Bylined reviews with verdicts and scores — newest first. Showing 529–552 of 590 movie reviews.
★★★½☆
The franchise's billed farewell trades a bit of shock value for genuine affection between its aging daredevils.
★★★½☆
Nirina Zubir anchors a family drama about elderly abandonment that trades melodrama for something quieter and, mostly, more devastating.
★★½☆☆
Scott Eastwood carries a WWII survival story that's well-made but rarely surprising.
★★★★☆
A tender queer romance and a genuinely inventive horror hook make this Sundance breakout one of the year's sharpest debuts.
★★★½☆
Cillian Murphy returns as Tommy Shelby in Tom Harper and Steven Knight's Peaky feature — 82% critics, 88% audiences, and myth made smoke-filled cinema.
★★★☆☆
Brett Haley adapts Emily Henry with Emily Bader and Tom Blyth — 75% critics, 82% audiences, and chemistry that almost saves a safe script from itself.
★★★☆☆
Diego Luna is magnetic as the fixer who talked Mexico into hosting the 1986 World Cup, but the satire pulls its punches right when it should dig in.
★★★★☆
Xie Miao and Joe Taslim anchor Kenji Tanigaki's one-night Tokyo actioner — 93% critics, 88% audiences, and hand-to-hand cinema that embarrasses Hollywood chase films.
★★★★☆
Chiwetel Ejiofor and Renate Reinsve lend prestige to liminal terror in A24's 87%/90% horror breakout — the IMDb midyear chart's most surprising studio scare.
★★★★½
Luhrmann's restored Vegas concert documentary hits 95% critics and 90% audiences — Elvis live, louder and clearer than the 2022 biopic myth allows.
★★★☆☆
The gang from Mount Madyopuro returns for a sequel that's warmer and more polished than the original, even if it rarely surprises.
★★★½☆
Anthony Maras's D-Day weather drama puts Andrew Scott's meteorologist against Brendan Fraser's Eisenhower — 80% critics, 85% audiences, and a forecast that feels lethal.
★★★★☆
Tony Leung, Léa Seydoux, and Luna Wedler anchor Enyedi's Berlinale drama — 92% critics, Metascore 85, and Hungary's most meditative 2026 theatrical.
★★★★½
Aleshea Harris's play-to-screen debut is a 97% Tomatometer knockout — Kara Young and Mallori Johnson make twin-sister rage feel biblical and brutally funny.
★★★★½
Curry Barker's monkey's-paw horror romance turns a novelty charm into Gen Z's favorite date-night argument — grotesque, funny, and commercially unstoppable on a shoestring.
★★★★☆
Keke Palmer and LaKeith Stanfield wear corporate content on their bodies in Boots Riley's 91% Oakland satire — Sorry to Bother You's angrier, sharper cousin.
★★★★☆
Kyle Balda's live-action debut — from a Craig Mazin screenplay — puts Hugh Jackman's shepherd at the center of a 93% flock-led whodunit that treats talking sheep as detectives, not gimmicks.
★★★★½
Markus Schleinzer's black-and-white Thirty Years' War drama is a masterclass in control, led by a career-best performance from Sandra Hüller.
★★★½☆
David Frankel reunites Streep, Hathaway, Blunt, and Tucci for a $690M global sequel — 78% critics, 85% audiences, and runway glamour that outpaces the script.
★★★☆☆
Antoine Fuqua's authorized Michael Jackson biopic rides 88% audience heat and IMDb midyear trending while critics stall at 55% — gloss, length, and legacy questions left open.
★★★★★
George MacKay and Callum Turner sail Jenkin's analogue folk sci-fi — 99% Tomatometer, 88 Metascore, and Cornish time-slip cinema Empire ranked among the year's finest UK theatricals.
★★★½☆
A notorious prison becomes a pressure cooker of gore, gallows humor, and institutional rot in Joko Anwar's most purely entertaining film in years.
★★★★½
Sophy Romvari's autofictional family drama topped Metacritic's midyear limited-release chart — 96% critics, 91 Metascore, and a coastal stillness that rewards patience.
★★★★☆
John Carney pairs Paul Rudd and Nick Jonas in an 88% Dublin song-theft drama — Ireland's feel-good theatrical of the spring with a third-act chorus that earns its key change.
