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critic Dungeons & Dragons: Honor Among Thieves (2023)

Dungeons & Dragons: Honor Among Thieves Review: The Fantasy Romp That Rolled Well

Dungeons & Dragons: Honor Among Thieves succeeds where blockbuster fantasy usually fails — by being light on its feet, genuinely funny and unashamedly fun, a heist-comedy adventure that captures the freewheeling spirit of a good tabletop campaign.

77%
Celluloid Recommended
critic Eephus (2024)

Eephus Review: A Shaggy Elegy for Small-Town Baseball

Lund stretches one last amateur ballgame into a shaggy elegy for small-town ritual, finding poignancy in the sport's dead time and enduring friendships.

81%
Celluloid Recommended
critic Flies (2026)

Flies Review: Fernando Eimbcke's Quiet Return to Form

A grieving woman and an abandoned boy find each other in a black-and-white Mexico City chamber piece that earns its tears without ever reaching for them.

74%
Celluloid Recommended
critic From Ground Zero (2024)

From Ground Zero Review: Twenty-Two Voices From Gaza

An anthology stitched from short films by Gazan filmmakers under bombardment — shifting tones that no single narrative could capture.

82%
Celluloid Recommended
critic Little Amélie or the Character of Rain (2025)

Little Amélie Review: Childhood as Sensation, Color, and Loss

Maïlys Vallade adapts Amélie Nothomb's novel into animated childhood wonder — Loïse Charpentier's Amélie carries weighty ideas about identity with open eyes.

83%
Celluloid Recommended
critic Little Trouble Girls (2025)

Little Trouble Girls Review: Desire in a Convent Choir

Urška Djukić sets a shy teenager's first stirrings of desire against a convent choir retreat — piety and longing in quiet friction.

78%
Celluloid Recommended