Kaiser Khan

Motor City Review: Alan Ritchson's Near-Silent Revenge Trip Runs on Muscle and Groove

★★★½☆ 3.5/5

Potsy Ponciroli's Motor City strips a 1970s Detroit revenge plot down to bodies, cars, and a disco-rock pulse — roughly five lines of dialogue, and Alan Ritchson carrying the rest like a wrecking ball with a broken heart.

A stylish, nearly wordless grindhouse throwback that works as pure kinetic cinema even when the story is pure archetype. Worth a ticket if you want summer counterprogramming to Nolan and Spider-Man.

Spider-Man: Brand New Day — What We Know Before July 31

Destin Daniel Cretton's MCU Spidey film arrives July 31 as the summer's last major wide release — Tom Holland back under the mask after No Way Home's memory wipe, with street-level stakes and a villain no one can see. No critic score yet; here's how to think about the ticket.

Not yet reviewed — opens July 31. Expect a street-level reset after No Way Home, with Holland, Zendaya, and a mystery villain. We'll publish a full Celluloid Score once embargos lift.

Gail Daughtry and the Celebrity Sex Pass Review: David Wain's Joke Machine Lands More Than It Misses

★★★½☆ 3.5/5

David Wain's Sundance-premiered comedy is a Certified Fresh gag parade — 77% on Rotten Tomatoes, 66 on Metacritic — powered by Zoey Deutch and a deep bench of comic ringers, even if the hit-to-miss ratio trails his best work.

A loose, laugh-dense summer comedy carried by Zoey Deutch's charm and David Wain's troupe of ringers. See it for the gags that land and forgive the ones that don't — recommended for comedy fans.

The Odyssey Review: Christopher Nolan's Homer Is a Technical Marvel — and a Box-Office Event

★★★★½ 4.5/5

Shot entirely on IMAX 70mm film, Christopher Nolan's Homer adaptation is a genuine formal event — now confirmed as a record opening and audience favorite — even if the epic's scale occasionally outpaces its heart.

A staggering technical achievement, Nolan's highest-rated film with critics, and a rare A-CinemaScore blockbuster audiences are actively recommending. See it on the biggest screen you can find.

Anora Review: A Screwball Fairy Tale That Curdles Into Heartbreak

★★★★★ 5/5

Sean Baker's Anora begins as a Cinderella lark and detonates into something far sadder — a whirlwind of comedy, class fury and tenderness carried by a fearless, star-making Mikey Madison. The Palme d'Or and Best Picture were no accident.

Baker's finest film — a rowdy, big-hearted, formally exhilarating study of who gets to dream in America. An instant classic.

Moana Review: Disney's Live-Action Remake Sails in Circles

★★½☆☆ 2.5/5

Disney's live-action Moana is a lavish act of transcription: Catherine Lagaʻaia shines and Oscar Faura's camera gives the ocean real weight, but Thomas Kail's shot-for-shot fidelity to a ten-year-old classic leaves the remake with nowhere of its own to sail.

Handsomely mounted and warmly acted, but creatively becalmed — a faithful copy that never argues for its own existence. Revisit the 2016 original instead.

The Brutalist Review: An Immigrant Epic Built to the Scale of Its Ambition

★★★★★ 5/5

Brady Corbet's The Brutalist is a 215-minute, VistaVision-shot epic of immigration, art and the cruelty buried in American patronage — a monumental swing of a film anchored by a towering Adrien Brody.

A staggeringly ambitious old-Hollywood epic with a modern conscience — occasionally overreaching, but unforgettable. Major, muscular filmmaking.

A Real Pain Review: Grief, Heritage and the Cousin You Can't Fix

★★★★½ 4.5/5

Jesse Eisenberg's A Real Pain sends two mismatched cousins on a Holocaust heritage tour of Poland, measuring inherited trauma against the smallness of everyday hurt — a slim, aching comedy-drama that hands Kieran Culkin the role of a lifetime.

A precise, deeply humane miniature about grief and the people we can't save — quietly one of the finest films of its year. Kieran Culkin is extraordinary.

A Different Man Review: A Face Is Not a Self

★★★★☆ 4/5

Aaron Schimberg's A Different Man gives Sebastian Stan a cure for his facial difference and then hands the life he wanted to another man who never sought it — a slippery, wickedly ironic fable about identity, envy and the lie of transformation.

A squirmy, funny and unexpectedly profound identity puzzle, elevated by a superb double act. One of the year's most original films.

Memoir of a Snail Review: Handmade Sorrow, Handmade Grace

★★★★½ 4.5/5

Adam Elliot's Memoir of a Snail is a painstaking claymation memoir of a lonely, hoarding misfit that finds startling warmth in the bleakest material — melancholy, wickedly funny and voiced with real feeling by Sarah Snook.

A handcrafted marvel of stop-motion — heartbreaking, funny and humane in equal measure. Animation for grown-ups at its finest.