45 featured critic reviews. Page 3 of 5.
★★★½☆
Shane Atkinson wrings dark comedy from mistaken identity, with John Magaro's hapless lead giving LaRoy, Texas the jittery energy of small-town noir.
Modest but sharply entertaining indie noir.
★★★½☆
Leela Varghese's gleefully lo-fi animated romp turns a breakup rescue mission into giddy sci-fi comedy that never outruns its sincerity.
Messy, horny, sincere — and proudly so.
★★★½☆
Urška Djukić sets a shy teenager's first stirrings of desire against a convent choir retreat — piety and longing in quiet friction.
A quietly charged Slovenian coming-of-age gem.
★★★½☆
Andrew Legge's found-footage WWII sci-fi asks what two sisters would do with a radio that hears tomorrow — and the answer turns alarming.
Inventive, chilly, and divisive in the best way.
★★★★☆
Shoshannah Stern's insider portrait lets Marlee Matlin speak for herself, avoiding hagiography while honoring a groundbreaking career.
Essential viewing on Deaf representation and resilience.
★★★½☆
Mike Figgis turns Francis Ford Coppola's Megalopolis gamble into a riveting study of creative hubris and self-financed ambition.
Essential for anyone who cares how movies get made.
★★★★☆
The Minions crash a monster-movie lot in the year's most affectionate animated comedy — funny, fast, and surprisingly sincere about classic Hollywood craft.
The best Minions movie since the original — ideal family viewing with genuine cinephile Easter eggs.
★★★½☆
Michael Lukk Litwak's lo-fi cosmic rom-com proves charm beats budget, though its 175-minute sprawl tests even patient viewers.
Inventive, uneven, and genuinely romantic.
★★★★½
Lee Byung-hun gleefully unravels as a laid-off company man in Park Chan-wook's pitch-black comedy — unemployment anxiety turned into a musical nightmare.
Dark, daring, and darkly funny.