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Celluloid

There Is No Evil Review (2020) — 85% Celluloid Score

Directed by Mohammad Rasoulof · 2020 ·

Answer Summary: Is There Is No Evil worth watching?

There Is No Evil (2020) earns a 85% Celluloid Score — Recommended. Recommended — recommended by most critics and audiences.Critics (98%) were notably more enthusiastic than audiences (88%).

Quick Verdict: What is the Celluloid Score for There Is No Evil?

Averaged from five public sources (critic, audience, Metascore, Letterboxd, IMDb). See how we calculate scores.

85%
Celluloid Score Recommended

Five-source breakdown

98% Critic Score
88% Audience
86 Metascore
★★★½☆ Letterboxd 3.9
7.7 IMDb /10
Runtime
2h 31m
Cast
Mahtab Servati , Shaghayegh Shourian , Baran Rasoulof , Darya Moghbeli , Kaveh Ahangar , Jila Shahi , Ehsan Mirhosseini , Mohammad Valizadegan , Alireza Zareparast , Mohammad Seddighimehr

Where to watch in the United States

Not yet streaming in the United States — check local listings.

Why this score?

  • Strong critic approval (98% positive).
  • General viewers mostly liked it (88%).
  • Metascore signals universal acclaim (86/100).
  • Celluloid Score 85% averages all five public rating sources — our own composite, not a third-party trademark score.

Best for

  • Viewers who want a well-regarded drama pick
  • Epic-length viewers who want a big-screen experience
  • Critics' darlings — stronger with reviewers than general viewers

Not ideal for

    Scores reflect data indexed at build time. Component sources are shown on this page; Celluloid Score is our composite, not a third-party trademark. Scoring policy

    Is There Is No Evil worth watching?

    Yes — There Is No Evil earns a 85% Celluloid Score. Recommended — recommended by most critics and audiences.

    Critics Consensus

    There Is No Evil — Golden Bear at Berlinale 2020. A landmark festival winner on Celluloid.

    Celluloid Critics Consensus

    Critics (98%) were notably more enthusiastic than audiences (88%).

    What is There Is No Evil about?

    Set against the backdrop of Iran's strict and oppressive legal system, this anthology film tells the stories of four men who each face a moral crisis when having to deal with death penalties.

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