Bylined reviews with verdicts and scores — newest first. Showing 385–408 of 960 reviews.
★★★½☆
Michael Fetter Nathansky's Every You Every Me (2024) remains a defining Drama landmark from Germany, with scores that still shape how audiences discover the title.
★★★★☆
Daniel Scheinert & Daniel Kwan's Everything Everywhere All at Once (2022) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Jang Jae-hyun's Exhuma (2024) remains a defining Mystery landmark from South Korea, with scores that still shape how audiences discover the title.
★★★½☆
John Woo's Face/Off (1997) remains a defining Action landmark from United States, with scores that still shape how audiences discover the title.
★★★★☆
Ronny Yu's Fearless (2006) remains a defining Drama landmark from China, with scores that still shape how audiences discover the title.
★★★★½
David Fincher's Fight Club (1999) remains a defining Drama landmark from Germany, with scores that still shape how audiences discover the title.
★★★½☆
Nandita Das's Firaaq (2009) remains a defining Drama landmark from India, with scores that still shape how audiences discover the title.
★★★½☆
Lo Wei's Fist of Fury (1972) remains a defining Drama landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★½☆
Chang Cheh's The Five Venoms (1978) remains a defining Action landmark from Hong Kong, with scores that still shape how audiences discover the title.
★★★½☆
Wilson Yip's Flash Point (2007) remains a defining Action landmark from China, with scores that still shape how audiences discover the title.
★★★☆☆
Ben Wheatley's Free Fire (2017) remains a defining Action landmark from United Kingdom, with scores that still shape how audiences discover the title.
★★★½☆
Peter Webber's Girl with a Pearl Earring (2003) remains a defining Drama landmark from France, with scores that still shape how audiences discover the title.
★★★★½
Ridley Scott's Gladiator (2000) remains a defining Action landmark from United Kingdom, with scores that still shape how audiences discover the title.
★★★★☆
David Fincher's Gone Girl (2014) remains a defining Mystery landmark from United States, with scores that still shape how audiences discover the title.
★★★★½
Martin Scorsese's GoodFellas (1990) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.
★★★★½
Isao Takahata's Grave of the Fireflies (1988) remains a defining Animation landmark from Japan, with scores that still shape how audiences discover the title.
★★★★☆
Zoya Akhtar's Gully Boy (2019) remains a defining Drama landmark from India, with scores that still shape how audiences discover the title.
★★★★½
Masaki Kobayashi's Harakiri (1962) remains a defining Action landmark from Japan, with scores that still shape how audiences discover the title.
★★★½☆
Richard Linklater's Hit Man (2024) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.
★★★★☆
Kim Bora's House of Hummingbird (2019) remains a defining Drama landmark from South Korea, with scores that still shape how audiences discover the title.
★★★★☆
Hayao Miyazaki's Howl's Moving Castle (2004) remains a defining Fantasy landmark from Japan, with scores that still shape how audiences discover the title.
★★★½☆
Ulrich Seidl's Import/Export (2007) remains a defining Drama landmark from Austria, with scores that still shape how audiences discover the title.
★★★½☆
Ron Howard's In the Heart of the Sea (2015) remains a defining Thriller landmark from Spain, with scores that still shape how audiences discover the title.
★★★½☆
Raha Amirfazli & Alireza Ghasemi's In the Land of Brothers (2024) remains a defining Drama landmark from France, with scores that still shape how audiences discover the title.
