226 featured critic reviews. Page 9 of 26.
★★★★☆
Kiran Rao's Laapataa Ladies (2024) remains a defining Comedy landmark from India, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★★½
Luc Besson's Léon: The Professional (1994) remains a defining Crime landmark from France, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★★☆
Kiyotaka Oshiyama's Look Back (2024) remains a defining Animation landmark from Japan, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★½☆
Daniel Burman's Lost Embrace (2004) remains a defining Drama landmark from Argentina, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★½☆
Seren Yüce's Majority (2010) remains a defining Drama landmark from Turkey, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★★☆
Chidambaram's Manjummel Boys (2024) remains a defining Adventure landmark from India, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★★½
Charlie Chaplin's Modern Times (1936) remains a defining Comedy landmark from United States, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★½☆
Riar Rizaldi's Monisme (2023) remains a defining Drama landmark from Indonesia, with scores that still shape how audiences discover the title.
Strongly recommended — holds up for new and returning viewers.
★★★½☆
Barry Jenkins's Moonlight (2016) remains a defining Drama landmark from United States, with scores that still shape how audiences discover the title.
Worth watching — solid entertainment with lasting cultural visibility.