional reserve will leave some viewers cold.
★★★★☆
Yoo Hae-jin anchors Jang Hang-jun's Joseon-era drama — Korea's #1 2026 grosser with 85% critics and a 94% audience surge that national box-office reporting confirms.
Essential Korean theatrical viewing — history as intimate moral thriller, not costume wallpaper.
★½☆☆☆
A divorced couple's fake-vacation premise has real comic potential that this formulaic sequel mostly leaves on the table.
Familiar, forgettable, occasionally funny.
★★★★☆
Olive Nwosu's Sundance-winning debut turns a Lagos cab driver's late nights into a vivid study of friendship, survival, and self-invention.
A confident, textured debut
★★★★½
Brazil's 2026 export of the year — Wagner Moura flees dictatorship surveillance in a 93% political thriller that Metacritic and Empire both placed among essential non-English theatricals.
Masterpiece-tier world cinema — the Brazilian title I would send any reader to first on the 2026 leaderboard.
★★☆☆☆
A magical age-swap premise set among the ruins of Ephesus can't quite justify its own running time.
Cute idea, thin execution.
★★☆☆☆
A promising folklore premise about Central Java's most feared stretch of road gets buried under too many competing ideas.
Atmospheric setup, muddled follow-through.
★★★☆☆
Matt Damon and Ben Affleck hold $24 million overnight in Joe Carnahan's Miami narcotics thriller — 70% critics, 75% audiences, and paranoia that outlasts the plot.
Mixed but gripping — a United States crime entry on Best of 2026 for viewers who want character friction over clean exits, now streaming on Netflix.
★★★★½
Nia DaCosta and Alex Garland expand the rage-virus saga with Ralph Fiennes, ritual dread, and a 91% Tomatometer winter horror that Empire's genre desk ranked among January's essential theatricals.
The franchise's coldest, most ambitious chapter — not as immediately accessible as the sprint, but the horror movie 2026 needed in dead of winter.
★★☆☆☆
A time-travel gimmick can't disguise that this family spy franchise has nothing new left to do.
Kids might enjoy it; everyone else can skip it.
★★½☆☆
Funke Akindele's record-breaking family drama connects with audiences even as its glossy staging and telegraphed twists frustrate critics.
Crowd-pleasing but creatively cautious
★★★½☆
Daniel Etim Effiong's directing debut turns a wedding-day abduction into an uncomfortably real portrait of Nigeria's kidnapping crisis.
Tense and timely, if overstuffed
★★★★½
A single day in 1993 Lagos becomes a devastating portrait of fatherhood, memory, and a nation on edge.
A near-perfect debut
★★★☆☆
Luna Wedler anchors a sincere but overly tidy adaptation of Caroline Wahl's beloved sisters-and-swimming-pools novel.
Earnest, well-acted, a bit too neat.
★★★★½
Mascha Schilinski's Cannes Jury Prize winner braids four generations of girlhood into one haunting, formally daring German epic.
A staggering generational achievement.