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Celluloid

Anna

Directed by Luc Besson · 2019 ·

Answer Summary: Is Anna worth watching?

Anna (2019) earns a 59% Celluloid Score — Not Recommended. Not Recommended — reception was largely negative.Audiences (70%) responded more warmly than critics (59%).

Quick Verdict: What is the Celluloid Score for Anna?

Averaged from five public sources (critic, audience, Metascore, Letterboxd, IMDb). See how we calculate scores.

59%
Celluloid Score Not Recommended

Five-source breakdown

59% Critic Score
70% Audience
40 Metascore
★★★☆☆ Letterboxd 3
6.6 IMDb /10
Runtime
1h 59m
Cast
Cillian Murphy , Sasha Luss , Helen Mirren , Luke Evans , Lera Abova , Alexander Petrov , Nikita Pavlenko , Anna Krippa , Aleksey Maslodudov , Éric Godon
Country
France
Language
English

Where to watch

Not confirmed on any major streaming platform yet — check local listings.

Why this score?

  • Critics were divided or negative (59%).
  • General viewers mostly liked it (70%).
  • Celluloid Score 59% averages all five public rating sources — our own composite, not a third-party trademark score.

Best for

  • Crowd-pleaser seekers — audiences liked it more than critics

Not ideal for

  • Anyone needing a safe, highly rated pick

Scores reflect data indexed at build time. Component sources are shown on this page; Celluloid Score is our composite, not a third-party trademark. Scoring policy

Is Anna worth watching?

No — Anna earns a 59% Celluloid Score. Not Recommended — reception was largely negative.

Critics Consensus

Besson’s stylish assassin thriller — Murphy’s handler role adds cool menace opposite Sasha Luss.

Celluloid Critics Consensus

Audiences (70%) responded more warmly than critics (59%).

What is Anna about?

Beneath Anna Poliatova's striking beauty lies a secret that will unleash her indelible strength and skill to become one of the world's most feared government assassins.

Critic Reviews

critic Anna

Anna (2019) Review

Luc Besson's Anna (2019) remains a defining Action landmark from France, with scores that still shape how audiences discover the title.

Mixed — approach if the premise or cast specifically appeals.

Reader takes

No reader takes published yet — be the first helpful voice.

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