2001: A Space Odyssey (1968) Review
★★★★☆
Stanley Kubrick's 2001: A Space Odyssey (1968) remains a defining Science Fiction landmark from United Kingdom, with scores that still shape how audiences discover the title.
Bylined reviews with verdicts and scores — newest first. Showing 337–360 of 960 reviews.
★★★★☆
Stanley Kubrick's 2001: A Space Odyssey (1968) remains a defining Science Fiction landmark from United Kingdom, with scores that still shape how audiences discover the title.
★★★½☆
Ravi L. Bharwani's 27 Steps of May (2019) remains a defining Drama landmark from Indonesia, with scores that still shape how audiences discover the title.
★★★★☆
Danny Boyle's 28 Days Later (2002) remains a defining Horror landmark from United Kingdom, with scores that still shape how audiences discover the title.
★★★★☆
Ron Howard's A Beautiful Mind (2001) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
John Krasinski's A Quiet Place Part II (2021) remains a defining Science Fiction landmark from United States, with scores that still shape how audiences discover the title.
★★★★☆
King Hu's A Touch of Zen (1970) remains a defining Action landmark from Taiwan, with scores that still shape how audiences discover the title.
★★★½☆
Ratchapoom Boonbunchachoke's A Useful Ghost (2025) remains a defining Comedy landmark from Thailand, with scores that still shape how audiences discover the title.
★★★½☆
Murad Mustafa's Aisha Can't Fly Away (2025) remains a defining Horror landmark from Egypt, with scores that still shape how audiences discover the title.
★★★★½
Ridley Scott's Alien (1979) remains a defining Horror landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Cherien Dabis's All That's Left of You (2025) remains a defining Drama landmark from Germany, with scores that still shape how audiences discover the title.
★★★★½
Tony Kaye's American History X (1998) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.
★★★½☆
Vivian Qu's Angels Wear White (2017) remains a defining Drama landmark from China, with scores that still shape how audiences discover the title.
★★★½☆
Sandeep Reddy Vanga's Animal (2023) remains a defining Action landmark from India, with scores that still shape how audiences discover the title.
★★★½☆
Luc Besson's Anna (2019) remains a defining Action landmark from France, with scores that still shape how audiences discover the title.
★★★½☆
Sean Ellis's Anthropoid (2016) remains a defining History landmark from Czech Republic, with scores that still shape how audiences discover the title.
★★★½☆
Boo Junfeng's Apprentice (2016) remains a defining Drama landmark from Germany, with scores that still shape how audiences discover the title.
★★★½☆
Seán Devlin's Asog (2025) remains a defining Documentary landmark from Canada, with scores that still shape how audiences discover the title.
★★★★☆
S. S. Rajamouli's Baahubali: The Beginning (2015) remains a defining Action landmark from India, with scores that still shape how audiences discover the title.
★★★★½
Robert Zemeckis's Back to the Future (1985) remains a defining Adventure landmark from United States, with scores that still shape how audiences discover the title.
★★★★☆
Christopher Nolan's Batman Begins (2005) remains a defining Drama landmark from United Kingdom, with scores that still shape how audiences discover the title.
★★★½☆
Polen Ly's Becoming Human (2025) remains a defining Fantasy landmark from Cambodia, with scores that still shape how audiences discover the title.
★★★½☆
Kamila Andini's Before, Now & Then (2022) remains a defining Drama landmark from Indonesia, with scores that still shape how audiences discover the title.
★★★½☆
Kam Ka-wai's Big Brother (2018) remains a defining Action landmark from China, with scores that still shape how audiences discover the title.
★★★★☆
Alejandro G. Iñárritu's Birdman (2014) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.