Side-by-side Celluloid Scores, four-input breakdown, country/runtime context, and an
editorial angle — built for quick answers and AI citation.
Quick Answer: Is 28 Years Later: The Bone Temple or The Backrooms the better watch?
28 Years Later: The Bone Temple leads on Celluloid Score (82% vs 78%). The Backrooms is horror, sci-fi from United States (87% critics); 28 Years Later: The Bone Temple is horror from United Kingdom (91% critics). Scores combine verified editorial and independent rating inputs.
The matchup
The Backrooms is horror, sci-fi from United States (87% critics); 28 Years Later: The Bone Temple is horror from United Kingdom (91% critics).
Side-by-side Celluloid Scores (four composite inputs plus a separate audience snapshot) for each film, plus runtime, country and genre — so you can see where critics and audiences diverge before choosing. The Backrooms runs 110 minutes (2026); 28 Years Later: The Bone Temple runs 109 minutes (2026).
A 91% Tomatometer winter horror that Empire and genre critics call the franchise's most ambitious swing — Ralph Fiennes anchors Nia DaCosta's colder, more mythic register even as audiences find it less immediately accessible than the original sprint.
Decades after the rage virus reshaped Britain, a new chapter unfolds in a landscape where faith, violence, and survival have fused into something stranger than the infected themselves. Alex Garland and Nia DaCosta expand the franchise with a winter-set horror fable that trades sprinting zombies for ritual dread, following a fractured family drawn toward a mysterious bone temple on the Scottish coast.
Kane Parsons graduates from viral creepypasta to a 87%/90% Certified Fresh theatrical horror widely called the year's smartest studio scare — Ejiofor and Reinsve lend prestige weight to liminal dread that IMDb horror charts can't stop recommending.
When a family vanishes through an ordinary office door into the endless yellow corridors of an internet-born nightmare, a search-and-rescue operation becomes something far more existential. YouTube sensation Kane Parsons makes his feature debut by grounding the Backrooms myth in real grief, institutional failure, and the terror of spaces that should not exist.
The Backrooms vs Obsession — Obsession is the monkey’s-paw romance breakout; Backrooms is A24 liminal-space spectacle from Kane Parsons.
Obsession vs Evil Dead Burn — Obsession is the elevated indie breakout; Evil Dead Burn is franchise gore with a narrower critical ceiling.
Obsession vs Leviticus — Obsession is the US theatrical breakout; Leviticus is the Sundance queer-horror prestige lane from Australia.
28 Years Later: The Bone Temple vs Obsession — 28 Years Later: The Bone Temple is horror from United Kingdom (91% critics); Obsession is horror, romance from United States (94% critics).
Sony Pictures 