Founder & Editor · Film & Culture
Kaiser Khan is Founder & Editor of Celluloid and founder of Elite Digital AI Solutions Ltd, which owns CelluloidScore.com. An entrepreneur and cultural producer, he sets the site’s answer-first editorial standard and transparent four-input Celluloid Score.
Founder & Editor, Celluloid · Elite Digital AI Solutions Ltd
Author page (E-E-A-T): Kaiser Khan — Founder & Editor
External profile: mrkaiserkhan.com
904 reviews published on Celluloid
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★★★★★
Wallace & Gromit: Vengeance Most Fowl brings back Feathers McGraw for a stop-motion caper about a too-helpful robot gnome, and Aardman is on glorious form.
Yes. It is a near-perfect family film, funny for children and adults alike, and a joyful return for anyone who grew up with Wallace, Gromit and that penguin.
★★★☆☆
Warkop DKI Reborn: Jangkrik Boss! Part 1 revives Indonesia's most famous comedy trio with new stars, and it is a cultural event more than a consistently funny film.
It depends. Fans of the original Warkop DKI will enjoy the affectionate callbacks and committed cast, but newcomers may find the gags broad and the story unfinished.
★★★½☆
The Way of the Dragon sends Bruce Lee to Rome to protect a family restaurant from gangsters; clumsy comedy gives way to some of the finest fights ever filmed.
Yes, for martial arts fans. The humour is dated and the first half drags, but Bruce Lee's fights, including his duel with Chuck Norris, are essential viewing.
★★★★☆
Weak Hero Class 1 is a lean, brutal Korean high-school action drama about a slight top student who fights back with his brain, anchored by a superb Park Ji-hoon.
Yes. It is a tight, hard-hitting eight-episode drama for viewers who like school thrillers and fight choreography with consequences, provided they can take the violence.
★★★★☆
Wednesday is Netflix's gothic teen mystery that sends Wednesday Addams to boarding school, owned by Jenna Ortega even when the whodunit turns routine.
Baca dalam Bahasa Indonesia →Yes, mostly for Jenna Ortega. It is a stylish, funny gothic mystery for teens and Addams fans, though the plotting is more conventional than its star.
★★★★☆
Weightlifting Fairy Kim Bok-joo is a Korean campus romance about a champion weightlifter and a struggling swimmer, disarmingly kind and funny about growing up.
Yes. It is one of the gentlest, most likeable Korean romcoms, perfect for viewers who want sports, friendship and first love without cynicism or heavy melodrama.
★★★★☆
What's Wrong with Secretary Kim is a glossy Korean office romcom about a narcissistic executive and the secretary who quits, lifted by Park Seo-joon and Park Min-young.
Yes. It is a breezy, very funny office romance for viewers who like chaebol comedy and star chemistry, as long as a heavier late turn and old-fashioned tropes don't bother them.
★★★½☆
Wheels on Meals reunites Jackie Chan, Sammo Hung and Yuen Biao for a Barcelona-set action comedy whose loose plot is redeemed by some of the finest fights of the 1980s.
Yes, with reservations. The comedy is broad and the story thin, but the fight choreography is superb. Essential for Jackie Chan and Hong Kong action fans.
★★★★½
When Life Gives You Tangerines follows a Jeju couple across four decades, a generational Korean drama in which IU and Park Bo-gum earn every tear it draws.
Yes. It is one of the finest Korean dramas of the decade, ideal for anyone who loves patient family sagas and does not mind crying through a good part of 16 episodes.
★★★★☆
While You Were Sleeping is a Korean fantasy legal romance in which a woman and a rookie prosecutor dream of disasters before they happen, and race to prevent them.
Yes. It is a warm, clever blend of courtroom drama, romance and precognition fantasy, best for viewers happy to commit to a long run of case-driven episodes.
★★★★½
Whiplash is Damien Chazelle's ferocious jazz drama about a young drummer and a tyrannical teacher, cut with the tension of a thriller and powered by J.K. Simmons.
Yes. It is one of the most gripping films of its decade, and at 107 minutes it never wastes a beat. Ideal for anyone drawn to stories of ambition, music or obsession.
★★★★☆
Who Rules The World is a 40-episode Chinese wuxia romance about two famed martial heroes with hidden identities, lively when it plays and slower when it plots.
Yes, with patience. It is a handsome, playful wuxia romance for fans of Yang Yang, Zhao Lusi and costume drama, though its political plotting drags across 40 episodes.
★★★★★
Widow's Bay is Katie Dippold's Apple TV+ horror-comedy in which Matthew Rhys plays a mayor pitching tourists a cursed New England island, and it is sharp and scary.
Yes. It is the standout horror-comedy of 2026, ideal for viewers who want real laughs and real dread in the same hour and enjoy small-town satire with a supernatural edge.
★★★★☆
Winter Sleep, Nuri Bilge Ceylan's Palme d'Or winner, shuts a proud hotel owner in snowbound Anatolia with the people who see through him. Long, talky, rewarding.
Yes, if you have the patience. It is a demanding 196-minute drama built on conversation, and a richly rewarding one for viewers who enjoy slow, literary art cinema.
★★★½☆
Wolf Warrior 2 is Wu Jing's patriotic action spectacle about a Chinese ex-commando in an African war zone, pairing thrilling set pieces with blunt, flag-waving politics.
Yes, with reservations. The action is ambitious and relentless, but the nationalism is heavy-handed. Best for action fans and anyone curious about modern Chinese blockbusters.
★★★½☆
Women Talking is Sarah Polley's Oscar-winning drama about women in a remote religious colony deciding their future after years of abuse. Powerful, if stagey.
Yes, with reservations. The ensemble and the moral argument are powerful, though the talky, theatrical form will not suit everyone. Best for viewers who like drama built on ideas.
★★★★½
Y Tu Mamá También is Alfonso Cuarón's road movie about two teenage friends and an older woman crossing Mexico, a raunchy comedy that deepens into something profound.
Yes. It is one of the great coming-of-age films, funny and frank before it turns quietly devastating. Best for adults comfortable with explicit sexual content.
★★★★☆
Yellowjackets splits its story between teenage plane-crash survivors in the wilderness and the damaged women they become, turning survival horror into a study of trauma.
Yes. It is a gripping, ferociously acted survival mystery for viewers who like dark, twisty drama, though its later seasons grow uneven and slow to answer questions.
★★★★☆
You is the darkly funny thriller in which Penn Badgley's charming bookseller stalks the women he fixates on, gripping early and increasingly outlandish over five seasons.
Yes, especially the first seasons. It is a sly, bingeable thriller for fans of antihero drama and satire, though later seasons repeat the formula and stretch belief.
★★★★☆
Young Sherlock is Prime Video's brash origin story for Holmes, sending a 19-year-old Sherlock to Oxford as a murder suspect, and it is fast, irreverent fun.
Yes. It is a lively, stylish mystery romp for viewers who want Sherlock Holmes with swagger and speed, though Conan Doyle purists may find it too loose.
★★★★☆
Your Friends & Neighbors is Apple TV+'s suburban noir in which Jon Hamm's broke ex-financier burgles his wealthy neighbours, a glossy satire with guilty-pleasure pull.
Yes. It is a slick, darkly funny crime drama powered by Jon Hamm, ideal for viewers who enjoy wealth satire and antihero schemes, even if it indulges the lifestyle it mocks.
★★★★½
Your Name is Makoto Shinkai's anime about a Tokyo boy and a country girl who wake up in each other's bodies, a funny, dazzling romance that grows into much more.
Yes. It is one of the most beautiful and emotionally satisfying animated films of its decade, ideal for teenagers and adults, including viewers new to anime.
★★½☆☆
Zero is Aanand L. Rai's ambitious Hindi romance starring Shah Rukh Khan as a short-statured bachelor from Meerut, lively at first but lost in a shapeless second half.
Mostly no. Shah Rukh Khan and Anushka Sharma commit fully, but the film loses its way badly after the interval. Only for devoted SRK fans curious about a bold misfire.
★★★★☆
Zinda Bhaag is a lively, bittersweet Punjabi-language drama about three young Lahore men desperate to escape abroad, and a landmark for new Pakistani cinema.
Yes, with reservations. It is funny, humane and full of local colour, though uneven in pace. Best for viewers curious about Pakistani cinema and stories of migration.