One Two Jaga Review (2018) — 76% Celluloid Score
Directed by Namron · 2018 ·
One Two Jaga (2018) earns a 76% Celluloid Score — Recommended. Recommended — recommended by most critics and audiences.Critics and audiences are closely aligned on this one.
Averaged from five public sources (critic, audience, Metascore, Letterboxd, IMDb). See how we calculate scores.
Five-source breakdown
🏆 2 award wins — Won Best Film, Anugerah Skrin 2019
Skop Productions Where to watch
- Peacock
Why this score?
- Majority of critics rated it fresh (84%).
- General viewers mostly liked it (80%).
- Metascore is generally favorable (72/100).
- Celluloid Score 76% averages all five public rating sources — our own composite, not a third-party trademark score.
Best for
- Viewers who want a well-regarded crime, drama, thriller pick
- Short runtime — easy weeknight watch
Not ideal for
Scores reflect data indexed at build time. Component sources are shown on this page; Celluloid Score is our composite, not a third-party trademark. Scoring policy
Is One Two Jaga worth watching?
Yes — One Two Jaga earns a 76% Celluloid Score. Recommended — recommended by most critics and audiences.
Critics Consensus
Raw, angry, essential — Namron's directorial debut channels social rage into propulsive crime storytelling and became a twin winner at FFM and Anugerah Skrin.
Celluloid Critics Consensus
Critics and audiences are closely aligned on this one.
What is One Two Jaga about?
Corrupt police and exploited migrant workers collide on Malaysia's highways in Namron's gritty thriller — a Best Film winner at Festival Filem Malaysia and Anugerah Skrin that exposes institutional rot through a taxi driver's desperate bid to protect his family.
Critic Reviews
One Two Jaga (2018) Review: FFM and Anugerah Skrin Best Film
★★★★☆
Raw, angry, essential — Namron's directorial debut channels social rage into propulsive crime storytelling and became a …
Essential [Malaysia](/country/malaysia/) cinema on [Best of Asia 2016–2026](/best/asia-2016-2026/) — Raw, angry, essential — Namron's directorial debut channels social rage into pro
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