Miracle in Cell No. 7
Drama, Comedy · 2h 12m
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Films from Turkey
Turkey's catalogue on Celluloid runs to 28 films spanning 2002–2026 across 2 languages — chiefly Turkish and Ukrainian —, led by Miracle in Cell No. 7 (85%) and Mustang (84%). Every title is ranked by our four-input Celluloid Score with critic consensus and expert reviews on each film page.
The highest-rated Turkey film on Celluloid is Miracle in Cell No. 7 (2019) with an 85% Celluloid Score — Recommended.
Each film from Turkey in our catalogue includes a Celluloid Score from up to four verified inputs, original verdict text, and linked editorial reviews where available. Audience sentiment is separate.
Titles are indexed by original language and country of production for easier discovery.
Turkey's remake became one of the highest-grossing local films ever by weaponizing tears with precision.
Deniz Gamze Ergüven’s five-sisters fable became Turkey’s Oscar submission and a global art-house hit — essential Turkish cinema beside the Golden Orange canon.
Ceylan’s nocturnal procedural — Grand Prix at Cannes — remains the international face of the Turkish new wave nurtured alongside Antalya’s national competition.
Nuri Bilge Ceylan’s quiet Istanbul drama won Antalya’s Golden Orange for Best Film — the breakthrough that put contemporary Turkish art cinema on the world map.
Winter Sleep — Palme d'Or at Cannes 2014. A landmark festival winner on Celluloid.
Full critic reviews with answer-engine summaries — each review answers whether the film is worth watching, what it is about, and where to stream it.
Miracle in Cell No. 7 is Turkey's remake of the Korean tearjerker about a wrongly jailed father and his daughter, and it is shamelessly, effectively moving.
Yes. It is an unashamed weepie powered by two superb lead performances; ideal for viewers who want a big emotional release, less so for anyone allergic to melodrama.Mustang is Deniz Gamze Ergüven's Turkish-language debut about five orphaned sisters locked away ahead of arranged marriages: vivid, angry and full of life.
Yes. It is a gripping, beautifully acted coming-of-age drama with real fury underneath, though its fable-like simplicity sometimes flattens the adults around the girls.Once Upon a Time in Anatolia is Nuri Bilge Ceylan's hypnotic crime drama about a night-long search for a body, where small talk slowly exposes deeper truths.
Yes, with reservations. It is a mesmerising, beautifully shot slow-burn for patient viewers of art cinema, but its length and pace make it a real commitment.Distant (Uzak) is Nuri Bilge Ceylan's spare, wintry Istanbul drama about two lonely cousins sharing a flat, and the quiet breakthrough of a major director.
Yes, for patient viewers. It is a precise, often wryly funny study of loneliness, though its long silences and slow rhythm will test anyone after plot.Winter Sleep, Nuri Bilge Ceylan's Palme d'Or winner, shuts a proud hotel owner in snowbound Anatolia with the people who see through him. Long, talky, rewarding.
Yes, if you have the patience. It is a demanding 196-minute drama built on conversation, and a richly rewarding one for viewers who enjoy slow, literary art cinema.Ayla is Can Ulkay's Korean War drama about a Turkish soldier who takes in a lost Korean girl, a true-story tearjerker that earns most of its tears.
Yes. It is an unashamed weepie built on a remarkable true story, best for viewers who welcome big emotion and don't mind being steered toward it.Aile Arasında is Ozan Açıktan's hit Turkish ensemble comedy, a fast, warm family farce about keeping up appearances that lands most of its big laughs.
Yes. It is a lively, well-cast Turkish family comedy that delivers plenty of laughs, best for viewers who enjoy farce and don't mind broad humour and a few dated jokes.Klondike is Maryna Er Gorbach's stark Ukrainian war drama about a pregnant woman who refuses to leave her Donbas home in July 2014. Rigorous, bleak and haunting.
Yes, with patience. It is a powerful, unsparing drama about civilians trapped by war, best for viewers ready for slow, static filmmaking and a very bleak mood.Nefes: Vatan Sağolsun is Levent Semerci's tense Turkish war drama about soldiers holding a remote mountain outpost, a stylish, claustrophobic study of endurance.
Yes. It is a gripping, formally bold war film about waiting and fear, best for viewers who can engage with its soldiers'-eye perspective on a divisive conflict.Brother's Keeper is Ferit Karahan's tense Turkish drama about a sick boy trapped in a snowbound Kurdish boarding school, a lean allegory of neglect and blame.
Mostly yes. It is a gripping, compact 85-minute drama for viewers who like austere festival cinema, though its allegory is blunter than its best moments.Three Monkeys is Nuri Bilge Ceylan's brooding Istanbul drama about a family that agrees to a lie to survive, and the silences that slowly poison its home.
Yes, for patient viewers. It is a visually striking, emotionally bruising moral drama, but its slow pace and cold mood make it demanding.Climates is Nuri Bilge Ceylan's austere Turkish breakup drama, starring Ceylan and Ebru Ceylan as a couple drifting apart across summer, autumn and winter.
Mostly yes. It is a precise, beautifully shot study of a failing relationship for patient art-house viewers, though its chilly protagonist and slow pace will test others.Egg is Semih Kaplanoğlu's quiet Turkish drama about a poet who returns home for his mother's funeral. Patient, beautiful and demanding, it rewards stillness.
Yes, with reservations. It is a rewarding slow drama for fans of contemplative art cinema, but its silences and minimal plot will frustrate viewers who want momentum.The Butterfly's Dream is a Turkish period drama about two young poets with tuberculosis in 1940s Zonguldak, a handsome, heartfelt film that leans on sentiment.
Yes, with reservations. It is a moving, beautifully shot tribute to two real poets, best for viewers who enjoy unabashed period melodrama and don't mind its length.Toss-Up (Yazı Tura) follows two Turkish soldiers who come home wounded from service in the southeast, a bruising, uneven drama about what war leaves behind.
Yes, for viewers drawn to serious Turkish cinema. Its portrait of wounded veterans is powerful, even if the split structure makes it uneven.Organize İşler is Yılmaz Erdoğan's quick-witted Istanbul crime comedy about a gang of small-time swindlers, a much-quoted favourite of modern Turkish humour.
Yes. It is one of the funniest Turkish comedies of its era, ideal for fans of ensemble crime capers, though some wordplay inevitably gets lost in subtitles.Majority is Seren Yüce's cool, unsettling Istanbul drama about a drifting young man, his domineering father and the prejudice he inherits without noticing.
Yes, with reservations. It is a sharp, quietly damning Turkish social drama for patient viewers, though its passive hero and slow pace keep it at a distance.The Lamb is Kutluğ Ataman's wry Turkish village drama about a poor family, a circumcision feast and a boy's terror, small in scale but sharp about pride and poverty.
Yes, with reservations. It suits viewers who enjoy quiet, observational world cinema with dark humour; those wanting a strong plot may find it slight.Miracle (Mucize) is Mahsun Kırmızıgül's sentimental Turkish drama about a teacher posted to a remote eastern village. Heartfelt and handsome, if heavy-handed.
Yes, with reservations. It is a warm, moving village drama for viewers who enjoy big-hearted melodrama, though its sentiment and length will test sceptics.Siccîn is Alper Mestçi's Turkish horror film about a marriage menaced by djinn folklore, and the start of a hit franchise. Culturally rooted scares, familiar tricks.
Yes, with reservations. Horror fans curious about Turkish folk horror should seek it out, though viewers tired of jump scares may find its methods familiar.Recep Ivedik unleashes Şahan Gökbakar's boorish, beloved creation on a trip to Antalya, a crude Turkish comedy that became a pop-culture phenomenon.
Yes, with reservations. It is worth seeing as a slice of Turkish pop culture and for Şahan Gökbakar's committed clowning, if you can tolerate humour that is loud and crude by design.Çatlı is Deniz Enyüksek's polished Turkish biopic of Abdullah Çatlı's years in European exile, anchored by Vedat İnceefe but too sympathetic to its subject.
Mostly no. It is well mounted and strongly acted, but viewers wanting a searching political drama will find it evasive; best for those already drawn to the history.Efes'in Sırrı is a Turkish family fantasy in which two archaeologists are turned back into children at Ephesus. A charming hook, weakly developed.
Mostly no. Young children may enjoy the chases and slapstick, but older viewers will find a promising age-swap idea left largely unexplored.Kanto is Ensar Altay's Turkish drama about a woman with dementia who vanishes into the snow, a restrained, quietly devastating study of caregiving and family guilt.
Yes. It is a patient, humane family drama for viewers who value performance and atmosphere over plot, though its slow burn will not suit everyone.Kardeş Takımı 3 is the Turkish family spy comedy's billed finale, adding time travel to the formula but finding little new to do beyond slapstick and gadgets.
Mostly no. Young fans of the first two films may enjoy the slapstick, but older viewers and newcomers will find a thin, formulaic family comedy.Kıble: Bitlisli Belkıs is Turkish folk horror about orphaned sisters and a healer said to speak with djinn. Its distinctive folklore is let down by stock scares.
No. Only devoted followers of regional folk horror will find enough atmosphere here to justify 84 minutes; most horror fans can skip it.Mutluyuz Mu? is a Turkish family comedy sequel in which divorced parents fake a happy marriage for their daughter's holiday. A promising setup wasted on stale jokes.
No. Unless you loved the first film, this formulaic sequel offers too few laughs and too little insight to justify its 94 minutes; better Turkish comedies are easy to find.
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Browse our Turkey catalogue sorted by Celluloid Score — the highest-rated films appear first with critic and audience ratings on every card.
Celluloid Score combines Celluloid editorial, Metascore, Letterboxd and IMDb inputs into a single percentage; audience sentiment is displayed separately alongside the written verdict and review.