The Orphanage
Directed by Juan Antonio Bayona · 2007 ·
The Orphanage (2007) earns a 79% Celluloid Score — Recommended. Recommended — recommended by most critics and audiences.Critics (86%) were notably more enthusiastic than audiences (73%).
Calculated from 4 available inputs: Celluloid editorial rating, Metascore, Letterboxd and IMDb. Audience sentiment is shown separately and never changes the composite. See how we calculate scores.
4-input transparent breakdown
🏆 1 award win · 1 nomination — Won Best Director Newcomer, Goya Awards 2008
Picturehouse Where to watch
Not confirmed on any major streaming platform yet — check local listings.
Why this score?
- Celluloid's editorial rating is positive (86/100).
- General viewers mostly liked it (73%).
- Metascore is generally favorable (78/100).
- Celluloid Score 79% combines 4 verified rating inputs; audience sentiment is shown separately.
Best for
- Viewers who want a well-regarded horror, drama pick
- Short runtime — easy weeknight watch
- Critics' darlings — stronger with reviewers than general viewers
Not ideal for
Scores reflect data indexed at build time. Component sources are shown on this page; Celluloid Score is our composite, not a third-party trademark. Scoring policy
Streaming availability, artwork and title metadata courtesy of TMDB. This product uses the TMDB API but is not endorsed or certified by TMDB.
Is The Orphanage worth watching?
Yes — The Orphanage earns a 79% Celluloid Score. Recommended — recommended by most critics and audiences.
Celluloid Verdict
Bayona's debut delivers old-school ghost-story scares with genuine maternal grief at its core.
Celluloid editorial verdict
Critics (86%) were notably more enthusiastic than audiences (73%).
What is The Orphanage about?
A woman reopening the orphanage where she grew up searches for her missing son as supernatural echoes of the past close in.
Watch the Trailer
Critic Reviews
The Orphanage (2007) Review: A Spanish Classic
★★★★☆
Juan Antonio Bayona's The Orphanage (2007) endures as a defining horror landmark from Spain, with scores that still shape how audiences discover cinema from the region.
Strongly recommended — a staple of its national cinema.
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