Bylined reviews with verdicts and scores — most recently published or updated first. Showing 97–120 of 283 TV reviews.
★★★½☆
Hubungi Agen Gue is the Indonesian remake of Call My Agent, a glossy eight-episode satire of Jakarta show business that works best when it leans into local chaos.
★★★★½
Humsafar is the landmark 2011 Pakistani drama about an arranged marriage torn apart by family scheming, with Fawad Khan and Mahira Khan's defining on-screen pairing.
★★★★☆
I May Destroy You is Michaela Coel's daring 12-episode London drama about a writer rebuilding her life after an assault, as funny as it is unflinching.
★★★½☆
I Will Find You is Netflix's eight-episode Harlan Coben thriller about a jailed father who breaks out to find the son he was convicted of killing.
★★★★☆
Ikatan Cinta is the RCTI sinetron that gripped Indonesia during the pandemic, a family melodrama powered by the Andin and Aldebaran romance, spread over 1,372 episodes.
★★★★☆
Iljimae is a 20-episode Korean period adventure about a masked Joseon thief who robs the corrupt, carried by Lee Joon-gi's dashing double-life lead.
★★★★☆
I'm Not a Robot is a Korean sci-fi rom-com in which a woman poses as a humanoid robot for a recluse allergic to people, and it is far more tender than it sounds.
★★★☆☆
Imperfect Women is an eight-episode Apple TV+ murder mystery about three lifelong friends, glossy and well cast but more shuffled than deep.
★★★★☆
Industry is HBO's London banking drama that grew from a graduate-scheme pressure cooker into a sharp, abrasive study of money, power and ambition.
★★★★½
Inside No. 9 is Reece Shearsmith and Steve Pemberton's darkly comic BBC anthology, a run of self-contained half-hours that almost never repeat themselves.
★★★★☆
Itaewon Class is a K-drama about an ex-convict who opens a small Seoul pub to take down a food empire, a stirring underdog story that sags in its second half.
★★★★½
It's Okay to Not Be Okay is a gorgeous, emotionally serious K-drama romance between a psychiatric ward carer and a children's author who claims she cannot love.
★★★½☆
Jaan Nisar reunites Danish Taimoor and Hiba Bukhari in a class-crossed Pakistani love story, a huge crowd-pleaser that tests patience over 65 episodes.
★★★★☆
Joko Anwar's Nightmares and Daydreams is a seven-part Indonesian horror anthology on Netflix, uneven by episode but ambitious, striking and full of social anger.
★★★★☆
Joy of Life is a Chinese costume epic in which a young man with a modern mind navigates a deadly imperial court, a sprawling saga lifted by sly, disarming wit.
★★★★☆
Jury Duty Presents: Company Retreat moves the hidden-camera hoax to a fake hot-sauce firm's retreat, and it works again thanks to its kind, unsuspecting star.
★★★★½
Kabhi Main Kabhi Tum pairs Fahad Mustafa and Hania Aamir as mismatched newlyweds in a warm, funny Pakistani drama that trades toxic tropes for real partnership.
★★★☆☆
Kaisi Teri Khudgarzi is a hugely popular Pakistani drama about a tycoon's son fixated on a young woman, compelling as melodrama but troubling in how it frames love.
★★★★☆
Kamar Kamariah is a 13-episode Malaysian domestic thriller about a woman trapped in an outwardly pious marriage, tense, brave and led by committed performances.
★★★★½
Khemjira is a Thai BL series that blends a family curse, Buddhist folklore and slow-burn romance, and it is one of the most ambitious and assured entries in the genre.
★★★★☆
Khuda Aur Mohabbat's third season pairs Feroze Khan and Iqra Aziz in a lavish Pakistani romance about class, faith and devotion, grand in scale and in emotion.
★★★★☆
Killing Eve is a stylish British spy thriller about an MI5 officer and the assassin she hunts, dazzling in its early seasons even as later ones lose their grip.
★★★☆☆
King the Land is a glossy K-drama office romance between a hotel heir and a relentlessly smiling employee, carried by its leads rather than its thin plotting.
★★★★½
Kingdom sets a zombie plague in Korea's Joseon era and fuses palace intrigue with relentless horror, a lavish, politically sharp series that reinvents the undead.
